Exeter Cathedral II

David Davies

Weymouth, Canada

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Artist's Description

Interior of Exeter Cathedral, Devon, England.

(Wikipedia) The founding of the cathedral at Exeter, dedicated to Saint Peter, dates from 1050, when the seat of the bishop of Devon and Cornwall was transferred from Crediton because of a fear of sea-raids. A Saxon minster already existing within the town (and dedicated to Saint Mary and Saint Peter) was used by Bishop Leofric as his seat, but services were often held out of doors, close to the site of the present cathedral building.

In 1107, William Warelwast, a nephew of William the Conqueror, was appointed to the see, and this was the catalyst for the building of a new cathedral in the Norman style. Its official foundation was in 1133, after Warelwast’s time, but it took many more years to complete. Following the appointment of Walter Bronescombe as bishop in 1258, the building was already recognized as outmoded, and it was rebuilt in the Decorated Gothic style, following the example of nearby Salisbury. However, much of the Norman building was kept, including the two massive square towers and part of the walls. It was constructed entirely of local stone, including Purbeck Marble. The new cathedral was complete by about 1400, apart from the addition of the chapter house and chantry chapels.

Like most English cathedrals, Exeter suffered during the Dissolution of the Monasteries, but not as much as it would have done had it been a monastic foundation. Further damage was done during the English Civil War, when the cloisters were destroyed. Following the restoration of Charles II, a new pipe organ was built in the cathedral by John Loosemore. Charles II’s sister Henrietta Anne of England was baptised here in 1644. During the Victorian era, some refurbishment was carried out by George Gilbert Scott.

On 4 May 1942, an early morning air raid took place over Exeter. The cathedral sustained a direct hit by a large high-explosive bomb on the chapel of St James, completely demolishing it. The muniment room above, three bays of the aisle and two flying buttresses were also destroyed in the blast. The medieval wooden screen opposite the chapel was smashed into many pieces by the blast, but it has been reconstructed and restored. Fortunately many of the cathedral’s most important artifacts, such as the glass of the great east window, the misericords, the Exeter Book, the bishop’s throne and the Bronescombe Effigy, had been removed at the start of the war in anticipation of such an attack. Subsequent repairs and the clearance of the area around the western end of the building uncovered portions of earlier structures, including remains of the Roman city and of the original Norman cathedral.

Olympus OM-10, 50mm 1.8

All Products Tags

cathedral devon england exeter religious

Artwork Comments

  • Charmiene Maxwell-Batten
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