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My favourite rose in my garden. Every bloom is a different shade of color… it is just divine!
This macro was done using the reverse lens technique.. Amazing! I can’t believe it worked!!
As Paul would say.. Something outside the square!! ;-) ~Just for the record.. this is pretty much straight out of the camera! :) No manipulation!
Acrylic painting on stretched canvas..
Oh geez. You miss out on so much of the detail with the preview image! / I’m gonna go sulk now
Exif Info: / • Place: Tomar, Portugal / • Date: 12.05.2007 / • Camera: Canon EOS 400D Digital / • Lens: Canon EF-S 17-85mm F/4-5.6 IS USM / • Shutter Speed: 1/125 second / • F Number: F/5.6 / • Focal Length: 85 mm / • ISO Speed: 100 Product Preview: / / / / Featured: / • March 09 – European Everyday Life / • March 09 – Experimental Photography and Editing Contests: / • 5th Place in My Backyard! promoted by TPW Sold: / • 1 Card to a RB member All artwork is Copyright © Nuno Pires. All rights reserved. My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My work does not belong to the public domain.
This has been floating around my room for absolutely ages now, but ive only just had the time to actually sit down and finish it. It was half coloured in, but because it had been like that for ages it just didnt seem right to colour the rest, so i got out a brush and streaked it with water. The flowers are took off google images. I’ll let you figure out the symbolism in it :) —-—-—-—-—-—-—— / Thank You For Viewing / Original By Emma Black / Do Not Use Without Permission
100% digital free as always. Back to ‘Sorrow…and the end of sorrow’, 2007 this.
Kind of makes you feel special :)
You know who you are. / You always know who you are. I have dearingly treasured this rare light I always find in you. / Thought it time to tell you so. Your kindness to me… support. / The encouragements I silently obsorbed from your words. It has been a stirring, brilliant hightlight in my time here. / I sincerely Thank you. You know who you are. / You always know who you are. Nikon D60~18/55 / 2008.
Shamanic angel martyr hiding face with stigmata on the hands. Photo base illustration.
“I can complain because rosebushes have thorns, or rejoice because the thornbush has a rose, it’s up to me”. Anon. Sometimes we just have to lift our eyes to lift our spirit… Canon 400D 18-55 lens. SC processed in Photoshop CS3.
Beauty Of A Thorn This well-known thistle is a true nightmare to all the local farmers. At one point I think there was even a law passed saying that people could be fined if it was found growing unchecked on their property. / It is such an invasive plant that it will take over an entire pasture or field, and farm animals won’t/can’t eat it, and it’s a real problem in the hay. / On the other hand, its a blessing for the many butterflies that migrate through this area, and it provides much-needed food and energy for the pretty little creatures that have such long flights ahead of them, or maybe are just at the end of their life spans. / I have also noticed that hummingbirds love it as well. Being a photographer, I do love its exotic blooms and the many photo opportunities it provides. / The sad but true thing is, the only way to control it is to destroy it completely! It’s amazing that something so beautiful and so useful for the nectar lovers, is also such a thorn in the side for the farmers. / Photo taken along a road side in NW Arkansas, USA. As Is… / Canon PowerShot S3 IS /
Composite produced in Photoshop and finished in Painter X
/ This image was nominated for the prestigous Pay it Forward group. / The redbubble member who nominated it was Andreisky and this is why he nominated me & this image - ”because he’s doing some sort of magic which I can’t. And he also writes so many interesting things…” According to tradition the abbey was first founded in 616 on the present site, then known as Thorn Ey (Thorn Island); based on a late ‘tradition’ that a fisherman called ‘Aldrich’ on the River Thames saw a vision of Saint Peter near the site. This seems to be quoted to justify the presents of salmon from the Thames fishermen that the Abbey received in later years. The proven origins are that in the 960s or early 970s, Saint Dunstan, assisted by King Edgar, planted a community of Benedictine monks here. A stone Abbey was built around 1045–1050 by King Edward the Confessor as part of his palace there: it was consecrated on December 28, 1065, only a week before the Confessor’s death and subsequent funeral and burial. It was the site of the last coronation prior to the