Heyiya by Jenny Kendler (Light Font) Tri-blend T-Shirt
Designed and sold by Matthew Schneider-Mayerson
$26.24
Style
Tri-blend T-ShirtSuper soft tee, crew neck, regular fit
$26.24
Product features
- Vintage feel, so soft, probably your new favorite t-shirt
- Regular fit
- Male model shown is 6'1" / 186 cm tall and wearing size Large
- Female model shown is 5'4" / 167 cm tall and wearing size Small
- Midweight 4.3 oz. / 145 gsm preshrunk, moisture wicking tri-blend fabric: 50% polyester, 25% cotton, 25% rayon jersey
- The third party printer of this product is evaluated according to International Labor Organization standards
- The printer of this product sources blanks from manufacturers that are participating members of the Fair Labor Association
- Since every item is made just for you by your local third-party fulfiller, there may be slight variances in the product received
Heyiya by Jenny Kendler (Light Font)
"Heyiya" by Jenny Kendler. Artwork for the loanword "Heyiya," from the book An Ecotopian Lexicon, www.ecotopianlexicon.com. /// As Michael Horka write in An Ecotopian Lexicon, "In Always Coming Home (1985), Ursula K. Le Guin creates a future world of unmatched breadth and artful precision. One can sense that something new is coming into being—something radically dissimilar to the global capitalist present. That emergent world takes shape through the practice of heyiya... 'The Kesh give shape to heyiya in a double spiral form that signifies its dialectical nature: It [heyimas] is formed of the elements heya, heyiya—the connotations of which include sacredness, hinge, connection, spiral, center, praise, and change—and ma, house. The heyiya-if, two spirals centered upon the same (empty) space, was the material or visual representation of the idea of heyiya. Varied and elaborated in countless ways, the heyiya-if was a choreographic and gestural element in dance, and the shape of the stage and the movement of the staging in drama were based upon it; it was an organisational device in town planning, in graphic and sculptural forms, in decoration, and in the design of musical instruments; it served as a subject of meditation and as an inexhaustible metaphor.' Reading about how the Kesh practice heyiya provokes us to consider how our shared labor could be put to use in imagining a future desirable enough to begin letting go of our attachments to present systems of power. The aim of engaging in heyiya is ultimately to make our home anew through the labor of refashioning our desires." /// Artist Jenny Kendler writes, "Through the spiraling of heyiya, Le Guin lays out a path to reenchant civilization as a porous social construct not predicated on the domination, human exceptionalism, and extractive model of contemporary capitalism, but guided by acceptance of difference and compassion as well as a living knowledge of who we are as a species." /// For more artwork by Jenny Kendler, go to www.jennykendler.com.
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