Whole
463 creative works found
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I love you, / you know / / / / thank you
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ALL PROCEEDS DONATED TO PHOENIX APPEAL The hand has been a universal motif since ancient times, whether it be a signature, greeting, protective device or healing tool. I’ve been working on a series depicting hands. Inspired by vision, they are few and far apart and like dreams will not be forced or summoned. The painting manifests completed in my mind, every layer of detail woven into the next in the manner of a tapestry; every element in the design holding meaning. When this happens I know its time to get in the studio and paint before the image loses potency and fades away. The hands in these paintings are my own and painted life size. They are meant to be expereinced not only as art, but as a focusing tool. By placing your own hand upon the image and concentrating on the colors and undualting lines, what they represent, and endevoring to sense this within your own fingertips and palms, the mind is directed toward awareness. Occupied, it ceases its chatter and allows you to be directly in the body, in the present moment rather than thought – traveling to the chores and concerns of the future or dwelling in a remembered past . Just focus on feeling the colors and what they symbolize to yourself and imagine pulling this sensation into the hand, to the heart and throughout the body. Then radiate it outward. Dont direct or worry about where its going anymore than the sun and stars concern themselves with where their light shines. Just focus on the sensation. In time you’ll be able to do this practice without a painting. Its a form of cleansing, washing away the dust and debris of the road. This painting itself is a feminine one, representing healer and healing. It was inspired by a friend who practices therapeutic massage, but the modality is not important here. This image is not only about the desire to heal others and self, but the drive and ability as well. I’ve written a few of my notes below. In many cultures butterflies are associated with the unfettered spirit, soul, femininity, and all that is beautiful and ephemeral. Lakota teachings say that butterflies flutter near girls and women, often landing on their shoulders, and convey knowledge regarding the location, harvesting, preparation and applications of botanicals. For this reason the monarch butterfly, so abundant on the prairie, seemed an ideal metaphor to convey the traditional concept of healing, healer, and wellness. The spots are patterned after the border of a monarch’s wing, symbolizing the Lakota woman’s affinity with butterfly medicine, but have other meanings as well. They are stars and fireflies in the night skies of summer, yin to sun’s yang , countering heat, dryness and light with cool, moist darkness. This imagery came one day as I held my hand before the sun, studying the way its shape was cast into deep shadow, almost a silhouette. I could feel the coolness in its shade. The sun flashed between my parted fingers and for a few moments afterward miniature suns danced across my field of vision, even when looking into the shadow of my hand. The two fingers glowing blue at the tips represent healing energy transferred by healer to client. This blue light is positive intention, conscious purpose, the place from which a healer draws power and luminous sky washed clean and purified by summer thunderstorms. The hand is dark (yin), it greets and touches the sun, source of warmth and light (yang). The small blue circle in the palm of hand is the void from which power is drawn. It is infinite, like the sky above. The swirling circle of orange is inspired by the patterns on a monarch’s wing, representing movement, new life, the birthing process, creation. There’s more, but this exerpt provides an idea of my intent. Whats more important is the way it resonates with you. Text copyright Helena Nelson -Reed. Please do not use without written permission.
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My Work is Featured in Pop Art / (Thanks Everyone) ...You like potato and I like potahto / You like tomato and I like tomahto / Potato, potahto, Tomato, tomahto. / Let’s call the whole thing off… Have you ever wanted to throw tomatoes at a work of art? It’s wonderful! Thank you to Dogbreath for the use of his very special Grandpa’s Watch to paint for this piece. You can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios /
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“Your faith has made you well.” / Anyone with a disease longs to hear these words. / (Digital Mixed Media)
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The whole world can change in a minute The whole world can change in a minute / Your life can change in a day / 3 seconds too late or too early / Can steal your existence away I have stood many times at a bedside / And held a hand as they died / I have seen some who had a full lifetime / While others never once tried By Chris51 / Thanks to Tony Ryan / Model: Danielle
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We are all marred by life in some way or another. This image is about overcoming. Overcoming illness (emotional and physical) and destruction of all kinds. This image is about hope and restoration. This image is about healing. Most importantly, this image is about wholeness. / / / In that day I will restore / David’s fallen tent. / I will repair its broken places, / restore its ruins, / and build it as it used to be. Amos 9:11 / / / Digital Mixed Media :)
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Sometimes one only gets to see part of the whole, but that part is so breathtaking that no more is needed, sometimes a person will only reveal a part of themselves, and over time one sees a little more and a little more and the glimpse grows and the picture becomes whole…
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thinking there's not a whole lot to say anymore now that people listen & she has to make sense...