Norman Invasion, that of his successor King Harold. It was later rebuilt by Henry III from 1245, who had selected the site for his burial. The Abbey became the coronation site of Norman kings, but none were buried there until Henry III, intensely devoted to the cult of the Confessor, rebuilt the Abbey in Anglo-French Gothic style as a shrine to honour St Edward the Confessor and as a suitably regal setting for Henry’s own tomb, under the highest Gothic nave in England. The Confessor’s shrine subsequently played a great part in his canonisation. The work continued between 1245-1517 and was largely finished by the architect Henry Yevele in the reign of King Richard II. Henry VII added a Perpendicular style chapel dedicated to the Blessed Virgin Mary in 1503 (known as the Henry VII Chapel). Much of the stone came from Caen, in France (Caen stone), the Isle of Portland (Portland stone) and the Loire Valley region of France (tuffeau limestone). In 1535, the Abbey’s annual income of £2400-2800 during the assessment attendant on the Dissolution of the Monasteries rendered it second in wealth only to Glastonbury Abbey. Henry VIII had assumed direct royal control in 1539 and granted the Abbey cathedral status by charter in 1540, simultaneously issuing letters patent establishing the Diocese of Westminster. By granting the Abbey cathedral status Henry VIII gained an excuse to spare it from the destruction or dissolution which he inflicted on most English abbeys during this period. Westminster was a cathedral only until 1550. The expression “robbing Peter to pay Paul” may arise from this period when money meant for the Abbey, which was dedicated to St Peter, was diverted to the treasury of St Paul’s Cathedral. The Abbey was restored to the Benedictines under the Catholic Queen Mary, but they were again ejected under Queen Elizabeth I in 1559. In 1579, Elizabeth re-established Westminster as a “Royal Peculiar”—a church responsible directly to the sovereign, rather than to a diocesan bishop—and made it the Collegiate Church of St Peter, (that is a church with an attached chapter of canons, headed by a dean). The last Abbot was made the first Dean. It suffered damage during the turbulent 1640s, when it was attacked by Puritan iconoclasts, but was again protected by its close ties to the state during the Commonwealth period. Oliver Cromwell was given an elaborate funeral there in 1658, only to be disinterred in January 1661 and posthumously hanged from a nearby gibbet. The abbey’s two western towers were built between 1722 and 1745 by Nicholas Hawksmoor, constructed from Portland stone to an early example of a Gothic Revival design. Further rebuilding and restoration occurred in the 19th century under Sir George Gilbert Scott. A narthex for the west front was designed by Sir Edwin Lutyens in the 20th century but was not executed. Until the 19th century, Westminster was the third seat of learning in England, after Oxford and Cambridge. It was here that the first third of the King James Bible Old Testament and the last half of the New Testament were translated. The New English Bible was also put together here in the 20th century. Westminster suffered minor damage during the Blitz on November 15, 1940.
Lakeshore / Toronto / Canada / April 14, 2009Featured Work / Palace of Winds / Amongst thorns we ripen / Day Begins / Sky Wheel / On the road again / Go
Buy it here ThomasDodd.com/Store “We can have some more .. / Nature is a whore .. / Bruises on the fruit / Tender age in bloom…” (Nirvana – “In Bloom”)
Stock References : Model by http://katanaz-stock.deviantart.com artFemale apple by http://www.sxc.huphoto1160937 harper07 fishing hook by dannystock http://www.sxc.huphoto706123 cherry blossom by http://mogcaiz.deviantart.com thorns by epagien from www.sxc.hu id 122363 texture by http://fotojenny.deviantart.com Symbolic Challenge winner on art House Productions Group Featured on : / Curious Vintage Fictions / Dream and Fantasy Art / Images and Ideas / Layered with Texture / Art for the World /
Visit My Online Store Acrylic and impasto medium. Commission. Original Image I was asked to use as reference / / /
Best Viewed Large All Rights Reserved / @ Julia Wright / Featured in A W WELCOME group
After years of heartbreak the heart fails to continue on its journey for love …..thus conjuring it to say Fuck Love ...but it should never give up on love…. Was inspired on me looking back of this relationship I had years ago that went sour …and was thinking back on how I felt about the whole situation. Prismacolor on recycled paper
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