Tilt
487 creative works found
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In a public park in Varadero, Cuba. / See more of my photgraphy from CUBA / ..................................... / Click here to add me to your watch list. / .....................................
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Portrait of a guy (Indian or Black American) underlying a bolted frame plate covered in a block print along with surrounding abstract shapes and textures, some flat, some in 3D. A white airbrushed cloud was added to this composition to bring more depth between the shapes also creating a frosty cold air feeling for this black and white image. 1-6-07
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This is using the tilt/shift technique. I had a flight over the city a while ago. Voted in the top ten of the Best Treatment Group – SydneyOpera House / .
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/ / / TIP JAR: IF YOU LIKE MY WORK SUPPORT ME WITH ANY AMOUNT YOU WISH / / RAFFLE ITEMS HERE
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This image and Bastard Squad are great examples of the range of people enjoying the Brunswick Music Festivals – Sydney Road Street Party held on the 24th February. You can find some more candid street shots here at the blog. © Andrew Brown Cards / Urban and Architecture / Panorama / Landscape / Portraiture / Macro / Street
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Enjoy! _
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Copyright 6point1 Photography 2008 /
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Just trying something new.
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I just had to do one more…. for now.
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Another Sumatran tiger, taken in the Dickinson Park Zoo. Name: Panthera tigris sumatrae (Sumatran Tiger) Description: The Sumatran tiger has the darkest coat of all tigers. Its broad, black stripes are closely spaced and often doubled. Unlike the Siberian tiger, it has striped forelegs. Sumatran tigers are the smallest tiger subspecies. Males average 2.4 meters (8 feet) in length from head to tail and weigh about 120 kilograms (264 pounds). Females measure approximately 2.2 meters (7 feet) in length and weigh about 90 kilograms (198 pounds). Distribution: The Sumatran tiger is found only on the Indonesian island of Sumatra in habitat that ranges from lowland forest to submontain and montain forest with some peat-moss forest. Biology: The Sumatran tiger eats wild pig, big deer (called rusa), and small deer (called muntjak or barking deer). The specific range size of this tiger is not know, however the population density is approximately 4–5 adult tigers/100 km 2 (39 mile 2) in optimal lowland rainforest. As elevation increases through submontain and montain forests, the number of tigers in any given area decreases because there is less prey available. Status in the wild: 400-500 wild Sumatran tigers were believed to exist in 1998, primarily in the island’s national park areas, but no island-wide census or monitoring system has been possible. Tiger numbers have continued to decline because of poaching of tigers to supply the illegal trade in tiger parts. The last remnants of lowland forest are being eliminated to establish oil palm plantations and for shifting agriculture by recent settlers from other areas of Sumatra and Indonesia. Ongoing road development makes many formerly inaccessible mountain areas accessible to illegal logging even on the steepest slopes, and many mountainous areas are being converted into plantations for coffee and other products for international markets. Tigers are legally protected but are not highly valued. Captive breeding: For three years, the Indonesian Zoological Parks’ Association (PKBSI) has been working with the Tiger Global Conservation Strategy to develop a conservation program for Sumatran tigers. In addition to the 65 Sumatran tigers living in Indonesian zoos, there are 55 tigers managed by North American zoos, 100 in European zoos, and 12 in Australasian zoos. This captive population is descended from 37 wild-caught founders. The Indonesian Sumatran Tiger Masterplan now has the potential to function as the heart of the Sumatran tiger population worldwide. It is designed to preserve sufficient genetic diversity to reinforce both captive and wild populations, thus fulfilling its goal to ensure that the in situ tiger program comprises verifiable founders permanently identified and registered in the Indonesian Sumatran Tiger Studbook. It also extends the capabilities of Indonesian zoo staff to professionally manage their tiger programs in Indonesia, and at the same time serves as a model for other range country tiger management programs in Southeast Asia.
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Ok…another Fingal shot. I can really say that this is one of my top 5 locations. Just love the versatility it provides. This shot has been PP using CS3 tilt shift technique. If you need explanations how that works you best ask Mel ...hehe / Let me know what you think? / Make sure you check the colour version too
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My Gallery / Thanks for looking!!
