Timing water
982 creative works found
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our lovely little miss milly doesn’t like to miss out on much, i think she would jump in if she was a bit bigger… taken with a nikon D80 + 50 mm 1.4 nikkor lens – hand held single image shutter speed: 1/60 / ISO: 100 / f/stop: f/4 / processed in photoshop cs3 using topaz (hdr filter) layer with opacity dropped back and here she is after her bath… featured in: / Family Unlimited / Childhood / Freedom to Shine / Paw’s n claws / jpg cast offs / Capturing emotions / Kairos / People and portraiture / HDR photography / Queensland
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Airbrush and mixed media Featured on the Home Page / (Thanks Everyone!) Featured In Pop Art / (Thanks Kitsmumma) Featured in I ♥ Patterns / (Thanks Jemimalovesbigted & Natalie) Featured In C.O.R.E. / (Thanks Ushna & theyellowfury) Featured In Dream & Fantasy Art / (Thanks Ana & Hal Featured In # 1 Artists Of RedBubble / (Thanks Isa & Everyone!) There’s more ocean in fish than fish in the ocean… Nature is wise, but Mankind… just bumbling fools. Learn from the living, watch water in motion, Don’t waste your time staring at small stagnant pools. Fish are content to live their life in water, Water is after all their life’s element. There’s no need for them to be an “achiever,” Living, staying alive… that’s accomplishment. But there was one fish wanting something “better”, He wanted “achievement,” he wanted a “first.” He leapt out of water, fins in quick flutter, Taking fast to the sky… but soon died of thirst… / / Poem by Peter. J. Oszmann © 2003 / (Check out his other written works they are a delight!) A.K.A. ” Alfred Fishcock ” For The Great Gregory You can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios /
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Writing Collaboration Words for this image have been written by VANESSE See more writings by VANESSE
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Fluids in motion fascinate my senses. I feel their smooth and effortless curves: structures reflecting a perfect balance of dynamic forces. They tickle some faint physical memory, like a scent evoking a forgotten mix of feelings. / - w.b One of my all time personal fav, and one of the least processed. / All shapes and colors are as the camera captured them. / I only cleaned up grain and flash marks. Hope you like it, i really appreciate all comments and fav, even if i don`t reply right away.
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/ Published in the book “The City”
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Night time shot, taken in the backwaters of the River Murray, near Lyrup in the Riverland area of South Australia. Beautiful still night with mirror image reflections of the majestic dead river gums. BEST Viewed large. Canon 400D 18-55 lens. Processed in Photoshop CS3.
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Like a fairytale castle Mont Saint Michel at dusk in the rain, I got wet and cold but it was worth it for images like this. A blended exposure using HDR techniques.
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Late afternoon, Lyrup flats between Renmark and Berri in the Riverland of South Australia. Afternoon shots whilst waiting for the sun to go down for a night time shoot. The clouds moved apart and left this diamond like section reflecting nicely on the still backwaters. Again a visit to one of my favourite places where these huge River gums stand defiant against nature, dead but not finished….... Canon 400D 18-55 lens, CIR Polarising filter. Three shot panoramic stitch in CS3 and converted to B&W in the same program.
