Velvia Wall Art
200 creative works found
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The Sydney Opera House during a particularly vibrant sunset.
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Location: Bendigo Victoria Australia
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One of my first photos on the Shen Hao camera, taken round at Crail harbour in Fife. / I placed myself right on the water’s edge, looking down as the tide came in and superimposed 3 exposures on the one frame to give the effect of water lapping around the rocks like mist. I think the red rock is carboniferous sandstone.
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I searched on the net and emailed quite a few mountain bike groups trying to find this place. I didnt get far with my inquiries so I headed out and looked for it myself. Parked my car at the end of Ridgeway Road in Blackheath and walked for ages along this dirt road. After what seamed like hours I finally found Hanging Rock. I have heard that the end of this great outcrop has recently fallen away. Such a shame. Fuji G617 panoramic on velvia slide film. For more images of mine visit www.mattlauder.com.au
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State flower of Coloado. The Orton effect was used to give this a soft feel. Image shot near Vail Colorado
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Looking down the gorge from the lower bridge, Falls of Bruar . I’m particularly impressed by the colours and the smooth glistening rocks. This area is rich in geology (an extension of the Loch Tay fault?): there’s a lot of limestone and other metamorphic sedimentary rocks (layered slate, possibly some schist) and a bit of red sandstone nearby, all folded making rakish angles. Taken on the Shen Hao 5×4” large-format camera with Fuji Velvia (old RVP emulsion) film.
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As calm as this image looks, the waves crashing over the rocks were huge. I had to grab my gear and jump out of the way of the waves numerous times to capture this image. Captured 10-15 minutes before sunrise. Camera – Fuji GX617 / Film – Fuji Velvia 100 To see more of my work please visit www.gallerym-australia.com
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This was a strange morning, I woke up a 3am to be on the sunshine coast for sunrise. Only to find the beach covered in sea foam. I thought oh well the images will be different. So in I went, within 5 minutes I was covered in foam so was my camera bag and tripod. The sunrise was great. Just as I was finished shooting a lady walking her dog looked me up and down and “said oh my god, you poor thing” Camera – Fuji GX617 / Film – Fuji Velvia 50asa To see more of my work please visit www.gallerym-australia.com
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The view looking out onto Broad Street from a third-floor window of the Divine Lorraine Hotel in Philadelphia, PA. The hotel, which has been abandoned since the late ‘90s, takes it’s name from the leader of the Universal Peace Mission movement, Father Divine (aka George Baker) who housed his followers on it’s premises. Shot on Fuji Velvia 50 film with a Rolleiflex medium format camera.
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Camera – Fuji GX617 / Film – Fuji Velvia 100 To see more of my work please visit www.gallerym-australia.com
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This image was shot on Fujichrome Velvia film (transparency film) and the transparency was manipulated further using a Daylab printer and Polaroid pull apart film. Once the positive was formed, some citroclean was sprayed onto it and it was placed into a bath of water. The emulsion lifts off its backing and is floating literally like very fine seaweed in the water. Extreme care was taken to lift this emulsion out of the water and onto blotting paper. Whilst it is still wet it can be manipulated further into any shape you wish. In this case a very rugged border. Once dry it sets into the blotting paper. This is the final result. This is a very unique technique as you will never be able to reproduce the same image twice due to the fact that it is dependant on how carefully and with a huge amount of experimentation, you retrieve the emulsion out of the water and how you manipulate it on the paper while it is wet. Everything about this technique is experimental. Firstly a variety of transparency films were experimented with. Pulling the emulsion off the backing of the Polaroid film was also experimented with. A few different cleaners were used due to the chemicals present in them and I found that citroclean worked best at doing this. More works created with this technique can be found here A Polaroid film transfer of the image was also created and can be found here
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This image was shot using a mamiya 220 camera (6X6 medium format) and the very luscious Fujichrome Velvia ASA 50 slide film. / A little bit of fun, just on twilight on a full moon, i set up the camera and raced around the playground with my Maglite illuminating the play equipment. / tis part of a series of fun
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This image was shot using a mamiya 220 camera (6X6 medium format) and the very luscious Fujichrome Velvia ASA 50 slide film. / A little bit of fun, just on twilight on a full moon, i set up the camera and raced around the playground with my Maglite illuminating the play equipment. / tis part of a series of fun.
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This image was shot on Fujichrome Velvia film (transparency film) and the transparency was manipulated further using a Daylab printer and Polaroid pull apart film. Once the positive was formed, some citroclean was sprayed onto it and it was placed into a bath of water. The emulsion lifts off its backing and is floating literally like very fine seaweed in the water. Extreme care was taken to lift this emulsion out of the water and onto blotting paper. Whilst it is still wet it can be manipulated further into any shape you wish. In this case a very subtle tissue paper type border. Once dry it sets into the blotting paper. This is the final result. This is a very unique technique as you will never be able to reproduce the same image twice due to the fact that it is dependant on how carefully you retrieve the emulsion out of the water and how you manipulate it on the paper while it is wet. More works created with this technique can be found here
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I recently had the priviledge of travelling through central Australia. I scouted out this composition the day before taking this shot. With my planned return the following day and the show exceeded all expectations in a display of desert light and beauty.Glowing in the twilight, a lone ghost gum stands starkly and majestically. The scene backdropped by the jaw dropping West Macdonnell ranges. Fuji G617 – Velvia 50. / ©T.Middleton2008 —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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This is a reflection of autumn grapevine leaves on a bedroom window taken in late afternoon light. I took a long time to position the camera on a tripod to create a balanced composition of the reflection and my daughter. She loves reading, so the frown is one of intense concentration, not unhappiness. Not a double exposure! Taken with Velvia and a Nikon F4. Scan by Jeremy Daalder.
