Impressionist & Abstract Photography

For photographers who enjoy APPLYING the Impressionist & Abstract principles of Art in their photography, NOT photographing other artwork.

Recent Work

  • A Blue Washington Monument Reflection by Cora Wandel
  • Sticks and Stones by Otto Danby II
  • Blue water drops 0900 by Roger Porter
  • Data Cable by arc1
  • Gone Wild by Otto Danby II
  • Another Army Of Herring by arc1
  • Blue Abstract #1 by Thaddeus Zajdowicz
  • Going Through Changes by Otto Danby II
  • Within the City Walls by Otto Danby II
  • swing. red house. flat land by Nikolay Semyonov
  • Red and black curves by Thaddeus Zajdowicz
  • Black & White Abstract. by Forfarlass

About This Group

This group is for Photographers who use the techniques and principles of the Impressionist and Abstract movements of Art and combine it with their photography. Digilat manipulation will be considered. Lensbaby users are most welcome.
No sets of images, iPhone cases, clothes or stickers please. There are other groups who showcases these.

Guideline definitions (from Wikipedia)

ImpressionismCharacteristics of Impressionist paintings include relatively small, thin, yet visible brush strokes, open composition, emphasis on the accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, the inclusion of movement as a crucial element of human perception and experience, and unusual visual angles.

AbstractAbstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be only slight, or it can be partial, or it can be complete. Abstraction exists along a continuum. Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive.

See the group rules and join this group here