Tungsten
75 creative works found
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1 photo from a series taken for melancholy – language of light assignment.
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“Blue Couch Green Wall” by Paul Lavallee has been published in a magazine, exhibited in art galleries, and described by The Providence Journal as an “electric color study”. Paul created this image using his antique AGFA Clack camera with cross processed tungsten slide film. No digital manipulation was used. “Blue Couch Green Wall” was featured on the RedBubble Home Page March 30, 2009 and is featured in the Experimental Photography and Editing , The Feature Fraternity , and XPro – Cross Processed – Photography groups. (c) Paul Lavallee 2007 /
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this photo has been added to the “Night Photography” theme at www.jpgmag.com in the hope of getting my picture published. so if anyone else has an account with these guys i would very much appreciate it if you could vote for me and ill return the favor… i will always be with you This image is also now up for submission at DIGITAL CAMERA MAG so please help me get this photo published and vote!! thanks you everyone. As another member from redbubble has writen a poem inspired by this photo ive included a link so you guys can read it / ive read the poem and think its amazing thanks for choosing my image UBUIBME86 thanks for looking people!* 13.0 sec at f / 16 / 22mm focal length / ISO 100 / no flash / street lighting – tungsten / canon eos 20d /
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This series was shot using a Nikon N80 and 35mm tungsten film in daylight. This is a straight scan from the original. No post production involved. More of the gladwrap bride
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I did this for a JPGmag.com photo challenge and the more I stare at the more I like it…. I could never think of a good title so if you have any suggestions, feel free to tell me. I put the egg on some Plexiglas and placed it outside, then set my white balance to tungsten for the bluish tone. It was an odd experiment…. haha
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A shot of Southbourne Beach, Dorset I used the Tungsten option on my White Balance options…i think this is really effective….gives the image a whole supernatural and abstract kind of look..
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Taken with a Canon EOS 450D. F/5.6, 1/40s, ISO200, 128 mm. Wine glass backlit by natural light through a frosted window, with white balance set to tungsten to give it a blue tint. Light levels were reduced slightly to give the final effect. Featured in Out of the Blue, February 2009. This pairs with Glass Flow #1
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_[on air ‘Juliette and the licks] macro shot in tungsten ° /
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The Cable Car, a Wellington icon, the work of hands and minds from the past millennium, commutes a distinct smell of coal tar between the magnificent lookout at the top of botanical garden and the world of suits and briefcases in the core of the city. What mesmerizing lights it has. The warm tungsten ones rest unobtrusively on the wooden interior of the historic carriage, very much unlike the illumination made a good deal later, those colder ones, overpowering and attracted to the reflective metallic surfaces seemingly capable of capturing their patterns along on each bounce they make. A few signals and neon lights in the background add a topping on this truffle of visual flavours. Let’s get to the other end. Only five minutes on a wooden chair listening to the rhythm of a clickety-clack railway beat, and you will be rewarded with views you’ll remember until the world around you makes sense.
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More tiny mysterious flowers… I miss summer already…boo :( Enjoy!
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Taken behind The Arts Centre, Melbourne 2007
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The night our Sunfest Festival kicks off, West Palm Beach, Florida USA. Taken with a Cool Tungsten White balance and a delayed shutter speed an hour after sunset.
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Yeah, probably a little cliche and over used, but I had to find something my new Kiev 88’s ridiculously fast, fun, and unnessessary shutter speed of 1/1000th of a secound could snap! Camera: Kiev 88, with Arsat 80mm lens Film: Ilford Delta 400 (120mm) ISO was 160 Exposure: 1/1000 of a secound at f5.6 Tripod used
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Skyscrapers on London’s South Bank. I love the reflections in the buildings and the feeling of being dwarfed by their huge size. The blue hue comes from the use of Tungsten balanced film Nikkor 28 mm lens / Fuji Tungsten balanced film / F16 @ 1/30 sec
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The other day I was sitting in a café and for some reason thinking of objects around me, their purpose and shapes, the materials they are made of. A bit of ordinary in a non typical context caught my eye. Now and then I have to go through extra pain to get an image, like in this case, where some of the staff and patrons commented my obsession of indiscriminately recording surroundings with certain movements and facial expressions, the Esperanto of body language and I have to confess, occasionally a rather loud one. Not that I am particularly concerned about it as by now, after all the years of engaging in similar I am well and truly immune. I filled the frame with a subject, always a good thought in photography, and ended up with one substance composition where a pepper shaker sits on a curiously finished steel table top. Café lights helped the background by adding color of the environmental warmth to an otherwise clinically cold tabletop, while the shaker benefited from the street neon ads whose light found a way to the interior of the building. I was pleased with the resulting image, the almost abstract display of contemporary objects and impact the diverse light quality can have on their character.
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A shot of my home’s cellar – mostly unchanged since it was built 150 years ago. I rarely do such texturally based photography, the pealing paint, the aged stippled wood, the old glasswork; all that crumbling stuff, I ended up photographing it on film and digital!
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A portrait from about eight years ago of my cousin’s son Daniel taken in their house in Wicklow. Obviously lit by tungsten light and taken as far as I remember on an Olympus Miu. Great little camera. His Mom is also a photographer so he is both used to and bored with getting his picture taken.
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Steely blue, Tungsten WB setting in camera © Andrew Brown Calender 2009 – Urban Design
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Taken with a Canon EOS 450D. F/5.6, 1/40s, ISO200, 128 mm. Wine glass backlit by natural light through a frosted window, with white balance set to tungsten to give it a blue tint. Light levels were reduced slightly to give the final effect. This pairs with Glass Flow #2 Featured in Victorian Viewfinders, April 2009.
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