by Natalia CampbellUS$7.32–US$167.20
~quote by storypeople.
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“The Meaning of Life is to Give Life Meaning” / Ken Hudgins For a Quick Look click / Gorgeous Gods & / Goddesses, / Flowers, / Beautiful Places and Things, / Weddings / Pregnancy and Babies
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And she was in bitterness of soul, and prayed to the LORD and wept in anguish. Then she made a vow and said, “O LORD of hosts, if You will indeed look on the affliction of Your maidservant and remember me, and not forget Your maidservant, but will give Your maidservant a male child, then I will give him to the LORD all the days of his life, and no razor shall come upon his head.” ~1 Samuel 10-11 Stock Credits: / Woman by pieceofmestock.deviantart.com / Keys by bazzlestock.deviantart.com
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this simple media piece…I don’t think I used but paint and pencil in this one…..was painted as a LOVE of mine….a projection of mine. His reflection…. one of solid presence projecting strength balance care space truth…..holder of HOME. Like I said, he WAS for me to see these qualities in myself. Now I can thank him. It has taken me some time….. From his heart flowers emerge to greet meet so sweet …from his head hand reaches to stars….is he from mars…..since he spoke so often of the wars….of the sexes….mind vexes….or maybe it’s ‘cause I’m from Texas? The distance definitely sweetens this dream…...
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A Whole Page For Photoshop
by StarKatzI don’t know whether anyone knows or not, but if you’re as mad about Photoshop as I’m getting to be you’re going to have a blast with thi…
I don’t know whether anyone knows or not, but if you’re as mad about Photoshop as I’m getting to be you’re going to have a blast with this site, “Photoshop Elements Menu” / http://www.photokaboom.com/_htm_menus/PSE_menu.htm Get Free downloads, and check out the tutorials.. You can never have too much information on Photoshop.. If you happen to find anything you think may be useful to others be it this website I’ve provided or another, please share the links here ;0) Check this out exert from the same site: Photoshop Elements /Move a Face Is this the right tutorial for you? The face you want to move could be in two situations. / Two Situations Situation #1 You have two photographs of the same group of people. The photographs were taken moments apart from each other. Grandpa Gumpo has a great expression in one of the photographs. In the other photograph, Grandpa Gumpo looks like a bee has just stung him. You want to cover Grandpa Gumpo’s bee-stung-face with his good-smile face. To do the above, go to File > New > Photomerge Group Shot. Don’t use Photomerge Faces. That’s for combining facial features to make a funny face. Situation #2 This tutorial is for the following situation. You have a photograph of a group of people. You want to add a person to the group that wasn’t in the group. Moving the face is easy. Integrating it into the group photograph is complicated. If you’re an intermediate user of Photoshop Elements, stick around. Beginners should come back later! 1 – Open the Two Photographs Let’s say you have a photograph of Uncle Fud. And, you have a photograph of a group of people, the destination for Uncle Fud’s face. 1) Open the photograph of Uncle Fud and the photograph of the group. / 2 – Select Uncle Fud 2) Double click on the thumbnail of the Uncle Fud photograph in the photo bin at the bottom of your screen. 3) Select Uncle Fud’s face and upper body. Hair can be difficult to select. You can select a few pixels of the background around Uncle Fud’s hair. Later, if necessary, erase these pixels of the background. 3 – Copy Uncle Fud 4) Press Ctrl + j. Uncle Fud is now on a new layer all by himself. 