for those who ‘doof’ would know what this means.. / / for those who dont; did you know that doof spelt backwards is “Food”? GRiNS
Black and white keys, saxophone, guitar, everywhere. The music has much more magnificence than can be tried to be explained through words…
Black and white keys, saxophone, guitar, everywhere. The music has much more magnificence than can be tried to be explained through words. This jazzy rendezvous has always been André’s favourite ear-food. He just loves the way its beauty, splendour, radiance is ‘unleashed’. André stares at the canvas for over a dozen times. Here he is staring at the blank space which is future marvel…or was it to be past marvel? Had he missed his chance, missed the boat which would have sailed to sentimental stardom? He refuses to collaborate more than a sentence for any one idea. Any idea that deserves a sentence must deserve no doubt. Any canvas is only worth the greatest ideas. Two André’s exist; though only one at any one time. The withdrawn analytical front, designed for most occasions. On rare occasions the other character may appear, the intensive, massively determined André who acts on impulses. Impulsive André must be begged out. A Pandora’s Box of surprises, his job will at least never cease to astonish. “Dearest André, Through years have you befriended my son Louis, so therefore I am offering an opportunity to benefit both of our interests (with intent towards your gain). Litton inc., my company has stepped up towards mainstream success. We require visual arts for our newly bought edifice. I understand you have been painting for the eight years since high school. To your discretion I would like to require a painting; just one will suffice. I would like something vibrant and colourful, yet deep and meaningful; Contemporise to your own vision. Much thanks, Dr. Raymond Fonck.” The commissioned paper lies stuck on the wall. André has read it. Now it is time for the future. It has been too long sitting around (or rather bouncing around); too get too much productivity from anything. Someone once said to him that anything is good experience. True perhaps, although he prefers productivity, especially in a time of intensity such as this; three days left until confrontation. His vigilant eyes stroll around the room, searching for advice. He is not bored, nor has he painters block, for such a term does not exist and will not ever for him. His eyes strike the clock. The clock glares 5:48 pm back. What a disgusting fierce look it has. Not 5:45, nor 6:00 and only one uncomfortable minute in-between. For at this time these uncomforting three digits add to the frustration in the actual time. “Aw!” André suddenly realizes the importance of the time. It is the one factor which never seems to be on his side but actually encourages his total progress. It is an epiphany like that of a mother to the newborn. André decides to let his hands take / control. They are the secret key, (sometimes the gatekeepers of unleashing impulsive André) His dominant left one picks up the brush (over time it has made up for its fault of statistically losing him seven years). His right hand decides to lose cognition. It dips itself into a little puddle of Sangria oil paint muck. Than it flies onto the near-centre of the canvas, smeared diagonally. His left hand takes initiative once again, waving lines of smudge to and fro. Right hand brings more paint to its destination. Myrtle, Indigo, Olive, Magnolia…and no, not that…Yes, yes, even black! (Well seal brown to be precise). All of these contextually beautiful colours unleashed! There are no thoughts in André’s mind now. This is impulsive André now; organised thought is of little importance! That colour is important here. This colour is unimportant there. A few lines of any colour are important right here or there, but perhaps a darker colour is better. More negative space up and down the edges. Shape is forming. Lines are bolding. Complete non-representational form is diminishing. Visualizations; the visualized images in mind are being…unloaded bit by bit. It is coming about. What is it though? No one knows. If anybody could guess it definitely would not be André. André knows he has the power to bring out the reality in it though. In a seemingly paradox situation he must not connect to reality at the moment though. Now, after these hours of painting, André is in the painting. He would not know it has been hours besides the constant glare of the illuminating digital clock staring from across the room; it unconsciously processes its recognition into André. The phone screams out, ‘br-ring, br-ring!’ Like the other external matter it creeps into André, until finally its screams become too annoying to ignore. It’s too late now…impulsive André has vanished; his conventional counterpart has replaced him. The phone persists though. André decides to take it (typical for his returned mannerism). He dives across the room horizontally attacking the corner where that nuisance phone lies. ‘Aw, aw, aw, aw!’ A tube of paint has squirt from underneath his stomach. Agonising that his material friend can be so painful at times (like any of his life long friends). He picks up the phone; only the tone. He has missed whatever, whoever it was. Once again, missing the boat… Now thought and all that comes with it has returned. Why now out of all times possible? There is only sadness, misery, all this escalated from these small miniscule misfortunes; all has turned to turmoil! What can one do, when feeling like crawling into a hole? His secret minor disorders such as his claustrophobia would prevent him from crawling into that hole, even if he had one. At the moment everything feels like one big hole. Not surprisingly André’s eyes begin doing the only thing they know to do in times of unrest; wander. It is impossible to ignore what is there; it has been there all along, yet has never been seen. It is beautiful! It is splendour! It is radiance!! It is interrupted by another scream of ‘br-ring br-ring’. André picks up the damn phone. Without contemplation he whispers, “Sir, madam, I’m very terribly busy, could you perhaps call back sometime?” A deep sophisticated voice replies, “Raymond Fonck, André. Listen, I need to know about the progress of the painting. How is it going; ready to sell on Friday?” Many emotions garner at the speed of light inside André allows these emotions to clash inside of him. The painting; it is beautiful, splendour, radiance! How could he give it away now, after an indescribable series of emotional contributions? It is something that has not been attempted before; yet it is new but the expression of old. It is everything, at the moment, hopefully containing more interpretive inoculations for the future. It is a subject, of just some time, yet it contains a collaboration of detail separated from time. It is…once again interrupted by screams, this time of another sort; the infuriating talking of man. “André. Are you there?” Feelings of great rebellion sweep André off his feet. He knows how he will revolutionize his life, because after all; this painting has revolutionized his thought already. “Mister Fonck. I am so sorry. Some things have come over me…a type of sickness…although I am sure you are not aware of this mad syndrome I am suffering due to it. Well to the point, I must say I will not be supplying you with your wanted artwork. Thank you for your understanding. Hopefully we can collaborate something in future.” André hangs the phone up without replies, without a stated understanding from the mister Fonck. Without even the knowledge of acceptance or approval from the mister Fonck…it does not matter. All that matters is this new painting, this contemporised vision. It is everything. Most importantly of all, it is…unleashed!
