Tripod 

94 creative works found

  • This pic I could not resist taking because the light was just right. The Eye in the background is another pic of myself that I photo shopped in. I thought that the closed eyes with the open eye in the background gave it a nice effect as well as using B&W. Directly below is the image before I photoshopped the eye in the bkgrnd.

  • Tripod
    by SuperNitro

    US$25.94

    Tripods are awesome

  • Tripod Ahead
    by EOS20

    US$23.94

  • The Photographer
    by Joyce Dickens, IPA

    US$4.56–US$121.60

    This is an impressionist play on a photo I took of my tripod and myself; was looking for something a little different to portray “the photographer” in me…......... ____ All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © 2007 Joyce Dickens: Using my images for any purpose and in any way, without prior permission, may lead to legal action.

  • Seascapes....
    by Mel Brackstone

    I’d like to say first and foremost I love the bubble for allowing me to show off my work, particularly as I’m still learning, which means…

    I’d like to say first and foremost I love the bubble for allowing me to show off my work, particularly as I’m still learning, which means that the quality of my work when I first came here wasn’t as good as it is starting to get now. I can thank the lovely helpful people I’ve met along the way for helping me focus better on what works and what doesn’t. As much as I loathe the negativity in the forums, I read some of the threads there and learn from them too, so thanks so much everyone for your support, or not, it’s all making me a better photographer. I’ve got a secret to share, regarding my seascapes. I’ve been lucky enough to have a friend who is very keen to get the perfect seascape shot, and for that reason I’ve been getting up at 2am or so to drive out to his place so we can then continue on to beaches 2 or more hours away, just so we can be there before dawn. The weather has to be right, there has to be clouds, the tides need to be doing the right things, and there needs to be rocks as foreground and or middle ground interest. In the 18 months that we’ve been following this course, we’ve managed to capture some amazing photos, and the shoot that gave me all these latest photos was the best so far. It’s taken his dedication to getting the conditions right, and a little bit of work from me with a camera and PS to produce this work, so please, when you look at my seascape photos, say thanks to Nick Lagos, its all down to him. His shots are a million times better, believe me! For those of you who may be interested in what kit I’m using, I have a battered Canon 5D, I use a 16-35mm f/2.8 L lens, and I bought the Lee filters to fit the wide angle so that I don’t get vignetting. I use both ND and ND grey grads, and combinations of them all, but only 2 at the most. My Manfrotto 190D tripod is not as heavy as it should be, but does a reasonable job, and I always have the cable release tied around the stalk between head and legs. I’m using the 322 RC head on the tripod, but I also really should have a level to put onto the hot shoe….keep forgetting to buy one…other than that I shoot in raw and small jpg, so I can run a quick slideshow on a laptop if necessary, or even when I get home to the clunker. I use ps and photomatix to get the best out of the shots, and my ability to use ps has been learnt through going through tutorials on the net and in manuals. Since maths and me don’t get on, I really have no idea why things work, only that sometimes I get a good result if I do “this” or “that” I get a lot of inspiration from the artists here, I can’t thank you all enough for showing me new subjects and processes. Once I read about some new technique I’ll google it and find out more. I recommend this to anyone who may want to improve their work. I’m technically challenged when it comes to using a camera, although I’m learning more and more the longer I shoot. I’ve only been shooting semi-seriously since 2004, and only came off P on my camera in late 2005. I still don’t shoot on M, unless I’m after a particular result that I want to try….and that’s how I work….hit and miss :) It’s all been digital, starting with a Canon G2, then powershot pro1, then 20D. So, thats my story, sorry if it’s a little boring, but I needed to clear up some misconceptions that I might actually know what I’m doing! There’s absolutely no truth to that rumour, its all down to Nick’s need to get the “Big Pic” and I’ve just been swept along with his enthusiasm. As all his loyal subjects will attest, he’s the best thing that’s happened to us, those of us who’ve been lucky enough to be taken into the fold, / so once again, thanks Nick, the legend lives on buddy!

  • For Wendy
    by SpaceCadet34

    US$4.28–US$114.00

  • This is the experimental first usage of the Nikon D80 multiple shot tool. I had mixed results long before I got to the editing stages – some mine, some environmental. But in the end, I got something I can look at and smile, something I hadn’t gotten in the previous few tries. First, the Nikon needs to be set for multiple exposures. Finding that in the menu wasn’t anywhere nearly as easy as I thought it would be and I didn’t have my manual with me. So I dug around until I finally got it and then tested it. I realized immediately that you MUST have a remote control to do this. And if there’s any wind at all, you’d better have a heavy duty tripod as well. I was able to trigger all the shots using the camera’s timer but I had to touch the camera to do that and that tiny contact made the images slightly different, with the stationary objects appearing to blur. Then the wind did a number almost the same way but it chose tiny gusts to throw me off with ‘timing the timer’ for me to be in the right positions at the right times. Again, more blur that wasn’t supposed to be there I used the flash to highlight the foreground and Nikon says that the camera is supposed to compensate for that in multiple shots but it didn’t compensate very well for me. Things got lighter and lighter, and added to the fuzziness that was already there, things got to the point where nothing looked solid, including multiple me’s. Looking at the shot I bet you can’t guess how many exposures are there because the camera never did see the 3rd shot for some unknown reason. Bless PhotoShopping for making something artistic out of something crappy but I’ll try this again under more controlled circumstances and I’m betting I can get a nice shot – eventually!

