Toycamera
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75 creative works found
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I have taken this double exposure with my toycamera Holga on film. / The cityview is taken from Eureka sky deck in Melbourne. / This beautiful sentence was tagged on a house in Brunswick near mine, but a week later the owner gave it a clean… / With this photo I can always remember it. (no digital manipulation here)
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triple exposure with toycamera holga
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shot with Holga toycamera in the australian outback. / no digital editing
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For the toy camera lover…
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Found at the Melbourne Docklands precinct, these are two of many steel sculptures sitting in the park near the giant kinetic wind-powered sculpture “The Blowhole” / This image taken on my Diana, a medium format “toy camera” with Fuji 160 NPC film.
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...cause boys will be boys! This image was shot using a LOMO Action Sampler and 400 ASA Superia Fuji Film hence the slight grain. other shots using the lomo action sampler One-second has been neatly dissected into four composite parts and lined up in perfect order to give you one shaky piece of 2×2 sampled action. / Tis more than a photograph and not quite a movie, you’ve got a permanent documentation of a snippet taken from your very own existence somewhere in the time-space continuum. / Tis also one wacky piece of photographic equipment, tis a real camera which consists of a tacky plastic box with four lenses strapped to the front, and inside are a few springs and cogs that reluctantly turn a full circle when you press the shutter release. / By some strange coincidence a standard boring old 35 mm film fits neatly into this box. Each time you hit the shutter release, despite the inferior quality of the lenses, light actually exposes the film at quarter-of-a-second intervals. / As soon as it’s bright enough the Action Sampler’s lenses go into action, giving you unexpected colours, haze and blur and a whole new world of shapes that’ll blow your mind. / The Action Sampler is not a finely tuned piece of apparatus made only of the finest in hand-crafted modern materials, it’s made of plastic. It is not a precision instrument with settings for the slightest nuance in aperture and lighting, it won’t even take a flash and the lenses are moody little beasties, reluctant to let any light get to the film at all.
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When we are at Elwood or St.Kilda, the bayside inner city suburbs of Melbourne, Point Ormond is one of my reference points. / This day was overcast with intermittent breaks of patches of clear sky. Once again, I used the Diana F to capture this sentinel on the hill.
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runnin’ wild This image was shot using a LOMO Action Sampler and 400 ASA Superia Fuji Film hence the slight grain. other shots using the lomo action sampler One-second has been neatly dissected into four composite parts and lined up in perfect order to give you one shaky piece of 2×2 sampled action. / Tis more than a photograph and not quite a movie, you’ve got a permanent documentation of a snippet taken from your very own existence somewhere in the time-space continuum. / Tis also one wacky piece of photographic equipment, tis a real camera which consists of a tacky plastic box with four lenses strapped to the front, and inside are a few springs and cogs that reluctantly turn a full circle when you press the shutter release. / By some strange coincidence a standard boring old 35 mm film fits neatly into this box. Each time you hit the shutter release, despite the inferior quality of the lenses, light actually exposes the film at quarter-of-a-second intervals. / As soon as it’s bright enough the Action Sampler’s lenses go into action, giving you unexpected colours, haze and blur and a whole new world of shapes that’ll blow your mind. / The Action Sampler is not a finely tuned piece of apparatus made only of the finest in hand-crafted modern materials, it’s made of plastic. It is not a precision instrument with settings for the slightest nuance in aperture and lighting, it won’t even take a flash and the lenses are moody little beasties, reluctant to let any light get to the film at all.
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This image was shot using a LOMO Action Sampler and 400 ASA Superia Fuji Film hence the slight grain. Lomo Action Sampler is best used for action shots. This is not an action shot however, i really like it. Other shots using the lomo action sampler One-second has been neatly dissected into four composite parts and lined up in perfect order to give you one shaky piece of 2×2 sampled action. / Tis more than a photograph and not quite a movie, you’ve got a permanent documentation of a snippet taken from your very own existence somewhere in the time-space continuum. / Tis also one wacky piece of photographic equipment, tis a real camera which consists of a tacky plastic box with four lenses strapped to the front, and inside are a few springs and cogs that reluctantly turn a full circle when you press the shutter release. / By some strange coincidence a standard boring old 35 mm film fits neatly into this box. Each time you hit the shutter release, despite the inferior quality of the lenses, light actually exposes the film at quarter-of-a-second intervals. / As soon as it’s bright enough the Action Sampler’s lenses go into action, giving you unexpected colours, haze and blur and a whole new world of shapes that’ll blow your mind. / The Action Sampler is not a finely tuned piece of apparatus made only of the finest in hand-crafted modern materials, it’s made of plastic. It is not a precision instrument with settings for the slightest nuance in aperture and lighting, it won’t even take a flash and the lenses are moody little beasties, reluctant to let any light get to the film at all.