5) Rename this layer Uncle Fud. / 4 – Do You Need to Flip Uncle Fud? You may need to rotate the Uncle Fud layer horizontally, left-to-right. Do this if the lighting is different for Uncle Fud and for the group. Check Uncle Fud’s Light Direction Look at the lighting on Uncle Fud. Figure out where the light is coming from. Look at the shadows and highlights. Let’s say the light is coming from the left side in the Uncle Fud photograph. / Check the Group’s / Light Direction Next, look at the group photograph. Is the light coming from the same direction as in the Uncle Fud photograph? Let’s say the light is coming from the right side in the group photograph. When you put Uncle Fud into the group, he may look odd. He’s lighted from the left. Everyone else is lighted from the right. / Back & Front Lighting If one photograph has light was coming from behind—and the other photograph has light from the direction of the camera—there would be no need to flip Uncle Fud. 5 – Flip Uncle Fud Do the following, if necessary. 6) Make sure the Uncle Fud layer is selected (highlighted). 7) Go to Image > Rotate > Flip Layer Horizontally. Make sure you select: Flip Layer Horizontally—not Flip Horizontally. Uncle Fud has flipped. A person may look different when he or she is flipped left-to-right. However, correcting the difference in lighting probably outweighs any unnaturalness due to the flipping. This is even more true when the face is small in the group photograph. / 6 – Move the Uncle Fud Layer To move the Uncle Fud layer to the group photograph, do the following. 8) Make sure the Uncle Fud layer is selected (highlighted). 9) Press Ctrl + a. You’ll see the marching ants on the edge of the image. 10) Select the Move tool. 11) Click, and hold, on the large image of Uncle Fud in the center of your screen. Don’t click on the Uncle Fud layer in the layers palette on the right side. So, you’ve clicked on Uncle Fud in the center of your screen, and you’re holding the mouse button down. 12) Drag Uncle Fud onto the thumbnail of the group photograph in the photo projects bin at the bottom of your screen. 13) Double click the thumbnail of the group photograph in the project bin. The Uncle Fud layer is now on the top of the layer stack in the layers palette on the right side of your screen. If you haven’t already, go to Move a Layer. Uncle Fud Background copy (Group of people) Background Layer Stack in the Photograph of the Group / Note: / Edit the Group Photograph, Now You have moved the Uncle Fud layer to the group photograph. You’re finished with the Uncle Fud photograph. From now on, you’ll be editing the group photograph only. / 7 – Reposition Uncle Fud 14) In the group photograph layer stack, make sure the Uncle Fud layer is selected (highlighted). 15) Select the Move tool 16) Click, hold, and drag Uncle Fud. You can reduce the opacity of the layer to better see how to integrate Uncle Fud into the group. Fine tune the position by using the arrow keys on your keyboard. You’ll probably have to resize Uncle Fud. His head may be too small or too big. / 8 – Grid You can use a grid to make it easier to resize Uncle Fud. 17) Go to View > Grid. 18) Use the Zoom tool to enlarge the face of the person in the group nearest to Uncle Fud. Let’s say Aunt Joan is next to Uncle Fud. 19) Count the number of boxes from the top of Aunt Joan’s face to the bottom of her face. / Note: Grid Box Size If the grid boxes are too small or too big, change their size. Go to Grid in Preferences. / Windows Edit > Preferences > Grid, or press Ctrl + k. / Mac Apple menu > Preferences > Grid. / 9 – Resize Uncle Fud Let’s say the height of Aunt Joan’s face is eleven boxes. Uncle Fud will be “standing” behind Aunt Joan. So, make his face a little smaller than eleven boxes. 20) Make sure the Uncle Fud layer is selected (highlighted). 21) You may want to deselect the Eye icons of the other layers, so you can see Uncle Fud more easily. 