Tribute to Hokusai - Shoki Riding a Lion Revisited

Serge Averbukh

Toronto, Canada

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Introducing the ‘Treasures of Japan’ collection by Serge Averbukh, showcasing new media paintings inspired by modern and historical Japanese masterpieces. Here you will find pieces featuring Tribute to Hokusai – Shoki Riding a Lion Revisited.
Katsushika Hokusai (葛飾 北斎), October 31, 1760 (exact date questionable) – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s.
Hokusai created the “Thirty-Six Views” both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fuji in Clear Weather, that secured Hokusai’s fame both in Japan and overseas. As historian Richard Lane concludes, “Indeed, if there is one work that made Hokusai’s name, both in Japan and abroad, it must be this monumental print-series…”. While Hokusai’s work prior to this series is certainly important, it was not until this series that he gained broad recognition.
Ukiyo-e, or ukiyo-ye (浮世絵; “pictures of the floating world”), is a genre of woodblock prints and paintings that flourished in Japan from the 17th through 19th centuries. Aimed at the prosperous merchant class in the urbanizing Edo period (1603–1867), depictions of beautiful women; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna were amongst the popular themes.

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