Whose 

44 creative works found

  • Whose Watching You?
    by Gracey

    “If YOU are one of the people I am watching (on my watchlist) PLEASE check this promotional page on my website to see if you are liste…

    If YOU are one of the people I am watching (on my watchlist) PLEASE check this promotional page on my website to see if you are listed. Check the images and the links, and the spelling of your name to be sure they are correct. If you are on the page and don’t want to be, please bubble mail me and I’ll take you off. If you want to change the image on the page to another, please bubblemail me with the link to the image you want used. If you want your real name to appear along with your nic, also bubblemail me. If my name appears in your “whose watching you list” and you DON’T show up on my page, please let me know. It’s easy to miss someone when you’re dealing with constant additions. Although my personal opinion is that “no right click” scripts are fairly useless in the way of protection, I have added it to the page for those that think it’s helpful. Anything else…please leave a comment :)

  • acrylic, pencil, collage on canvas

  • He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it. Douglas Adams See my full portfolio here Shop Art by Category and/or Series Guide to the Silver Lining shirts

  • An old holden left abanded near Woomera

  • Nice to actually know some artists again, whose work's on display.
    by Ozcloggie

    Meant to attend the recent opening night, of Gallery 26, Milsons Point but approached from the north and was lost. Had no problem, today…

    Meant to attend the recent opening night, of Gallery 26, Milsons Point but approached from the north and was lost. Had no problem, today, coming from the south. Just turned left, after the bridge. Marilyn Brown had written: / A brand new gallery opening in Milsons Point, Sydney run by our very own Steve McLaren. Featuring some of our own RedBubble artists such as: Steve McLaren aka bodymechanic / Marilyn Brown aka mbartworks / Sam aka Sunset / Andrew Bosman / Brett Keith aka miloman / Sara Lamond / Marco Britti / Sarah Moore / Surface / As well as many other amazing artists. The Gallery is really easy to get to being a 5 minute walk from Milsons Point station or 2 minute walk up the hill from Milsons Point Wharf. It’s located directly behind Luna Park. The gallery will be open 7 days a week from 10 to 6pm. If you wish to check out the gallery outside those times just contact either Sarah Moore or Steve McLaren by bubblemail.

  • I was on my way to work one morning and I ran across this sight!

  • Whose home?
    by Paulette x

    US$3.42–US$91.20

    A tame deer waits hopefully, sheep dog not impressed. This was taken on the mainland just across from the Glenelg ferry as I recall. I even took a shot of it on my mobile phone and it leant over me to sniff the phone while I was taking it! Canon EOS 400D.

  • Whose Fault is this?
    by Dave Sandersfeld

    US$3.42–US$91.20

    My Fault, named after me, is near Ochoco Divide in central Oregon. Nothing else is my fault!

  • Whose next in line
    by atomikboy

    US$3.42–US$91.20

    If you look hard enough…....you,ll see under those great dentures he lurks!!!

  • Dunnock
    by jdmphotography

    US$3.42

    A small brown and grey bird. Quiet and inobtrusive, it is often seen on its own, creeping along the edge of a flower bed or near to a bush, moving with a rather nervous, shuffling gait, often flicking its wings as it goes. When two rival males come together they become animated with lots of wing-flicking and loud calling.

  • Found this written on the street lamp post. and it was in the city. right at the heart of melbourne. and i noticed there were a couple more near there… I thought it was very interesting yet sad in some sense. but it is a long-lasting and growing issues in Australia that has been around for years. so i thought i would post it up here. do tell what you think about it.

  • Whose round is it anyway?
    by Lucy Wardle

    US$3.42–US$34.20

  • Whose bought artwork from Redbubble?
    by Danita Hickson

    I’m absolutely in LOVE with some of the art on this site. We just bought a new house and I’m looking to decorate it with some great piec…

    I’m absolutely in LOVE with some of the art on this site. We just bought a new house and I’m looking to decorate it with some great pieces. I’d love to know if the larger framed or mounted pieces come out crisp and clear like I view them on my monitor? I’d love to support some fellow bubblers but I really want it to be amazing and breath taking! Anyone have any tips or advice on the quality? Thanks!

  • Sugar and lust
    by Duncando

    US$23.94

  • I like you color, man…

  • Whose Reality?
    by speedtheplough

    The indistinguishable, inseparable layers upon layers of subjectivity.

    This is a (short) story constructed during a train journey, in my last year of high school. Any comments will be greatly appreciated = ).

  • What is mine? Is yours? Is theirs? Is whose?
    by Ronky

    Hmmm. I am sure that the topic has been broached before, but not by me. I was just browsing through the excellent work by fellow RB’s…

    Hmmm. I am sure that the topic has been broached before, but not by me. I was just browsing through the excellent work by fellow RB’s and came across some manipulated pics. The base for the said pics was very, very familiar and I am sure I have links to the originals at home somewhere (a site link or a scribble on a piece of paper?). The pics were manipulated to create something slightly different, but were basically the same picture (so slight were the manipulations). So, what constitutes ownership? At what point does this become said persons image? At what point can one say that the manipulation of the image is creative? I am a true still image newb, I have at present only two photos on RB mainly because I do all things in life from my heart. If I cannot feel the shot I cannot take the shot. If I cannot feel a creative manipulation from a shot taken by me, I cannot manipulate for the sake of just learning what another Photoshop filter can do. I see so many highly talented artists and photographers on this site. People who want others to see things from their eyes in their world, telling their unique story. I want to do that as well. I at present only have two pics on RB. Not a great effort BUT I am a newb to still photography and I want to try and produce good work. I am pretty sure that I know enough about manipulation software that I could sit down in one session and complete a string of pictures using other peoples hard worked creativity. Maybe I am wrong. Maybe I am just trying to understand something that I don’t understand. Maybe I am just having a “got out of the wrong side of bed” day. I spent about 5 hours last night writing 7 pages of a script. 5 hours for 7 pages seems like a long time for little result, but they are my 7 pages. There are influences in the writing that are implanted in my mind from others that have passed my way during my 44 years, but I am safe in the knowledge that I am not taking someone elses hard work and merely adding some of my own lines and color. The pleasure I feel when creating something new from inside me has to be better than changing what wasn’t initially yours. Is it Friday yet?

  • Seems like someone or something is always trying to put something into my head. Who is the real me? Am I the result of ideas and opinions?

  • whose watching who?
    by Mary Ellen Hurley

    US$3.42–US$34.20

    country setting

  • Whose's Toy
    by Daniel Palmer

    US$3.71–US$98.80

    These three where trying to decide whose toy it was.

  • Whose Turn Next?
    by BurtleBard

    Where once were my pearlies / Will be my memories

  • (Colour Shade) I can be everything to everyone explores subjectivity and landscape, uncovering relationships between notions of isolation, desire, belonging and place. Shot in and around Hill End – a historic gold mining village in regional NSW, the series takes interest in the residual energy that can be sensed in old buildings and landscapes, reflecting on the way that this energy resonates and creates tension between the historical and contemporary.

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