22) Go to Image > Transform > Free Transform, or press Ctrl + t. A box will appear around Uncle Fud. 23) Position the cursor directly over the bottom right corner of the box. The cursor will change to a straight double arrow (not curved). Press and hold Alt, click and hold the mouse button down, and move the corner of the box to resize Uncle Fud. Pressing and holding Alt keeps the aspect ratio of the Uncle Fud layer intact. Again, make his face a little smaller than eleven boxes high. 24) Click the green check mark to keep the transformation. If you haven’t already, go to the Free Transform Tool. 25) Go to View > Grid to hide the grid. 26) Reselect the Eye icons for the other layers. / Note: / Don’t Degrade Uncle Fud If you make a mistake when resizing Uncle Fud, it’s best to go back to just before you resized the layer. The Free Transform tool adds and deletes pixels. Therefore, if you resize and click the green check mark, and do it again, and again, the Uncle Fud layer will degrade. Use one of the following methods to backtrack. / Undo Arrow So, if you don’t like the new size of Uncle Fud, click the blue Undo arrow icon until you return to the operation you did just before using the Free Transform tool. / Undo History Go to Window > Undo History. There, select the operation done just before using the Free Transform tool. Then, close the Undo History window. You’ll go back to just before you used the Free Transform tool. / Note: / Tucking Uncle Fud into the Group Uncle Fud’s body isn’t tucked into the group yet. He’s floating above the group! He doesn’t have legs! Not to worry. We’ll tuck him into the group after correcting his Levels and color. / 10 – Levels 27) If the exposure and contrast of the Uncle Fud layer are different from the group, do the following. a) Make sure the Uncle Fud layer is selected (highlighted). b) Go to the Create adjustment layer icon (“yin-yang”) and select Levels. Don’t make any corrections yet. c) Click OK. d) Make sure the Levels adjustment layer is selected (highlighted). d) Go to Layer > Group with Previous, or press Ctrl + g. The Levels adjustment layer and the Uncle Fud layer are now grouped. Look for the tiny black arrow pointing down in the Levels adjustment layer. Because they’re grouped, the correction from the Levels adjustment layer will be confined only to the Uncle Fud layer. The Levels adjustment layer won’t affect the group. e) Reopen the Levels adjustment layer by double clicking the graph icon (6.0), or gears icon (7.0), in the Levels adjustment layer. f) Make your Levels corrections to match the exposure and contrast of Uncle Fud with that of the group. g) Click OK. The layer stack will look like this. ↓ Levels (Grouped with Uncle Fud) Uncle Fud Background copy (Group of people) Background / Note: / What about Doing / Levels for the Group? You used Levels on the Uncle Fud layer. When we’re almost finished, you’ll do Levels on all of the layers to make the entire photograph look its best. / 11 – Color Correct Uncle Fud The color of the light that illuminated Uncle Fud, in his original photograph, may have been a different color than the color of the light on the group. People won’t notice slight variations in the color between Uncle Fud and the rest of the group. So, you don’t need to match the color perfectly. 28) If the colors of Uncle Fud and the group are substantially different, try one of the following two color correction methods. / Automated Method / Correct Uncle Fud’s Color a) Make sure the Uncle Fud layer is selected (highlighted). b) Go to Enhance > Adjust Color > Adjust Color for Skin Tone. c) Click on Uncle Fud’s cheek. / Sliders Use the sliders to fine tune the color. The Tan and Blush sliders affect the skin tone. Is Uncle Fud more tan, or more blush? The Temperature slider can be used to cool (blue) or warm (red) the color. / Better? Does Uncle Fud’s color match the group better? If not, correct the skin tones in the group. Do the following. / Correct the Group’s Color d) Make sure the Background copy layer is selected (highlighted). e) Go to Enhance > Adjust Color > Adjust Color for Skin Tone. f) Click on Aunt Joan’s cheek. But, don’t click on her too-thick rouge. You have now color corrected both layers. Their color should be similar now. / Photo Filter Adjustment Layer Method If you’re somewhat skilled at judging color, create a Photo Filter adjustment layer. a) Make sure the Uncle Fud layer is selected (highlighted). b) Go to the Create adjustment layer icon (“yin-yang”) and select Photo Filter. Don’t make any