UK Born Jan Johnston also known as “The First Lady Of Trance” one of the most recognizable voices in dance music today. She’s worked with artists such as BT, Tiesto, Paul Van Dyk, Paul Oakenfold, and the list goes on. This shoot was done on request as I’ve always absolutely loved her music and really wanted to shoot a portrait of her. Shot on location in Melbourne it was a heavily windy day as you can see by her hair. I put a heavy focus on getting the angles exactly right… maybe even too much as I only had this one frame out of about 100. I was extremely grateful to get this image though…
...
method: photo retouched and defined in illustrator, then completed in photoshop.
scribble of a female face listening to tunes with headphones
Artwork made for a Music Band. They are into Electronic Trance, so yeah. completely illustrated
details of original painting / acrylic, collage and hand stitching on canvas / 76×52 cm / painted in Osaka, Japan 2007 original painting is sold
my dear friends in a maze … ””“Shiranui” is a japanese word that is one of my favorite. It is a meaning of “unknown fire” in a literal translation of japanese “kanji”. / Shiranui is The phenomenon which it is dotted with much light on the sea at night, and is flicker and in sight. What is seen in the Yatsushiro Sea and the Ariake Sea in Kyushu is famous. The abnormality refraction phenomenon,an innumerable blip that far-off a few fire on a boat to lure fish (isari_bi) makes innumerable appearances by the difference of temperature that there is between the cool surface of the water and atmosphere of a tideland and an opinion to do are influential.””” / Shiranui Japan.2006
November 2008…featured in All About Flowers
©2007-2008 Aimee Stewart, Foxfires – please see my CC Terms of Use before considering using this image for any personal or commercial use http://foxfires.deviantart.com/journal/15905899/ / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—- There are so many familiar sayings out there about ‘Time’ as we know it. Time heals all wounds. Time flies when you’re having fun. Time stands still. Time waits for no one. If I could turn back the hands of Time. Frozen in Time. Timeless…. you get the idea. Well, I wanted to create a series that perhaps captured the essence of these things, in relation to human emotion. And so my Time series was born. I know in my heart what each of them means, but I did not name them anything specific, so that the viewer could make up their own mind as to the meaning of each piece. I think that is something unique to every individual. So…my heartfelt thanks for continuing to watch and support my artistic endeavors. It feeds the fire that burns and inspires. / Aimee
acrylic on paper edit digitally.
see no evil, speak no evil, but hear lots of funky music!
www.cathleentarawhiti.co.nz A collaboration with the talented AikoNamida Model - Kim Clothing supplied by / Mystique Costume Hire / 233 Anglesea St / Hamilton / ph 07 83 83 505 Featured in Impressionist Art / Thank you Sharon. Featured in C.O.R.E / Thank you Ushnar. 2000+ views People/Portraiture HDR Photography Macro Photography Architecture Collaborations Skyscapes Animals/Birds/Insects Street Photography Everyday Objects Seascapes/Rivers/All Water Summer Photography Odd/Unusual Flowers/Plants/Trees Landscapes New Zealand Abstract Humour Black and White Photography Canon 40D
Disc Jockey. ©DApixara.
Godskitchen 2008. / Melbourne, Australia / / /
Trance Around the World with Above & Beyond [Anjunabeats]
Miami, Fl. Coconut Grove Marina. 7 am
for music lovers
me… / and my Wacom… / ...not bored… / but in a creative trance… © 2009 jokiargu creations / All rights reserved thank you for viewing my heART!!!
Deadmau5 (pronounced “Deadmouse”; real name Joel Zimmerman) is a progressive house and electro house producer from Toronto, Canada. ‘Deadmau5’, Zimmermans’ DJ name, comes from an incident where a mouse crawled into his computer and died. ‘Dead Mouse’ was too long for an IRC login name, so he abbreviated it to be the “leet speak” spelling “Deadmau5”.
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