Timelapse
648 creative works found
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Rundle Street, Adelaide, South Australia, at night.
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Window of the Pierucci store, taken on Rundle Street, Adelaide , South Australia. The man on the right came and sat down of his own accord-just what I was after!!
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As the City of Perth beats like a racing heart at night, Dullsville is considered no more. Well, that’s the plan anyway. Hope you enjoy this shot. Been wanted to post something like this for a long long time. So here it is =) / / Shot using a Canon 350D, 18-55mm kit lens, cheap tripod, 4 seconds exposure @ f/5.6 with an ISO speed of 200. PUBLISHED: The West Australian in 2008 as Advertising Material – but without my consent? / / MORE WORKS FROM MY PORTFOLIO /
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For those who dont know what these lines are they are stars. / I set the camera on the B setting and leave the shutter open for upto 10 hrs. / As the earth rotates it gives you these lines.I do not recommend the use of digital cameras for taking startrails
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Nighttime in Norwich, UK / I particularly like the bicycle light trail in the centre of the image :)
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Camera – Canon 350D / Lens – 10-22mm USM / Focal length – 22mm / Exposure – Aperture Priority / Aperture – f/5 / Shutter – 30 seconds / ISO – 100 / Tripod and cable release / / © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / / /
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North Narrabeen tidal pool on Sydney’s Northern Beaches. Shot at 18mm; 30sec; f/11; ISO100
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Red pillars, finished by a yellow beam, illuminate an entry point to Melbourne. Shot on film, 30second exposure, f5.6, ISO 50 (Fuji Velvia)
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Two famous Australian icons: the Sydney Opera House and Sydney Harbour Bridge. This was a 30 second exposure shot from down near Mrs Macquarie’s Point. Shot at 40mm; f/10; 30sec; ISO100
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1.28.07 / 12:47am / Testing out the new suction cup camera mount. I set up the self-timer to 10 seconds, hopped in, and took off. Took a few tries to get the wheel so focused, but i’m happy with it. / THE CAR / 1995 BMW 325is THE CAMERA / Canon Powershot Pro1 / Shutter Speed – 15sec / Aperture – F/2.4 / Focal Length – 7mm / photo straight off camera Featured in Timelapse/Long Exposure Photography 10.04.08 / Featured in Canon DSLR 10.31.08 / Featured in As Is 11.01.08 / Winner of the Slow Shutter Speed challenge and featured in Photography 101 11.19.08 / Top 10 in the Vrroooomm…Cars challenge in 12 Great Features 12.18.08 / Featured in Movement, Motion Blur 1.18.09 / Featured in As Is 3.19.09 At time of entry to the “Most Favorited Work” Challenge, this had 25 Favoritings
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Sydney putting on its best show ever to launch 2008 with style. Exposure: 45 sec (45) / Aperture: f/13
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The greatest show on Earth puts Sydney on the map. Exposure: 45 sec (45) / Aperture: f/13
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The Petronas Twin Towers. / / HDR mode. No matter what angle, what lens, what camera body you use to capture this magnificent building, you will never capture its sheer size and beauty. This was a see-it-to-believe-it moment for me. / - – - / Taken with a Sigma 10-20mm, 77mm Keep polariser, Manfrotto Tripod, and Canon remote shutter release and HDR. Exit: f/22 @ ISO 100, for 22 seconds with +2 bracket exposures. / / MORE WORKS FROM MY PORTFOLIO /
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Taken from the Kett Heights viewpoint overlooking Norwich. Oh, and with some complimentary added effects :)
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This is La Courtine, one of the most beautiful cliff I’ve ever seen. La Courtine is part of the amazing rocky coast around Etretat in Upper Normandy, France, altogether known as Les Failases d’Etretat. I took this picture last August, on a very windy – as usual over there – late afternoon. / I wanted to have the sea looking as much smooth as possible, but I was in full daylight, as it was around 19:30 hours. Even with the overcasted sky, and even full stopping down the lens, the exposure time was only 1/2 seconds, a too fast time to move the sea surface. Using a polarizer and a 8x ND filter I gained 5 more stops, obtaining therefore, with a slight over-exposure, 20 secs of exposure time. Finally, I used a graduated filter to darken the sky, while keeping a correct exposure on the cliffs and the sea. / This allowed me to give the sea surface a watercolour paint look, and I also obtained a slight movement in the clouds, thanks to the strong wind. I hope you enjoy it, thanks for dropping by. / Paolo