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From the high plains to the deserts – the Eucalyptus is botanically iconic to Australia. With over 700 species ranging from stunted shrubs in the arid regions to the tallest flowering plant on the planet, their diversity is as grand as their stature. Most species are not frost or cold tolerant (temps down to -5C) though there is one species that lives in the alps of the mainland affectionately known as the ’snow gum’. (Eucalyptus pauciflora ). Whilst three other cold tolerant species exist in the highlands of central Tasmania. Growing as woodlands or open woodlands from 1300m-1800m ASL in Tasmania,Victoria and New South Wales where they form the altitudinal limit of the tree line. The ’snow gum’ can become a gnarled old warrior as it eeks out an existance in poor soil with short growing seasons in harsh climates. Sometimes shedding bark revealing bright green,yellow or even orange-red under bark. It certainly makes for a brilliant dash of colour particularly in the snow. When in these alpine regions I often find it hard not to get ‘lost’ in their beauty and character and always find myself searching for those special individuals. Specimans with so much character that they speak for themselves. Available as large format fine art print or canvas for purchase HERE Fuji G617 – Velvia 50. / ©T.Middleton2008 bubblesite / photography blog / portfolio —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—— / / see more of my TRUE panoramic photography by clicking on the image below / /
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Voodoo
by David LadeA macro shot (80-200 and extension tube) of a crocus flower with a small metal candle holder (the face), shot early in the morning, when shadows from nearby shrubs looked interesting. I tried to get just the stamens in focus and the shadow on the left to look like a figure with a distended belly. I attempted to make the whole effect slightly menacing – a contrast between innocence and evil. Velvia, Nikon F4, scan.
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Even dragons are not out of place in the imagination of children. The tail end of the dragon on the roof of the Providence Children’s Museum. Crossprocessing Velvia F slide film really oversaturated the red and increased the contrast. The Diana camera created a soft light leak on the top of the tail and some slight vignetting. No digital manipulation. This image is featured in the XPro – Cross Processed – Photography group. (c) Paul Lavallee 2007 /
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Imagine the sunrises, sunsets, storms, and sunny days this water tower has seen in all its years. This day was not a particuarly memorable day in its history, but it will be remembered it as it appeared through the lens of an antique camera and now captured forever in this digital medium. The Clack produces only 8 negatives on a roll of 120 film. This forces the photographer to slow down and carefully compose each shot. This slowing down of time is exactly what is being portrayed in this photograph. The colors and clouds bleed into the background, highlighting how little has changed in this scene over time. Created using a 1950’s AGFA Clack camera with 4 year expired Fuji Velvia RVP120 (ISO 50) slide film cross processed with C-41. No digital manipulation necessary! This image is in Redbubble’s featured gallery . (c) Paul Lavallee 2007 /
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For some time now I’ve been besotted by Mel Brackstone’s SS Dicky images. She generously shares much information about how she gets such remarkable images, like this for example / I finally bought some NDgrad filters and this and my previous image are my first attempts to use them to capture the movement of the ocean, I have much to learn. Thanks for the inspiration and advice Mel. I processed this using a script-fu plug-in for Gimp which attempts to mimic the Fuji Velvia slide film that I used to love so much in the days before digital. Canon 450D ISO100 F5.6 1s f18mm (Cokin 121s ND Grad)
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as I was in Philly.. I remembered the saying .. brotherly love.. to tell you the truth , I didnt really expect it. but , I was very surprised pleasantly , to be given the courtesy by strangers .. of a hello..and of stopping their cars to let me go “jaywalking”.. and the like.. it was great to see this . This photo was taken from inside of the beautiful train station at 12th street.. where there is a huge room, with a window to the skyline I layered this with a velvia film …
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Buachaille Etive Mhor sits between Rannoch Moor, Glen Etive and Glen Coe, a fine looking mountain from any angle. Here it is further enhanced by pristine snow and a little mist. Taken around twelve years ago, a Fuji Velvia slide scanned with my Nikon Coolscan VED, then cleaned up in CS3. / I cannot remember which camera I used, or the settings, but I would guess f22, and definitely a polarising filter ! FEATURED IN / http://www.redbubble.com/groups/dimensions / AND / http://www.redbubble.com/groups/1-artists-of-redbubble / AND / http://www.redbubble.com/the-scots-are-coming / AND / http://www.redbubble.com/groups/northern-landscape / AND / http://www.redbubble.com/groups/fine-art-of-landscape-photography / MORE OF THE SCOTTISH HIGHLANDS HERE /
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Mesa Arch, Canyonlands NP, Utah, USA. Utah has an amazing landscape, there is so much to see, very photogenic with all that red rock, especially viewed against a very blue sky ! (I like it best when there are a few clouds as well though !) This Arch is reached along a rocky trail, and is very impressive, as it perfectly frames the view beyond. / We did quite a few of the trails in Canyonlands and Arches, and found the very dry going underfoot an absolute dream, since we are more used to having to play ‘dodge the bog’ here in super-wet Scotland ! Shot on Fuji Velvia, around seven years ago. I scanned it on to my PC with my Nikon Coolscan VED, and tidied up a bit of ‘dust’ in Photoshop. I also beefed up the red colour for more impact. FEATURED IN…..... http://www.redbubble.com/groups/the-great-outdoors / AND / http://www.redbubble.com/groups/style-class-elegance SEE MORE OF MY USA SET HERE….........
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