Tungsten
89 creative works found
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Skyscrapers on London’s South Bank. I love the reflections in the buildings and the feeling of being dwarfed by their huge size. The blue hue comes from the use of Tungsten balanced film Nikkor 28 mm lens / Fuji Tungsten balanced film / F16 @ 1/30 sec
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1 photo from a series taken for melancholy – language of light assignment.
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this photo has been added to the “Night Photography” theme at www.jpgmag.com in the hope of getting my picture published. so if anyone else has an account with these guys i would very much appreciate it if you could vote for me and ill return the favor… i will always be with you This image is also now up for submission at DIGITAL CAMERA MAG so please help me get this photo published and vote!! thanks you everyone. As another member from redbubble has writen a poem inspired by this photo ive included a link so you guys can read it / ive read the poem and think its amazing thanks for choosing my image UBUIBME86 thanks for looking people!* 13.0 sec at f / 16 / 22mm focal length / ISO 100 / no flash / street lighting – tungsten / canon eos 20d /
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_[on air ‘Juliette and the licks] macro shot in tungsten ° /
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A shot of Southbourne Beach, Dorset I used the Tungsten option on my White Balance options…i think this is really effective….gives the image a whole supernatural and abstract kind of look..
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This series was shot using a Nikon N80 and 35mm tungsten film in daylight. This is a straight scan from the original. No post production involved. More of the gladwrap bride
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The night our Sunfest Festival kicks off, West Palm Beach, Florida USA. Taken with a Cool Tungsten White balance and a delayed shutter speed an hour after sunset.
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The Cable Car, a Wellington icon, the work of hands and minds from the past millennium, commutes a distinct smell of coal tar between the magnificent lookout at the top of botanical garden and the world of suits and briefcases in the core of the city. What mesmerizing lights it has. The warm tungsten ones rest unobtrusively on the wooden interior of the historic carriage, very much unlike the illumination made a good deal later, those colder ones, overpowering and attracted to the reflective metallic surfaces seemingly capable of capturing their patterns along on each bounce they make. A few signals and neon lights in the background add a topping on this truffle of visual flavours. Let’s get to the other end. Only five minutes on a wooden chair listening to the rhythm of a clickety-clack railway beat, and you will be rewarded with views you’ll remember until the world around you makes sense.
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Taken behind The Arts Centre, Melbourne 2007
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a 30 sec exposure on a calm tranquil Sunday night – I think this is the first long exposure stills photograph I have ever taken (well it certainly was on the first night I ever shot at night anyway!)
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I did this for a JPGmag.com photo challenge and the more I stare at the more I like it…. I could never think of a good title so if you have any suggestions, feel free to tell me. I put the egg on some Plexiglas and placed it outside, then set my white balance to tungsten for the bluish tone. It was an odd experiment…. haha
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More tiny mysterious flowers… I miss summer already…boo :( Enjoy!
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Yeah, probably a little cliche and over used, but I had to find something my new Kiev 88’s ridiculously fast, fun, and unnessessary shutter speed of 1/1000th of a secound could snap! Camera: Kiev 88, with Arsat 80mm lens Film: Ilford Delta 400 (120mm) ISO was 160 Exposure: 1/1000 of a secound at f5.6 Tripod used
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“Blue Couch Green Wall” by Paul Lavallee has been published in a magazine, exhibited in art galleries, and described by The Providence Journal as an “electric color study”. Paul created this image using his antique AGFA Clack camera with cross processed tungsten slide film. No digital manipulation was used. “Blue Couch Green Wall” was featured on the RedBubble Home Page March 30, 2009 and is featured in the Experimental Photography and Editing , The Feature Fraternity , and XPro – Cross Processed – Photography groups. (c) Paul Lavallee 2007 /
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Taken with a Canon EOS 450D. F/5.6, 1/40s, ISO200, 128 mm. Wine glass backlit by natural light through a frosted window, with white balance set to tungsten to give it a blue tint. Light levels were reduced slightly to give the final effect. Featured in Out of the Blue, February 2009. This pairs with Glass Flow #1
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Spring Plum Blossom with a touch of Tungsten. Canon 450D / many thanks to all who view and comment on my images best viewed in large
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Canon 350D / F/5.6 / 1/50seg / ISO-100 / WB:Tungsten As Is…just cropped. Featured in Out of the Blue 24th August 2009
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I captured this image long back in 1984 on Kodak Gold film, lights used were tungsten bulbs. Camera Nikon FE, Lens 35-70, f3.5,4.5 / Mounted 80B filter a blue tungsten cast cutting filter in front of lens. / What a nostalgic shot, LOL!
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canon 40d f11 1/40sec tungsten white balance / ps cs3 vignette, legacy contrast & underwater filter / layered to warm up the flower a little.
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