Charlie Chaplin

Greeting Cards


London, United Kingdom

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Small Greeting Card Large Greeting Card Postcard
4" x 6" 5" x 7.5" 4" x 6"


  • Custom printed for pretty much every special thing there is
  • Digitally printed cards on heavyweight stock
  • Uncoated blank interior provides a superior writing surface
  • Each card comes with a kraft envelope for mailing or gifting

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Artist's Description

Charlie Chaplin. An Street Artist captured on London’s Southbank on 15th May 2010.
Made to look like an old photo with layer textures, conversion to B&W and an old frame added in PS4.

Camera Nikon D700 with 16-35mm Lense.
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Charlie Chaplin’s History
Charlie Chaplin was born in London on 16th April, 1889. Both his parents were music hall entertainers and Charlie started appearing on the stage while still a child. His father, Charles Chaplin, deserted the family and eventually died of alcoholism. His mother, Hannah Chaplin, found it increasingly difficult to find work on the stage and in 1895 the family entered the Lambeth Workhouse. Later, Charlie’s mother had a mental breakdown and was sent to the Cane Hill Lunatic Asylum.

When he was sixteen Chaplin won the part of Billy in a West End production of Sherlock Holmes. He later joined Fred Karno’s music hall revue. While touring the United States in 1913 Chaplin was discovered by the film producer Mack Sennett. Over the next couple of years Chaplin made a series of short slapstick films for Sennett’s Keystone Company. In these films Chaplin developed a character that wore baggy pants, tight frock coat, large shoes on the wrong feet and a black derby hat.

By his thirteenth film, Caught in the Rain (1914), Chaplin began to direct his own films. Chaplin now slowed the pace of his films, reduced the number of visual jokes but increased the time spent on each one. Chaplin placed the emphasis on the character rather than slapstick events. The themes of his films became more serious and reflected his childhood experiences of poverty, hunger and loneliness. Chaplin’s work revolutionized film comedy and turned it into an art form.

Chaplin’s films were highly successful and became a household name throughout the world. When Chaplin first started with the Keystone Company he was paid $150 a week, by 1915 he was receiving $1,250. Three years later, when he joined First National, Chaplin signed cinema’s first million-dollar contract. During this period Chaplin’s films included The Tramp (1915), The Pawnshop (1915), Easy Street (1917), The Immigrant (1917) and A Dog’s Life (1918).

In 1919 Chaplin joined with D.W. Griffith, Douglas Fairbanks and Mary Pickford to form United Artists, a company that enabled the stars to distribute their films without studio interference. Films produced by Chaplin and his company included The Kid (1921), The Gold Rush (1925), The Circus (1928) and City Lights (1931).

Chaplin became increasingly concerned with politics. A strong supporter of Franklin D. Roosevelt and the New Deal, Chaplin’s film, Modern Times (1936), was seen by some critics as an attack on capitalism. J. Edgar Hoover, head of the Federal Bureau of Investigations (FBI), began compiling a file on Chaplin’s activities, including his friendship with radicals such as Upton Sinclair, H. G. Wells, Hanns Eisner, Albert Einstein and Harold Laski.

A strong opponent of racism, in 1937 Chaplin decided to make a film on the dangers of fascism. As Chaplin pointed out in his autobiography, attempts were made to stop the film being made: “Half-way through making The Great Dictator I began receiving alarming messages from United Artists. They had been advised by the Hays Office that I would run into censorship trouble. Also the English office was very concerned about an anti-Hitler picture and doubted whether it could be shown in Britain. But I was determined to go ahead, for Hitler must be laughed at.” However, by the time The Great Dictator was finished, Britain was at war with Germany and it was used as propaganda against Hitler.

During the Second World War Chaplin played an active role in the American Committee for Russian War Relief. Others involved in this organization included Fiorello La Guardia, Vito Marcantonio, Wendell Willkie, Orson Welles, Rockwell Kent and Pearl Buck. Chaplin was also one of the major figures in the campaign during the summer of 1942 for the opening of a second-front in Europe.

After the Second World War the House of Un-American Activities Committee (HUAC) began to investigate people with left-wing views in the entertainment industry. In September 1947 Chaplin was subpoenaed to appear before the HUAC but three times his meeting was postponed. Unknown to Chaplin, J. Edgar Hoover, and the FBI, now had a 1,900 page file on his political activities. Hoover advised the Attorney General that when Chaplin left the country he should be allowed to return.

In 1952 Chaplin visited London for the premiere of Limelight. When he arrived back he discovered his entry permit revoked and had been denied the right to live in the United States. As Chaplin pointed out in his autobiography: “My prodigious sin was, and still is, being a non-conformist. Although I am not a Communist I refused to fall in line by hating them.”

Chaplin, blacklisted from making films in Hollywood, responded by making A King in New York (1957). The film stars Chaplin as the deposed king of Estrovia who flees to America where he is tormented by McCarthy style investigations. Chaplin was once again accused of being pro-communist and the film was not released in the United States.

While in exile, Chaplin wrote his memoirs, My Autobiography (1964) and directed the movie, A Countess from Hong Kong (1966). Despite the objections of J. Edgar Hoover, in 1972 Chaplin was invited back to the United States to receive a special award from the Academy of Motion Picture Arts and Sciences. He was also allowed to distribute his satire on McCarthyism, A King in New York. Charles Chaplin died in Switzerland on 25th December, 1977.

Artwork Comments

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