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Taken with a Canon EOS 400D and 100mm macro lens. / A white and blue daisy reflected inside a raindrop on a dianthus flower petal /
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Imagine the sunrises, sunsets, storms, and sunny days this water tower has seen in all its years. This day was not a particuarly memorable day in its history, but it will be remembered it as it appeared through the lens of an antique camera and now captured forever in this digital medium. The Clack produces only 8 negatives on a roll of 120 film. This forces the photographer to slow down and carefully compose each shot. This slowing down of time is exactly what is being portrayed in this photograph. The colors and clouds bleed into the background, highlighting how little has changed in this scene over time. Created using a 1950’s AGFA Clack camera with 4 year expired Fuji Velvia RVP120 (ISO 50) slide film cross processed with C-41. No digital manipulation necessary! This image is in Redbubble’s featured gallery . (c) Paul Lavallee 2007 /
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The waves in Diamond Bay, on the Sorrento back beach, VIC are so fierce and unrelenting. Canon 40D w/ EF-S 10-22mm / Focal length @ 10mm / Aperture: f/22 / Shutter: 1.6 sec / ISO: 100 / Shot taken 15mins before sunset
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Patina (ˈpa tə nə) is a film on the surface of bronze or similar metals (produced by oxidation over a long period); a sheen on wooden furniture produced by age, wear, and polishing; or any such acquired change of a surface through age and exposure. On metal, patina is a coating of various chemical compounds such as oxides or carbonates formed on the surface during exposure to the elements (weathering). Patina also refers to accumulated changes in surface texture and colour that result from normal use of an object such as a coin or a piece of furniture over time. / Patinas are restricted to exposed surfaces and are fragile (that is, they can flake off). One reason bronze is so highly valued in statuary is that its patina protects or passivates it against further corrosion. This natural patina is solid and seldom shows a tendency to flake. Brass is also resistant to corrosion, but it is, in the long run, not as attractive since local pitting shows against the shiny background. / source: Wikepedia Dictionary :http://en.wikipedia.org/wiki/Patina credits: / MJRANUM for the torso / water and textures (photographs and digital paintings) by yours truly. © 2009 jokiargu creations / All rights rederved
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Title selected from the subjects in my spam folder….... / SPAM PHOTOS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / BEACH / INDUSTRIAL / PANORAMAS / LANDSCAPES
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A Teardrop in Time I dedicate this to all Native Americans. / This image is so much more than a photograph of a beautiful sunrise…...to me it symbolizes power and strength, and overwhelming evidence of a power so much greater than we could ever imagine…...the teardrop is in memory of all the vast numbers of Native Americans whom were abused and destroyed by others’ ignorance….... My sunrise image was shot on 09/25/08 at 6:49 AM here in Anderson, CA / to it added a glass teardrop in memory of all Native Americans. / / / ___ All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. © 2008Joyce Dickens: Using my images for any purpose and in any way, without prior permission, may lead to legal action!
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Geothermal warm spring Steptoe Valley / Eastern Nevada * / Canon 350D EOS / Tamron 55/200mm Corel PhotoImpact x3 & JASC PaintShop Pro / (composite)
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San Sebastián
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Caliente / New York City This shot is a part of ‘Caliente’ series. Visit my site for the complete series: / http://zoharlindenbaum.com This shot was featured in JPG MAGAZINE too: / http://jpgmag.com/photos/28651
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Another shot taken when my water housing and 20D were still operational. This is a mate of mine, Brad.
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Scabious is much too ugly a name for this delightful bloom (scabiosa) otherwise know as the pincushion flower. It’s a wonderfully long flowering perennial and older varieties have a gorgeous delicate fragrance. This particular plant is (even) older than me (! ? !) and has been carefully tended by my dad for decades as it came (via a removal van) from the house I was born in. Captured during a recent shower Its lovely scent is a great reminder of summers past. . . :))) Greenery is from a nearby heather and this was taken in the same rain as summer shower so it was well worth getting slightly damp! ;))
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Location: Safra, Lebanon
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People on a Fire Island beach looking for colored beach glass and pretty stones. Click once on image to enlarge. / / / /
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This is La Courtine, one of the most beautiful cliff I’ve ever seen. La Courtine is part of the amazing rocky coast around Etretat in Upper Normandy, France, altogether known as Les Failases d’Etretat. I took this picture last August, on a very windy – as usual over there – late afternoon. / I wanted to have the sea looking as much smooth as possible, but I was in full daylight, as it was around 19:30 hours. Even with the overcasted sky, and even full stopping down the lens, the exposure time was only 1/2 seconds, a too fast time to move the sea surface. Using a polarizer and a 8x ND filter I gained 5 more stops, obtaining therefore, with a slight over-exposure, 20 secs of exposure time. Finally, I used a graduated filter to darken the sky, while keeping a correct exposure on the cliffs and the sea. / This allowed me to give the sea surface a watercolour paint look, and I also obtained a slight movement in the clouds, thanks to the strong wind. I hope you enjoy it, thanks for dropping by. / Paolo
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