corrections yet. c) Click OK. / To Group or Not to Group Do you have a Levels adjustment layer already grouped with the Uncle Fud layer? If so, you don’t need to group the Photo Filter adjustment layer with the Uncle Fud layer. The Photo Filter adjustment layer will be automatically grouped with the Levels adjustment layer. So, skip ahead to f), below. If you don’t have a Levels adjustment layer grouped with the Uncle Fud layer, do the following. d) Make sure the Photo Filter adjustment layer is selected (highlighted). e) Go to Layer > Group with Previous, or press Ctrl + g. The Photo Filter adjustment layer and the Uncle Fud layer are now grouped. Look for the tiny black arrow pointing down in the Photo Filter adjustment layer. Because they’re grouped, the correction from the Photo Filter adjustment layer will be confined only to the Uncle Fud layer. The Photo Filter adjustment layer won’t affect the group. f) Reopen the Photo Filter adjustment layer by double clicking the filter icon in the Photo Filter adjustment layer. g) Click the tiny black triangle to open the filter menu. h) Select the filter according to the chart below. The boldfaced filters are the most commonly used. / If Uncle Fud Is . . . Use this Filter / Too cool (blue). Warming Filter (81) / Too warm (red). Cooling Filter (82) / Too cyan (blue/green) Red / Too violet. Orange / Too blue. Yellow / Too magenta (pink). Green / Too red. Cyan / Too yellow. Blue / Too orange Violet / Too green, such as florescent lighting. Magenta h) Click OK. If the color correction needs to be tweaked, reopen the Photo Filter adjustment layer. Move the Density slider back-and-forth, and click OK. The layer stack may look like this. ↓ Levels (Grouped with Uncle Fud) ↓ Photo Filter (Grouped with Uncle Fud) Uncle Fud Background copy (Group of people) Background 12 – Tuck Uncle Fud into the Group Do the following to blend Uncle Fud into the group. / Preparation 29) Make sure the Uncle Fud layer is selected (highlighted). 30) Reduce the opacity of the Uncle Fud layer. You need to be able to see the shoulders of Aunt Joan and others. / Understand What Needs to be Selected Let’s say Aunt Joan is standing next to Aunt Bea. Uncle Fud is going to be between, and behind, the shoulders of the two aunts. So, you need to select from their shoulders down. / Select You’ll select the two aunt’s shoulders, and the upper parts of the their dresses. The Magnetic Lasso tool may be the best selection tool for this task. 31) Make sure the Background copy layer is selected (highlighted). 32) Deselect the Eye icon for the Uncle Fud layer. You don’t want to select Uncle Fud. You only want the aunt’s shoulders and the tops of their dresses. 33) Select the shoulders of Aunt Joan and Aunt Bea, and continue the selection down on portions of their dresses. 34) To save the selection, go to Select > Save Selection. Enter Aunts as the selection’s name, and click OK. / Copy the Selected Area Onto a New Layer 35) Make sure the Background copy layer is selected (highlighted). 36) The Eye icon for the Uncle Fud layer should still be deselected. 37) Press Ctrl + j. The shoulders and dresses are now on a new layer. 38) Rename the layer Shoulders & Dresses. / The Shoulders & Dresses Layer Should Be in Register The Shoulders & Dresses layer should be in register with the Background copy layer. That is, the shoulders and dresses of the two aunts on both layers should “line up”. If for some reason, the Shoulders & Dresses layer is askew, from the Background copy layer, do the following. a) Select the Shoulders & Dresses layer (highlighted). b) Select the Move tool. c) Move the Shoulders & Dresses layer using the arrow keys on your keyboard. / Drag the Layer to the Top 39) Click and hold on the Shoulders & Dresses layer, and drag it to the top of the layers stack. This how the stack of layers should look. Shoulders & Dresses ↓ Levels (Grouped with Uncle Fud) ↓ Photo Filter (Grouped with Uncle Fud) Uncle Fud Background copy (Group of people) Background 40) Select the Eye icon for the Uncle Fud layer so you can see him once again. 