Theater
606 creative works found
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The Red Diva is one of my favorite images I paint her again and again in different ways! / Oil on canvas 18×24 / Original painting in private collection. / Sold to a fellow bubbler! ! !
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Model The sensational Teer Wayde / Location Astor Theater
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The Fox Theater in Atlanta Georgia, There used to be a Fox in just about every major city. / This one was fully restored and in 1989 they celebrated the 60 th anniversary of \”Gone With The Wind\” with a black tie event and commissioned special posters of \”the Fox Theater\” commemorating the event! Ted Turner was there along with 7 of the original cast of the movie and many elite, I was there in black tie signing prints, a great event and a great painting! / The original 36×48 oil painting sold for $10,000.00.
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Getting ready…
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“I have never been aware before how many faces there are. There are quantities of human beings, but there are many more faces, for each person has several.” / Rainer Maria Rilke
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Dresden Central Station, the old motion picture theater beside has survived time, wars, the 1989 revolution and the great Elbe flood This picture has been featured in the Movie palaces of old group and the European everyday life group in March 2009. It’s the Movie palaces of old group icon in April 2009.
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My design using a free font and photoshop. Not looking to make any profit it at all, i just like the look of it. Hope no one complains. The font was totally and completely free, the logo was part of the font, this font was hosted on Dream theaters Official website
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Iron Maiden Spin off… i would love for this to sell
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The Sun Theatre, Yarraville, Victoria, Australia. Wall art and greeting cards. An icon ot the western suburbs of Melbourne. I enjoyed many films during my childhood in this art deco building. Glad to see it enjoying a revival. SUN PICTURE THEATRE For Yvonne, Michelle and Margot / The world is revolving faster these days / How did it happen that twenty-four hours / Now seem like eighteen…or less? Back then / The Sun sign flickered day and night / Above the picture theatre, when we jumped / Off the Spotswood bus at Yarraville Station, / To ride the railway gates with the men / And boys, while the women stood back / They swung open like welcoming arms / Scooping us into the land of reel to reel Streamers propelled by light. In the Art Deco / Building with a half sun on top, glowing / Like an icon or cross on a church / Rising up over the sugar refinery, docks / And our real lives we never thought about / While we were in Hollywood, America / The good old U S of A in Australia singing God Save the Queen, while we stood head / To shoulder with women and men dressed in suits / And the other kids who knew all the words / To an anthem sung into our colonial heads / At school and on TV without needing a script / Or subtitles on the bottom of the screen / With a bouncing ball swooping over lyrics. At the matinee we sighed when the lights were dimmed / Slipping down into our seats and out of our bodies / Onto the screen where film goddesses always ended up / With impossible heroes we read about on Fantales wrappers / While we crunched through to chocolate inside vermillion / Jaffas and licked wafered vanilla icecreams. Chilled when the lights went out once upon a time / And the curtains opened to Alfred Hitchcock’s Psycho / Mother told me to cover my eyes while / She held my ears and screamed so loudly / A rush of shivers snap froze the audience / To their seats. Black and white or / Technicolor…she liked a good murder. While her daughters plagiarised musicals / To re-enact on the front verandah for kids / Who lived on the Avenue. Costumes, makeup, / Some lousy script of song and dance everyone / Sat through and wanted more of every Saturday / After Mum had said: ‘Let’s go to the flicks’ / And we came home from that dreaming place Where the Sun is now derelict and only lights / Up for vandals, who make fires in the dress / Circle, front and back stalls, turning the floors / And ceiling into charcoal as delicate as Violet Crumble. Copyright Helen Chierego. (Note: I wrote this poem long before the revival of the theatre when the interior was still a burnt out ruin.) /
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Grosso modo, the story continues this way: / Quietly, one day the daughters are sitting embroidering , until Angustias rushes furiously back into the room. Someone has taken her picture of Pepe from under her pillow. Bernarda, hearing the commotion, enters and demands to be told which sister is the thief. Strangely, it is Martirio who has hidden it in her bed, a joke on her sister, she says. Adela is enraged with jealousy and even tells Angustias that Pepe only wants her for her money. Bernarda, after attempting to hit Martirio, screeches at them to stop and orders them away. She is obeyed as usual. / Later, Poncia, the maid, tries to warn Bernarda that Pepe is the cause of all the troubles in the house and must be married quickly. Bernarda refuses to accept this. Poncia tells her he is really Adela’s sweetheart and asks that they marry. Again Bernarda dismisses her suggestion. Angustias returns and in talking, the three realize that Pepe has been leaving Angustias at one, but not leaving the house till four in the morning. It is Adela he is with, as only Poncia knows. / Only three days remain till Angustias and Pepe are to marry. She expresses her worry to Bernarda that he seems distracted. Her mother advises her to ask him nothing and say less, and to never let him see her cry. Angustias is unhappy but cannot fathom why. Later, the women have a quiet evening, quite peaceful and Pepe is not expected _ he´s supposed to be away on a trip. But, as people begin to settle for the night, Adela slips out to the corral (stable) in order to meet Pepe again. Main scene is an original cinema4D render; just blended a bit of a wall layer in postwork. f you wish to read this play in English, click here: / House Of Bernarda Alba Here are the previous images for this series; if you want to know more about the play that inspired these works, please, follow the links. / / 1) House Of Bernarda Alba / / 2) Martirio / / 3) Angustias / / 4) Magdalena y Amelia
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Remains of Roman Theatre & Santa Maria La Vieja Cathedral, Cartagena, Spain
by SquealiaUS$3.99–US$91.20
The Roman Theatre of Cartagena was built at the end of the 1st Century BC when Cartagena was a Roman colony, in the era of Emperor Augustus. The theatre was not discovered until 1987 and many of the finds are in the Archaeological Museum. / The terraced seats were built into the northern side of La Concepcion hill which had been excavated to create seating for 6000. Santa Maria La Vieja Cathedral, which you can see mainly at the top left to centre of the photo was built in the 13th Century from materials taken from the Roman theatre. By the sixteenth century, the theatre had been lost to fire and its remains built over and remained well hidden by the town of Cartagena as it grew over the ruins, and was not discovered again until 1987. The town was asked to vote as to whether or not, the buildings standing there in 1987 should remain, or be torn down to find the ruins. The town voted in favour of the excavation and reconstruction of the Roman Theatre. My photo shows how it stands today. Once again in the glory of Rome, many of it’s fine treasures still remaining. © Copyright 2008 Squealia, All Rights Reserved /
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I don’t know what to say about this one… I remembered some ancient art Decco cartoon work with heads like billiard balls, and made my own, long ago. You may want to avert your eyes… This was just before the computer came to my house, then everything changed… NFS, because of the brand name.
