Getting In Shape: Angles Socks
Designed and sold by EdiesArts
$15.29
$13.59 when you buy any 3+
$13.59 when you buy any 3+
10% off ends in
06H
40M
53S
$15.29
Product features
- Soft, stretchy crew socks with a ribbed cuff, classic fit, and arch support for everyday comfort
- Socks fit: men's US shoe size 6-10, women's US shoe size 5-11, UK shoe size 3-9.5, EU shoe size 34-42.5, men's AU shoe size 5.5-9.5, women's AU shoe size 5-11
- Printed to allow ink to penetrate the yarn, so socks look great even when stretched; finer print details may vary from the product photo
- Machine washable
- Since every item is made just for you by your local third-party fulfiller, there may be slight variances in the product received
Getting In Shape: Angles
"Lines and Edges" is an abstract geometric composition that evokes the spirit of modernist art, reminiscent of works by Piet Mondrian or Kazimir Malevich, where form and color interplay to suggest movement and spatial tension. Dominated by a stark black background, the piece features a large, irregular white rectangle tilted at a dynamic angle, as if caught mid-lean, its edges sharp and unyielding. Overlapping this central form are bold, intersecting lines in vibrant pink—diagonal slashes that slice across the canvas with assertive energy, creating a sense of disruption and flow.
A vertical green line rises like a sentinel from the lower edge, anchoring the composition while extending upward, its thickness providing a counterpoint to the thinner pink strokes. To the upper right, a solid green circle floats serenely, partially overlapping the white rectangle, introducing a rare organic curve amid the rectilinear rigor. At the bottom right, a right-angled green triangle juts forward, its hypotenuse aligning with a faint pink extension, forming a subtle bridge between shapes.
The limited palette—crisp whites, electric pinks, and deep greens against inky black—amplifies the work's minimalist intensity, exploring themes of balance and imbalance, confinement and release. Edges here are not mere boundaries but active participants, blurring the line between figure and ground, inviting viewers to trace the visual rhythms and ponder the implied architecture of an unseen space.
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