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Shot: Nikon D40X / Format: Raw / Time: 1.29pm / Exposure: 10.000 seconds / F No: 9.0 / Focal Length: 26.0mm / Tripod Used / Uv Filter Used Leura Cascade Falls is in Sydney Australia The Blue Mountains. This is a great walk to go and do! It’s not to hard and you see beautiful things the whole way! How to get there… Commencing from the Leura Cascades Picnic Area make your way to the information board from which you will observe a concrete pathway descending to the left. Follow the pathway as it travels beside the bubbling Leura Cascades creek. You will approach a small footbridge, at this there will be an intersection, you will note a weathered signpost indicating the direction of Leura Cascades, from this point head downhill to the Cascades. As you descend the fern covered stairs (handrails for support) to the Cascades you will hear the sounds of rushing water as the creek picks up speed. At the bottom, the Cascades are best viewed from beneath a rock cave looking back up the Cascades. A brief sidetrack can be made from the Cascades by following the path for a short distance to a lookout directly above the Bridal Veil Falls. Return to the picnic area via the same pathway.
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Lengthy night exposure of the Ferris Wheel on the foreshore at Victor Harbor. Canon 400D 18-55 lens.
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San Sebastián
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One more seascape to keep me going for another few days until I can get back to the beach, hope you like it Others from the Dicky series Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People / Plastic People
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The waves in Diamond Bay, on the Sorrento back beach, VIC are so fierce and unrelenting. Canon 40D w/ EF-S 10-22mm / Focal length @ 10mm / Aperture: f/22 / Shutter: 1.6 sec / ISO: 100 / Shot taken 15mins before sunset
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/ Where am I? / How can I differentiate between the real world / And the dream world? / Which world am I in / Or am I in the unknown, somewhere in between? / Where does reality end / And the dream start? / Is this dream real / Or is this reality a dream? / Do I need to decide which path to take / To the right world? / Or in the end, does it really matter / As long as I follow my heart? / —-—-—-—-—-—-—-——- / Long Exposure taken at Werribee South. / Canon 40D w/ EF-S 10-22mm / Aperture: f/20 / Shutter: 40 sec / ISO: 100
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A small tannin stained creek on the edge of the Tarkine in north-west Tasmania spills its way toward the sea. / The colouring is a natural stain that comes out of the heath, button grass and melaleuca vegetation. This stained water is very common in Tasmania and is some of the sweetest water I have ever drank. / When the water is shallow with a sand bottom it is a beautiful sepia tone and as it gets deeper it turns black. / When it hits turbulence it whitens the same as any water does and gives a myriad sepia shades depending on the level of turbulence. / Nikon D40 / Nikkor AF-S 18-200mm VR lens at 20mm / ISO 200 / 0.62 secs at F/20 / No Flash featured in Waterfall Photography November 2008 / featured in Natural Colour & Light group 24th March 2009 / featured in Dimensions group 24th September 2009 / featured in Alphabet Soup group 26th September 2009 / featured in Photographers of Redbubble group 5th October 2009 Top Ten in the Waterfall Group – Buyers Only Challenge in February 2009 / Top Ten in Tasmania Groups Waterfall Challenge 19th September 2009 / Top Ten in The Alphabet Group – Best of N Challenge 3rd October 2009
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The waters of Young’s Creek cascade majestically over the rock face at Triplet Falls, amid the rainforest in The Great Otway National Park, in the hinterland behind The Great Ocean Road, Australia. Pentax istDS Camera – Three timelapse images bracketed to create an HDR image in Dynamic Photo HDR. My Bubblesite showcases images in their categories. ‘Featured’ in the 100%, LLD, and Natural Colour and Light Groups.
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