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Palace Theater, Gary Indiana Designer: John Eberson / Opened: 1925 / Closed: 1972 Featured in my new book: / / Gary Indiana | A City’s Ruins / My Flickr photostream Urban Exploration gallery *Other Palace Theater images: /
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Imagine being born again. Only this time your mother is the earth and you come fully equipped with memories, knowledge and a belief system. What raw emotions are evoked when the first thing you are confronted with is an environment completely foreign to what you were expecting? / Fear, confusion, doubt and loneliness. / Or because of the new environment one may lose their inhibitions, feel joy or perhaps discover inner strength and courage. Maybe the nine images are a true metaphorical reflection of the artists soul? / His background and love for the stage and theatre. / His longing to find true love and a wanting audience. / The ongoing battle of time and money between industry and creative / fulfilment. / Born from this earth, the series, everyone deserves a new beginning, a chance to start over. / / Part of a series that will be exhibited (and on sale – signed & limited to an edition of 2) during Art Melbourne April 09 at The Royal Exhibition Buildings in Melbourne. / / I cannot thank enough the woman with a glowy soul & timeless beauty… JessicaTremp whose work as an artist and model is truely inspiring! / / Location – Astor Theatre – This is where the next Melbourne & Victoria Group our having their next Meet Up! Check it out… / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Imagine being born again. Only this time your mother is the earth and you come fully equipped with memories, knowledge and a belief system. What raw emotions are evoked when the first thing you are confronted with is an environment completely foreign to what you were expecting? / Fear, confusion, doubt and loneliness. / Or because of the new environment one may lose their inhibitions, feel joy or perhaps discover inner strength and courage. Maybe the nine images are a true metaphorical reflection of the artists soul? / His background and love for the stage and theatre. / His longing to find true love and a wanting audience. / The ongoing battle of time and money between industry and creative / fulfilment. Born from this earth, the series, everyone deserves a new beginning, a chance to start over. / / Part of a series that will be exhibited (and on sale – signed & limited to an edition of 2) during Art Melbourne April 09 at The Royal Exhibition Buildings in Melbourne. / / I cannot thank enough the woman with a glowy soul & timeless beauty… JessicaTremp whose work as an artist and model is truely inspiring! / / Location – Astor Theatre – This is where the next Melbourne & Victoria Group our having their next Meet Up! Check it out… / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Jean M. Laffitau
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An art deco theater in Long Beach, California
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all that remains of this once thriving outdoor movie theater is the sign…located along historic route 66 in southern illinois near edwardsville…
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Angustias is the eldest and sickliest daughter of Bernarda Alba. She inherited a fortune from her father, Bernarda’s first husband, making her the richest of the daughters. Her stepfather’s fortune is split between the daughters. Angustias becomes engaged to Pepe el Romano, who is interested not in her, but in her money. Aware that he is interested only in her money, she continues, desperate to marry and be free of her oppressive mother. She still doesnt know _ actually, no one knows _ that Pepe, el Romano is having a secret affair with her sister Adela, the youngest and prettiest daughter of Bernarda. If you wish to read this play in English, click here: / House Of Bernarda Alba A cinema4D render with a bit of here-and-there postwork. Here are the previous images for this series; if you want to know more about the play that inspired these works, please, follow the links. / / 1) House Of Bernarda Alba / / 2) Martirio
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Magdalena and Amelia – The less significant daughters. They are submissive both domestically and sexually, and, though unhappy under their mother’s control, they willingly comply to her wishes. / Why the horse? As with many of Lorca´s poems (and also in “Blood Wedding”), the horse appears as a male sexuality symbol. Throughout the play you can hear several references to a breeding stallion (owned by the family), which is kicking against the walls of the stable, as an obvious parallel with Pepe el Romano_ the omnipresent male character of the play. / I think it´s obvious that I changed the “real” horse for a rusted one and also the stable into another different place, trying to add more symbolism to the image. / Why the image of Franco, the Spanish dictator? / Because it is not possible to interpret Lorca by avoiding his strong social commitment with the stormy Spain of the 30s. Bernarda’s cruel tyranny over her daughters foreshadows the stifling nature of Franco’s fascist regime, which was to arrive just a few weeks after Lorca finished writing this play. (Here, his portrait doesn´t correspond with the same time of the play). Main scene is an original cinema4D render; background skies and foreground dark branches were added during postwork. f you wish to read this play in English, click here: / House Of Bernarda Alba Here are the previous images for this series; if you want to know more about the play that inspired these works, please, follow the links. / / 1) House Of Bernarda Alba / / 2) Martirio / / 3) Angustias
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One who performs, accomplishes, or fulfills; as, a good promiser, but a bad performer; especially, one who shows skill and training in any art; as, a performer of the drama…
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