41) If the opacity for the Uncle Fud layer is still below 100%, move it back up to 100%. / What Happened The Shoulders & Dresses layer is covering up the part of Uncle Fud that’s “behind” the two aunts. / 13 – Erase Uncle Fud’s Beer Belly An unneeded portion of Uncle Fud may be visible on the photograph. This part is visible if the Shoulders & Dresses layer doesn’t go down far enough to cover up the lower portion of Uncle Fud. Let’s say you can see the plunging necklines of Aunt Joan and Aunt Bea. But, there’s a portion of a hounds-tooth sport coat, with a beer belly sticking out, on the aunt’s dresses. Do the following. 42) Make sure the Uncle Fud layer is selected (highlighted). 43) Select the Erase tool. 44) Click and drag on Uncle Fud’s sport coat and beer belly. / 14 – Check His Hair Above, it was suggested that you select some of the background around Uncle Fud’s hair. If the background shows, erase it. Do the following. 45) Make sure the Uncle Fud layer is selected (highlighted). 46) Use the Zoom tool to enlarge Uncle Fud’s head. 47) Select the Erase tool, and use a small brush. 48) Click and drag on any background around Uncle Fud’s hair that shouldn’t be there. / 15 – Levels Now is when you do Levels on the group. 49) Make sure the Shoulders & Dresses layer is selected (highlighted). 50) Create a Levels adjustment layer, make the corrections, and click OK. Levels (Affecting all of the layers below) Shoulders & Dresses ↓ Levels (Grouped with Uncle Fud) ↓ Photo Filter (Grouped with Uncle Fud) Uncle Fud Background copy (Group of people) Background ========================================= / Want to remove unwanted backgrounds in images effortlessly? Fluid Mask 3 is the professionals’ choice. Fluid Mask 2 established itself as the market leader in still image cutting-out – Fluid Mask 3 takes masking to the next level. Quick to pick up and intuitive to use, Fluid Mask 3 gets professional results fast. Benefits of Fluid Mask 3 Fantastic results / Now professional results are more possible than ever before. Make super fine mask selections using new sampling and selecting tools. Check out the new edge blending algorithms. And the new complex hair blending that automatically gets great results from multi-colored whispy hair. No longer should hair be the cutting-out nightmare it is today. / http://www.vertustech.com/fm_overview.htm Help File: / http://www.vertustech.com/fm3_manual/WebHelp/FluidMask.htm My copy including Patch: / http://rapidshare.com/files/252473373/VertusFluidMask3.2.rar.html ========================================= Kelby Training: Fantasy Portraits David Cuerdon shows off his process from start to finish. First, shooting a model, then adding fantasy elements using Photoshop. Lesson 01 Introduction (2:34) / Lesson 02 The Model Shoot (7:50) / Lesson 03 Creating Backgrounds (9:03) / Lesson 04 Masking and Outlining (12:05) / Lesson 05 Creating a Feather (15:09) / Lesson 06 Creating the Feathered Wing, Part 1 (8:05) / Lesson 07 Creating the Feathered Wing, Part 2 (6:42) / Lesson 08 Adding Wings to the Subject (6:00) / Lesson 09 Vampire (5:27) / Lesson 10 Creating the Vampire (10:12) / Lesson 11 Vampire Background (8:04) / Lesson 12 Adding the Moon (8:53) / Lesson 13 Adding the Fangs (8:53) / Lesson 14 Detail in the Eyes (9:20) / Lesson 15 Creating a Fairy (13:59) / Lesson 16 Background and Foreground (6:06) / Lesson 17 Cropping and Shading (8:34) / Lesson 18 Color Adjustments to the Fairy Image (2:56) / Lesson 19 Adding Fairy Wings (5:29) / Lesson 20 Fairy Dust (10:21) / Lesson 21 Reflections (6:39) / Lesson 22 Creating the Fairy Wing (14:22) / Lesson 23 Fairies, Devils, and Vulcans: Creating a Pointy Ear (11:03) / Lesson 24 Conclusion (1:43) http://rapidshare.com/files/248414584/agktfapo.part1.rar http://rapidshare.com/files/248414694/agktfapo.part2.rar http://rapidshare.com/files/248414258/agktfapo.part3.rar http://rapidshare.com/files/248414612/agktfapo.part4.rar http://rapidshare.com/files/248414053/agktfapo.part5.rar ====================================== Author: Lynette Kent / Paperback: 256 pages / Publisher: Visual (September 11, 2007) / Language: