abandoned house in Prosperity, SC USA. Olympus OM-1. Sigma 21mm. shot on Kodak Plus-X 125 film and developed in Dektol. scanned in Nikon Coolscan VED.
This old and no longer used employment vacancy sign on the grimy facade of a local business caught my eye. I wanted to convey a feeling that the sign was still battling on doing its job. / / B&W conversion (excluding glass bricks and vacancy). Colour saturation applied to vacancy Camera – Canon 350D / Lens – 75-300mm USM / Focal length – 190mm / Exposure – Aperture Priority / Aperture – f/8 / Shutter – 1/40 seconds / ISO – 100 / Tripod and cable release / / © Andrew Brown Calender 2009 – Urban Design / / Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro /
Empty road in the middle of the desert, Eastern Sierra Mountains, California. Developed in color infrared.
Empty road in the middle of the desert, Eastern Sierra Mountains, California
empty park bench by the water
“A mind, like a home, is furnished by its owner, so if one’s life is cold and bare he can blame none but himself.” Louis L’Amour (1908 – 1988) If you would like to purchase any of my art in a larger format, please contact me. Other works by Earthairfire:
Location: Fairfield California / Technique: HDR
Some things you can hardly believe when you see them. I went to school as a structural engineer, and I have to say I’m amazed this house is standing. I went to some pains to make sure the image is vertical, and it’s definitely pretty close. So yes, that lamppost on the left really is leaning like that. This is just a scene captured while on the back streets of Nallihan in central Anatolia. Sometimes I feel like every door I see has a story behind it worth telling. If you look closely there’s a padlock keeping this one shut. What we’ll probably never know is … why?
decaying hallway in an abandoned new england asylum.
rocking chair sitting in a tunnel at a former state hospital.
coat hangers in the criminally insane ward of an abandoned state hospital.
This series was shot using a mamiya ZM and Fujichrome Velvia film (transparency film).
sexpistols / There’s no point in asking you’ll get no reply / Oh just remember I don’t decide / I got no reason it’s too all much / You’ll always find us out to lunch Oh we’re so pretty / Oh so pretty we’re vacant / Oh we’re so pretty / Oh so pretty / A vacant Don’t ask us to attend ‘cos we’re not all there / Oh don’t pretend ‘cos I don’t care / I don’t believe illusions ‘cos too much is real / So stop you’re cheap comment ‘cos we know what we feel Oh we’re so pretty / Oh so pretty we’re vacant / Oh we’re so pretty / Oh so pretty we’re vacant / Ah but now and we don’t care There’s no point in asking you’ll get no reply / Oh just remember a don’t decide / I got no reason it’s too all much / You’ll always find me out to lunch / We’re out on lunch Oh we’re so pretty / Oh so pretty we’re vacant / Oh we’re so pretty / Oh so pretty we’re vacant / Oh we’re so pretty / Oh so pretty ah / But now and we don’t care We’re pretty / A pretty vacant / We’re pretty / A pretty vacant / We’re pretty / A pretty vacant / We’re pretty / A pretty vacant And we don’t care copyright sexpistols
Model – Esther
(c) Nicole Gesmondi 2009 /
(c) Nicole Gesmondi 2009 /
Image of a boarded window. Photographed with a Mamiya RZ 67 and TriX film
Self Portrait.
Spotted this table and chair through the wire fence of a boat yard on Corio Bay at sunrise this morning. Added texture layers.
An old and abandoned restaurant on the streets of Lucca, Italy
A town hall void of activity
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