Womens
9971 creative works found
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water colour and water pen on wood, 50×20cm / / / -
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Black and White photograph (digital) by Le-Croix
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Waverley Art Prize Finalist / In the Moment Finalist – published
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Thank you everyone for your lovely comments !! Available as a matted print , laminated print, mounted print, canvas print framed print and card . Summer And Polkadots / / Patterns#2Red Hill All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.
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Work featured on home page 06/01/2009 – Thank you very much dear Redbubble:0)) One of my best sellers T-shirt, great on black tee too!! Wonderful present for Valentine’s Day!!! Thank you for buying ! :0) Another favorite:White Flowers
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Acrylic on canvas / 500mm x 500mm x 35mm / Inspired by Gustav Klimt.
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I started this picture nearly a year ago and just couldnt finish it. Today I did. This is for you Sarah… you know why. http://www.redbubble.com/people/bigbear This is not for sale from my portfolio. It can be purchased from the Phoenix Appeal portfolio here
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colour image of a girl walking through tall whispy grass, backlit with several flares; a selfportrait FEATURED IN REDBUBBLE ART&PHOTOGRAPHY May 2009 / FEATURED IN FIRST THINGS May 2009
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I’m a sucker for a good game of poker!! :)
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/ Reflecting / / In the shadow / / Tired / / Just leaving
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I honestly have no meaning behind this / I was bored on photoshop / and I was listening to “Viva La Revolution” because my friend was playing tony hawks underground behind me (its one of the songs on there if you didn’t know) / so yeah
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acrylic painting
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FROM PARIS SERIES: / CHARLESTON / / GLAMOUR / / BELLE DE JOUR / BELLE PARISIENNE / / / MARIE ANTOINETTE / / / FEMME EN BLEU /
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/ Featured on RedBubble….Thanks Everyone!! If you like this shirt, then check these out too / CarrieGlennStudios.Com / My Zazzle Gallery
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my sister at her wedding (23.6.07)… / To achieve the soft focus on this photo I add a guassian blur to one of the channels (can’t remember which one), changed to sepia and then added a ‘soft light’ blending layer also a little dodging and burning… v. simple!
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Through A Glass Darkly. By Paul D Robertson Pastels 140 cms x 97 I like this piece very much. Sometimes in my work I can witness myself taking leaps of quality, and I believe that this is one of those times. It is an indescribable sensation to see my own hands make something such as this. I begin the with a person, a woman, before me, some materials – paper, chalk, paint. At the end of the slow still hours quickening my fingers, I surface from the fugue and wake from the trance of working. And sometimes I have something before me that is beautiful that did not exist, that what the world did not hold before I began. And it will last for centuries. I love the idea of obscured reflections and scattered and refracted light – my desire to work is pushed further every time I stumble upon something I know I must pursue. In many of my works, whenever it is practical, I will place a left-hand print on a wall or smudging a piece of glass. I have done this for years, and I will never stop. Recently the idea occurred to me that since this has become one of the defining symbols within my work, I could execute a piece based entire on the idea. So I made it happen. I forced it into existence. And I am so left handed, you see, that I almost walk with a limp.
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She will find it. Please read GHOST OF A WOMAN by Caroline Evans Help stop violence against women and children. WHAT DOES THIS WORK MEAN? ART BLOG HERE FEATURED on RB Home Page 25 November 2008 /
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The Scream is basically a piece about violence against women, a subject that really sensitizes me not only for being a woman, but also for being human and for dreaming and working for a better world based on respect and equality. I didn’t want a piece that was oppressing or showed only the pain of the violence or abuse. I wanted something dynamic, that could have a “voice”, that could help people to reflect about how to change things. The symbolism of the piece is quite simple and direct. There’s a dual figure in the center. She might be the same woman in two different attitudes, if you like. The red-haired one is scared and in pain. She holds her bleeding heart and wears a mask to keep herself hidden from judgment or other losses. She might be the one who was raped in a party after drinking too much, the one who was abused for a family member but preferred to hide in order to do not cause disturbances in the family, the one who was beaten for her husband but kept silent for fear of losing her children. She might be one of the Congo women. She might be me, or you. The black-haired woman doesn’t wear a mask. She is screaming – although sometimes I think that she is in fact singing. What she releases from within herself is a bird, red as life. Is the desire for freedom from a world conquered by force, not love. She screams her right to be treated as a human being instead of a second-class citizen, as a partner instead of a subordinate. Her right to express her own ideas and have their own attitudes without being demonized for them. There are also masks at the bottom, a pile of masks without faces behind them. They once belonged to women who decided to scream instead of keep silent and anonymous. That decided to stop pretending that that’s how the world is and there’s nothing that can be done to change it. But there’s so much one can do just by having a voice… And use it to demand respect for being human is urgent.
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