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Huge condos located in Hillcrest (San Diego). Lovely colors and lines. Made to look like “tiny” little blocks with the Lensbaby. Taken from the top of Whole Foods parking lot. I am so in love with this lens!! Photo is untouched / Canon 40D / Lensbaby Composer – 5.6 / ISO 400 / Tripod = My car :)
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La Mesa, CA / Canon 40D / Lensbaby Composer – 4.0 / Converted to Sepia
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Faking Tilt Shift Photography In Photoshop
by Alison JohnstonFrom Wikipedia HERE _Tilt-shift photography refers to the use of camera movement…
From Wikipedia HERE Tilt-shift photography refers to the use of camera movements on small- and medium format cameras; it usually requires the use of special lenses. “Tilt-shift” actually encompasses two different types of movements: rotation of the lens relative to the image plane, called tilt, and movement of the lens parallel to the image plane, called shift. Tilt is used to control the orientation of the plane of focus (PoF), and hence the part of an image that appears sharp; it makes use of the Scheimpflug principle. Shift is used to control perspective, often involving the convergence of vertical parallel lines, as when photographing tall buildings. In many cases, “tilt-shift photography” refers to the use of tilt and a large aperture to achieve a very shallow depth of field. Tilt shift faking is the process whereby we take a normal life size location or object and give it an optical illusion to make it appear as a miniature scale model. Probably the best images to use are those that look down on a subject i.e. from a high angle – this isn’t always the case though and a bit of fiddling in Photoshop will soon let you know if the image is suitable. Definately one of the easier effects to achieve in Photoshop – so lets get rolling. I would very much like to thank Steve Carter for the use of his image Shieldaig Village in February. Steve has some fabulous images of Loch Torridon and other places that I’ve never heard of :-) over at his site – which you can find HERE THIS is the link to the images of the latest local photos(Highlands) I have resized the image a little for the purpose of this tutorial. Please be respectful of Steve’s copyright to this image. Open the image, duplicate the image and close the original. Duplicate the image by dragging it to the create new layer icon at the bottom of the layers palette or pressing Ctrl + J on the keyboard. Make sure your f/ground is set to black and the b/ground to white then click on the gradient filter, go to the top toolbar and make sure the filter is set to f/ground to b/ground i.e. black to white and click on the Reflected Gradient icon. Next click on the Quick Mask Icon at the bottom of the side toolbar, or press Q on the keyboard. In this particular image, you want the main row of houses to be in focus, see the image below for the start and finish position I used for the gradient. Once you have done that, the mask will appear, exist quick mask mode by clicking on the icon on the side toolbar, or pressing Q on the keyboard – marching ants will appear. Next you need to go to Filter>Blur>Lens Blur and the teeny weeny dialogue box will open :) I did adjust my gradient after previewing it in the Lens Blur dialogue box, just take it a little bit higher than shown in the example above. You can punch in the same settings as I have, see image below. Most miniatures are painted bright colours, so next you are going to use a Hue and Saturation adjustment layer to boost the colours. Click on the little ying yang symbol at the bottom of the layers palette (create new adjustment layer) and choose Hue/Saturation from the menu. On the Master, pump the colours up quite a bit, I chose +60 on the saturation slider – just watch what is going on with the houses, you are going to add a mask in a minute so the changes only apply to the part that is in focus. Hold down the Alt key and click on the add layer mask icon at the bottom of the layers palette. Grab a soft edged white brush and making sure the mask is active by clicking on it, paint back in the colour to the houses, road, cars etc., all things that are in focus. You can boost the Saturation a little more if you want by double clicking on the adjustment layer thumbnail. And there we have our miniature village. I went ahead and added a small amount of sharpening to the houses. Bear in mind that the settings used are relevant to this image 800×507@72dpi.
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I found this suitcase in an abandoned house and was struck by its pattern. Tilt Shift lens so very little focus and a lot of visual.
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Inspiration: Tilt Shift Miniatures
by communityRemember the fun we had creating Little Planets? W…
Remember the fun we had creating Little Planets? Well here’s another cool technique we think you might enjoy playing around with. Tilt shift miniature photography uses a technique where a tilt shift lens is used to make real life scenes appear as miniature scale models. / / The good news for those who don’t have the budget for an expensive lens is that this effect can easily be achieved using photo editing software like PhotoShop or Gimp (which is free). Below are some amazing tilt shift miniatures from around the web to get you inspired: / Keith Loutit’s time-lapse tilt-shift videos / Serpentine by Harald Kirr / Harvard Book Store by Azripal / Tiltshift, outside Waterloo station by Cloudsoup Keen to give this a try? The following links should help to get you started: Creating the tilt shift miniature effect in Photoshop or Gimp: Gimp tutorial PhotoShop tutorial by Alison Johnston Faking tilt-shift in PhotoShop by Martin Pot Using a tilt shift lens: Build a DIY Tilt-Shift Camera Lens Using a tilt shift lens Using a tilt shift lens (video) And just for fun … (purists – look away now): A website that will do it for you An app for your iphone that will allow you to achieve the miniature effect For more inspriation, look no further than these tilt shift miniatures from our very own talented bubblers: / US Open final … in minature by hazy / Sydney Opera House by Lorraine Creagh / Robin Hoods Bay, Tilt Shift by TallGuy / Monsal Head – The Peak District by Steven Lee / Minature Bangkok by David Goymer If you’d like to give this a go, please feel free to post your results below … and don’t forget to add them to the The Tilt-Shift Photography Gallery. Good luck!
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Just playing around with this tilt shift effect. Stanley Hotel Estes Park Co. / Canon 40d
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Playing around a bit more with tilt-shift.. A view from the Omni Hotel & Villas in Cancun, Mexico Just beginning to work with the process and I’m always welcome to comments/suggestions! Thanks for viewing
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FEATURED WORK…. ‘Art of Glass’ group on the 2nd of August 2009
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Passing storms with patches of bright sunshine in between created the perfect light for a controlled time lapse of the swell off the tip of Big Nobby at Crescent Head, NSW. This shot was taken using the Canon TS-E 24mm f3.5L Tilt+Shift lens rotated 45 degrees to allow a vertical tilt shot at +8 degrees. Canon EOS 5D Mark II / Canon TS-E 24mm f3.5L Tilt+Shift Lens with Hoya HMC ND x400 Filter and Lee 0.9 Soft Grad ND Filter / ISO: 50 / Aperture: f5.6 / Speed: 6 seconds / Focus: Manual / Image: Single RAW file / Location: As above Best viewed large See also Sun And Swell At Big Nobby – Part 1
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