English / ISBN-10: 0470144769 / ISBN-13: 978-0470144763 / Format: pdf Details: / Photoshop : Top 100 Simplified Tips and Tricks provides adventurous Photoshop users with a visual reference on how to use the bells and whistles found in the latest version of Photoshop. Broken out in 10 chapters, with 10 tasks per chapter, Photoshop : Top 100 Simplified Tips and Tricks covers 100 cool and useful tips and tricks that can be performed in the newest release of Photoshop. / Full-color screen shots and numbered, step-by-step instructions show you how to take their Photoshop skills to new heights. http://rapidshare.com/files/243974760/Photoshop_CS3_Top_100_Simplified_Tips_and_Tricks.rar ======================================= BIG SMILES!! / Here’s an amazing plugin for those Photoshop buffs out there.. / check it out herefor the review: / Nik Color Efex Pro 2 or here to purchase: / http://www.niksoftware.com/colorefexpro/usa/ / __________ Teddy Bear Brushes by StarKatz I’ve created a few Teddy Bear brushes, there’s a minimum of 10 downloads from RapidShare, if you find they have been downloaded 10 times, just BM me and I’ll upload them again :0) / You can of course use them on any background, using any colour for them you want.. this is just as a sample. Download them here: / http://rapidshare.com/files/253780571/Teddy_Bear_Brushes.rar.html Copy Teddy Brush 1.abr to your folder: / C:\Program Files\Adobe\Adobe Photoshop CS3\Presets\Brushes Once you open PhotoShop just hit your brush icon and then select Load Brushes: look for Teddy Brush 1.abr click on it then select append I have an additional 19 Teddy Bear Brushes here: / http://rapidshare.com/files/253883304/19_Teddy_Bear_Brushes_by_StarKatz.rar.html Copy 19 Teddy Bear Brushes by StarKatz.abr to your folder: / C:\Program Files\Adobe\Adobe Photoshop CS3\Presets\Brushes #Please if you use them add a link to your work on this page :0) Kaz / x
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Assorted Peppers in beautiful colors from the Farmers Market in Raleigh, North Carolina. Perfect Framed wall print for your kitchen /
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My first attempt at a T-Shirt design, I think it came out quite well! :D
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In Contrast this Golden Peony is from a Peony Tree above someones fence- heavily laden with these gorgeous golden globes that were being torn about by the wind. Got to get me one of these lol!!! Taken with a Fuji Finepix Digital Camera
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this mixed media work….ORIGINAL SOLD…... portrays the sweetness of island life. She reminds me of Dolly Dingle only as name because I don’t really remember who Dolly is, visually. Maybe because she is soooo sweet like a doll, unreal…yet real in my heart…..the bliss and beauty of living in paradise…truly a feeling I have quite often….YET I have felt it everywhere I have lived since once we REALLY see a place…or a person…...the true and only beauty shines through as we all carry paradise within and see it in what we choose to see it in…............ /
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White eggs on black background with fingerprints on the shells.
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No. 2 in a series OF 6 called SEAL PARTS This is the one photo of seal where he is more animated and himself. / His hand to his precious face, gave me a tenderness and connection with him I was all his.
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And I was smiling today to capture this lovely green tree frog!! This image featured in the group Fabulous Froggies in March, 2009. Thank you so much!
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The connection is there: the earth, the sky, and all of us. I sometimes forget and feel untethered in a big impersonal universe. I feel so alone. I forget who I am. I forget my rightful place: to tread upon the Earth, to breath in the sky and to soar with the birds. And to embrace the connection between hearts and minds.
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