Australia
Australia
Australia
Howlin Wolf Burnett in action. The first of a Blues musician series I’m toying with. 15X22 watercolor.
Pokemong – Gotta eat em all….....Omnomnomnom.!!!
1220mm(h) x 1520mm(w).This action painting was a collaboration / between the artist (Tracey Boulton) and fourteen members of the youth group in a local church. There are 39 lashes / applied in a ‘hands-off’ approach using various creative means and a reliance on each other to produce the gestures which symbolise the / flogging of Jesus. This work is vibrant in colour, dynamic in it’s mark making and full of passion.
Abstract acrylic painting of the colours associated with St Ives in Cornwall
Still life of pomegranates.
Acrylic on canvas. Still life of clementine.
Still life of clementine with blue background. Acrylic on canvas.
Taken from Exodus 33 v 18-23. I have depicted in this painting the moment when Moses asks to see God’s glory, and God instructs him to stand in a cleft of the rock, as no one can see God’s face and live. This is the moment of waiting, similar to the sublime paintings of Clifford Still or Barnet Newman.
Photograph at night of flames.
910mm x 610mm Acrylic on canvas. Abstract landscape of spring flowers in an open field.
610mm(h) x 910mm(w) Abstract acrylic painting on canvas of bluebells in the woods
610mm(h) x 910mm(w) Oil on Canvas. Some years ago I asked the question about the removal of all codes e.g. brands, gender, colour, race etc. and wondered what we would be left with. Is this what our soul would look like? I produced a shroud and had someone walk around a busy town centre wearing it, covering their identity totally, and posing the question to the public via video. No words were exchanged, only body language. The result was ‘fear’ or ‘ridicule’. I placed the unknown identity within this picture as a Romantic gesture similar to Caspar David Friedrich’s painting ‘Monk by the Sea’.
Acrylic on Canvas board. A lone pomegranate on a red surface.
510mm x 510mm Oil on Gesso Panel. This abstract painting and ‘Organic 2’ took many months to paint using the Renaissance techniques of colour glazing on a gesso panel.
A collaboration between Ademac and Textureofthesin and Tracey Mac Photographer: The warmly regarded and very talented Ademac Art direction and inspiration: Tracey Mac Textures: TOTS Model and processing: TOTS Featured June 2009 : Mature Woman Group
A collaboration between Ademac and Textureofthesin and Tracey Mac Photographer: The warmly regarded and very talented Ademac Art direction and inspiration: Tracey Mac Textures: TOTS Models: Tracey Mac and TOTS Processing: TOTS I died as inanimate matter and arose a plant, / I died as a plant and rose again an animal. / I died as an animal and arose a man. / Why then should I fear to become less by dying? / I shall die once again as a man / To rise an angel perfect from head to foot! / Again when I suffer dissolution as an angel, / I shall become what passes the conception of man! / Let me then become non-existent, for non-existence / Sings to me in organ tones, ‘To him shall we return’. The Persian Islamic Sufi mystic poet Jalal al-Din Muhammad Rumi
A collaboration between Ademac and Textureofthesin and Tracey Mac Photographer: The warmly regarded and very talented Ademac Art direction and inspiration: Tracey Mac Textures: TOTS Model and processing: TOTS
OK, this is something of a departure for me. I was walking along the beach tonight with my trusty hounds, when I chanced upon a beautiful piece of plywood, about 800mm X 600mm. It had a gorgeous, weathered finish, with faded, flakey paint and loads of character. So, to cut a long story short, I took it home and got busy with my trusty angle grinder. I didn’t have too much of an idea what I was going to do, all I knew was I had to do something. Here is the result of half an hours’ worth of mindless and wanton “self expression”-hope you like it.
I experimented with one of the photos Tracey Mac took on Sunday (08.11.2009), trying out the use of textures. / / I haven’t done as good a job as Traey does and I’m not sure how much I like it but, I do kinda like it! / / Thanks for looking, I hope you like my experimentation – all criticisms are appreciated.
A great painting, by a dear friend.
A collaboration between Ademac and Textureofthesin and Tracey Mac Models photographed by the warmly regarded and very talented Ademac Art direction and inspiration: Tracey Mac Textures and graveyard image: TOTS Models: Tracey Mac and TOTS Processing: TOTS Thanks to Anna Shaw for this tutorial on light rays I choose to donate 100% of my profits from sales of this image to the National Breast Cancer Foundation and the Australian Cancer Research Foundation
This is for madworld :)
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