  • Monopod... (aka Tripod)
    by Kevin Kroeker

    US$3.56–US$95.00

    I was at the park today testing out the new camera and as soon as I stopped the car this flock of Ducks came waddling over. Just as I snapped the pic this one in the front goes and stands on one leg. Thought it was a cool shot. / / Visit my website On The Rock Photography

  • "Tweek it,Turn it, BUT USE TRIPOD"
    by Aphoto4You IPA

    I been busy comenting and i been busy browsing and there is lots of talents on this site, and i am NOT THE BEST i admire great …

    I been busy comenting and i been busy browsing and there is lots of talents on this site, and i am NOT THE BEST i admire great images, and they inspire me …but * CANT STAND THE FUZZY out of focus and not intentionaly blurred..images…...Its obvious shake of camera and blurred of lens motion…Its nothing worst seeing such a great subject but but but OUT OF FOCUS remember age has nothing to do by not using tripod, age and steady hands i hear always…..Your hands are NOT STEADY as you think….its all in your mind.....i am a *OLD LADY and lug 50 lb backpack with me…around….get that TRIPOD and let your mind DONT TELL you otherwise…Your images will be appreciated much more…and sales will grow… And if you forgot to to / SIGN PETITION if you CARE / DO IT NOW

  • beverley church
    by philge123

    US$3.42–US$34.20

    3 different exposures merged together on photoshop.

  • Tripod for $1
    by George Lenz

    If you haven’t seen this video, it’s a pretty cool idea. Haven’t tried it yet, but I plan to make one. Tripod...

    If you haven’t seen this video, it’s a pretty cool idea. Haven’t tried it yet, but I plan to make one. Tripod

  • Why use a Tripod
    by Steve Taylor

    The first and most obvious reason would be to steady your camera and get sharper images. That will happen. But I think using a tripod go…

    The first and most obvious reason would be to steady your camera and get sharper images. That will happen. But I think using a tripod goes beyond that. It forces you to slow down and think about your shot. / I will sit my tripod up,then take my camera and walk around the scene to see if I can find a better angle. (up,down ,left ,right,etc.) if not I shoot from that spot. / Another advantage is finding unwanted items in yout viewfinder.(like that tree limb sticking in from the side / Camera adjustments are sometimes easier while your camera sits on a tripod. / Tripods are sometimes a hassle but are well worth the effort.

  • Collaboration between myself and Dave Pearson. The Original Photo This came about from me commenting on Dave’s great photo and I said how it reminded me of H G Wells’s classic science fiction story. We found out we both had a love for the story and as I had done designs for the famous Tripods before, it seemed fitting to work something out. This piece (on my behalf) took 7 hours to do and I started by drawing the tripod on A3 paper. I then scanned it into the computer where I digitally painted it and worked it into Dave’s wicked photo. Based on The War of the Worlds by H G Wells. All rights reserved.

  • For some reason this reminds me of the tripods from the Orson Wells radio play, wading ashore, as the tripods attack the ships full of people who are fleeing Britain.

  • Road to Perdition
    by SpaceCadet34

    US$3.42–US$68.40

    On Saturday I have dilema, should I take photos or do domestic work…well I stuck on this road..tripod was broken…thanx to my boy Matteo..last photo till next week…

  • night photogrpahy

  • Beverley at night
    by philge123

    US$3.42–US$34.20

    night photography

  • Beverley at night
    by philge123

    US$3.42–US$34.20

    night photography

  • Photo Shoot
    by pinkyjain

    US$23.94

    Prisma colored pencils. A Tripod Fish is the photographer

  • Skull
    by Ben Herman

    US$4.28–US$114.00

    Sheep skull with great texture.

  • Fairground
    by Lou Green

    US$3.42–US$91.20

    Chester May 2005 minolta xd7 35mm +tripod

  • The major prize in the Landscape and Travel category of the RedBubble Real Photography Comp / / Light weight, beautiful to use, perhaps the best tripod and head combination money can buy. I’m really sad I can’t win this one ! / / Rules and Entry – It’s pretty simple: / / - You enter by signing up to RedBubble, uploading your entries, make them available for sale and tag one for each of the categories you’re competing in. / - Closing date is Friday the 24th of August 2007. / - Results announced on the 30th of August 2007. / - One entry per person per category. / - Judging will be undertaken by the Judges and RedBubble, no correspondence entered into. / - You agree to the Redbubble terms and conditions when you sign up and upload your entry. / - You explicitly retain the copyright over your images. / - We will send the prizes anywhere in the world. / - Fun is compulsory.

  • Kiss my Eyes
    by SpaceCadet34

    US$3.42–US$91.20

  • Lucky You!
    by Russell Fry

    Wow, what a lucky shot.

    Over the past couple of months I have learned so much, I started to give some thought to being “lucky” to get some good photos. Sure, there is always an element of luck, but how much of the luck is the result of being prepared when that moment arrives? Hmmm, I wonder.

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