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shot on film at the carlton pool with Holga, no post treatment.
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shot on film with Great Wall camera
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...geez i like a good rhyme. This image was shot using a LOMO Action Sampler and 400 ASA Superia Fuji Film hence the slight grain. Other shots using the lomo action sampler One-second has been neatly dissected into four composite parts and lined up in perfect order to give you one shaky piece of 2×2 sampled action. / Tis more than a photograph and not quite a movie, you’ve got a permanent documentation of a snippet taken from your very own existence somewhere in the time-space continuum. / Tis also one wacky piece of photographic equipment, tis a real camera which consists of a tacky plastic box with four lenses strapped to the front, and inside are a few springs and cogs that reluctantly turn a full circle when you press the shutter release. / By some strange coincidence a standard boring old 35 mm film fits neatly into this box. Each time you hit the shutter release, despite the inferior quality of the lenses, light actually exposes the film at quarter-of-a-second intervals. / As soon as it’s bright enough the Action Sampler’s lenses go into action, giving you unexpected colours, haze and blur and a whole new world of shapes that’ll blow your mind. / The Action Sampler is not a finely tuned piece of apparatus made only of the finest in hand-crafted modern materials, it’s made of plastic. It is not a precision instrument with settings for the slightest nuance in aperture and lighting, it won’t even take a flash and the lenses are moody little beasties, reluctant to let any light get to the film at all.
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holga
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Shot on film with great Wall Camera in Avignon, France.
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Another photograph of the retro red telephone. Taken with a Diana F “toy camera” with a close-up filter.
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These structures designed by John Denton greet drivers heading south towards Melbourne via the Tullamarine Freeway or going north via the Bolte bridge out of the city towards Melbourne’s primary airport. Some call them the “Cheesesticks” but being red, I would liken them to toothpicks or those skinny salami sticks you sometimes get with your chhese squares and and so forth for nibbles at a party. / I’ve wanted to capture them with plastic for a while and today I found one of the best vantage points to do so for my purpose. Being from the completely other side of town, I wasn’t sure where best to go, but it’s amazing what you can do if you study a street map! / Anyway, I just wanted to capture an impression of this sculptures geometric regularity against the clear blue sky. I think it’s safe to say I’m fairly happy with this shot. / Diana 151 loaded with Kodak Portra 160 VC
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holga double or triple exposure. scanned negative, contrast lightly adjusted in photoshop. East Village, NYC
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Taken at Lorne, just off The Great Ocean Road, Victoria, Australia Holga 120WPC (wide angle pinhole camera), Kodak Tmax100 @ ISO50, 3 second exposure
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shot on film with a Holga in TONGA, / Ana lives on a small island, you can walk around it within 15 minutes , everyday she holds this rope ,climb up a palm tree and jumps in the air.
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These structures designed by John Denton greet drivers heading south towards Melbourne via the Tullamarine Freeway or going north via the Bolte bridge out of the city towards Melbourne’s primary airport. Some call them the “Cheesesticks” but being red, I would liken them to toothpicks or those skinny salami sticks you sometimes get with your chhese squares and and so forth for nibbles at a party. / I’ve wanted to capture them with plastic for a while and today I found one of the best vantage points to do so for my purpose. Being from the completely other side of town, I wasn’t sure where best to go, but it’s amazing what you can do if you study a street map! / Here is a different perspective of three of them as seen against the cheerful yellow sound barrier protecting nearby residents from the noise of commuters busily commuting. / Diana 151 loaded with Fuji NPC 160 (I had reloaded the camera after the last shot in my portfolia)
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