Elizabeth Young / (NICA)
canon 5dii 16-35 lens / about 100 30 sec exposures
This is an HDR shot that I took on my girlfriend’s property the other day.. / This old shed has always taken my interest as to how it may turn out as a subject for photography so I decided to get out of my car and take some snaps.. / I hope you all like it and once again all comments are welcome.. / Thankyou very much for looking! Best viewed LARGE Uploaded 04/02/2008
Just returned from a memorable holiday in Cornwall UK. This is one of the tin mine buildings that are dotted about the place …. it used to be the backbone of Cornwalls economy , but due to extraction costs, one by one the mines closed … Four images blended in Photoshop CS3 Copyright Richie Dean 2008
More stones from Connemara! A building that is still used … the door was locked. It was stuck at the bottom of field with no evidence of what it might be used for.
canon 5dII 16-35 lens / same set up as previous upload only taken later and the building was lit by the brake lights of the car.
One of the members of my extensive vintage tobacco tin collection. (Covent Garden)
entire bathtub portraiture series=
The Botallack mine was part of the St. Just mining complex that mined the hard rock for black tin and copper for centuries. Many generations of Cornish families were employed in this dangerous industry till the stocks of black tin and prices for the ore made it unworkable. Situated a few miles from Lands End on the rugged North coast of Cornwall, this image is of the Crown Engine Pump House which was at it’s peak in the early nineteenth century, the main shaft from it, the Boscawen Shaft reaches under the Atlantic Ocean diagonally for some 800 metres, most of the other mine pump houses are situated on the cliff tops high above this one. The promontory that the engine house is sited on is Crown Rock, the seam of black tin ore is very visible in this image just above sea level. though the many different colours of ore are also visible on the rocky headland. There is always a lot of wave activity in this rugged cove, even on a fine Summer’s day like this the Ocean is very choppy and I wanted to capture the wave action as well as the detail on the mine and cliff so quite a number of exposures were tried. Nikon D300 / Focal Length 50mm / F8 for 1/160 sec / White Balance set to Sunny / CP Filter PLEASE VIEW LARGER
A Homage to Judy Garland’s Larger Than Life Character.
Autumn roses faded love…
Goodbye Yellow Brick Road
I couldn’t wait :)...i really wanted to get a t-shirt for Ireland and oh what the heck..i’ll get one for me..hehe…:) / Another image from my children’s story…last one ….i swear :) :)....seriously :)
Cats are crazy. Crazy for food.
...but still some life left in this old boat shed at Wineglass Bay Tasmania.
This is the most recent instalment of my Nostalgia series As usual, it was created with my “painted with light” technique that mainly exists out of long exposures and a lot of “painting” with a flash light. / Tutorials on my technique can be found here and here This image was shot during several exposures of 30s on f22 and ISO100 which were later combined using Photoshop. more work / the print /
Acrylic on canvas, 15.5” x 15.5”, created in January 2009. With a new president and philosophy in the USA, a spirit of optimism has finally opened up for many of us who had problems with the previous administration’s attitudes. This is especially true in regards to the overwhelming evidence of the harm we’ve been doing to our environment. In this painting, a rich red poppy has also opened up, growing out from a rusty, discarded tin can. The atmosphere around it is grungy and its spindly leaf is barely recognizable – is it up to the task of photosynthesizing the nutrients the flower needs to survive? The title of the work provides a hint at my hopes and feelings. A closely related piece is “The Price of Redemption – an Ecological Statement”. / / ~
The third of the huts we found on our walk through Namadgi last weekend.
Here is another splattered spray can design.
Lost it’s balance…Link to Journal about one story…. Phantom Lost Soldier
This image was created in my shortbread tin camera / This was a 25 minute exposure and I tried to exclude the outside light coming through the glass door.
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