Than
2 members found
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Evangeline Than
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than
United States
1148 creative works found
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Mixed media on Cartridge Paper. The image is an androgynous one, because lets face it feelings like this can happen to us all.
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straight teeth in your mouth are more important than the words that come out of it
by Lucan Industries (© misterkhan 1995)Inspired by ‘Television, the Drug of the Nation’ by The Disposable Heroes of Hiphoprisy In fact I’ll make it an open invitation for anyone to create an image based on a line from that song, tag it ‘cathoderaynipple’ it’s a fucking plethora of good hearty stuff. I actually wanted this to be a silhouette of dear Paris, but being as bland as she is, I couldn’t source an iconic image that would have served as a suitable starting point.
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Sad … but true … Another photomanipulation done with Pohotoshop … ( submited to In the Moment ) ( submited to Gaia – the living planet )
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Queensland Secondary School 100m final – Brisbane / 200 1.8 EF lense handheld with EOS 1d / shot at 1/400th 2.8 800 asa / Only photoshop used was slight buring of edges /
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Original Acrylic on paper, Bit more Blackman with this one. Inspired by Alice in Wonderland.
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Just a light hearted poke at the small army of Ramones T-shirt wearing teens… :)
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Two is Better than One
by RedBubbleWe have gone from one Mosaic to two. Xavier has been very busy organizing all those tiny image…
We have gone from one Mosaic to two. Xavier has been very busy organizing all those tiny images so that all your work looks great and can be traversed and zoomed with ease. We have also sped them up and they are singing for us here at central. So we now have PAX And Warm Iron (worth visiting just to read Onetonshadow intro. For all of you who use Stumbleupon, Digg, Reddit etc or write blogs do feel free to get out there and do your stuff to share across the web. Depending on reaction we will build more of them on different themes.
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www.danadipasquale.com © Dana DiPasquale 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Dana DiPasquale. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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just some lol. Edit: After much feedback I’ve included the “more than meets the eye” phrase beneath the logo. hopefully this has increased the lol http://jeffreyphillips.com.au
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WINNER of the Tease Me Baby group challenge Tease me with your eyes baby August 2009 Tougher than the rest Soft is not fragile / Gentle’s not weak / Don’t listen to words / From those who won’t speak At the end of a struggle / When all’s said & done / The one who’s left standing / Is the one who has won. By Chris51 Sold a Mounted Print to an unkown buyer August 2008 Featured in Sold! and THE WAIST UP – Portraiture Photography Feb 09 Model: Lorien / MUA: Valerie Mason / Location: Napoleans
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I told you the other day in connection with the beech-tree shot that while the beeches are still comparatively green, other leaves are already in full autumn colour. Here you have a good example of it. The shot is taken on one of our great cycling paths which you can find here in the Gooi. As many of you have praised the beauty of this area, here some more information about it: http://en.wikipedia.org/wiki/Gooi Near Hilversum, 10th October 2008, 8.16 am / Nikon D80, Nikkor 18-200 mm at 56 mm / F 5, 1/30, ISO 800
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sf
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LIGHT TRAVELS FASTER THAN SOUND / THIS IS WHY SOME PEOPLE APPEAR BRIGHT / UNTIL YOU HEAR THEM SPEAK
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Valentine series, more to come soon!
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Taken at a recent portfolio shoot…I am trying to persuade Sarah to take up full time modeling…she is so photogenic! /
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Masking - It's more than black and white - Photoshop Tutorial
by Alison JohnstonWe all know about masking – White Reveals, Black Conceals or Hide All (Black) Reveal All (White). So what about the other 253 shades/ton…
We all know about masking – White Reveals, Black Conceals or Hide All (Black) Reveal All (White). So what about the other 253 shades/tones inbetween, have we forgotten about them, and how can they benefit us. We can use masks to precisely perform an adjustment/filter/effect on an image, but also use it to give varying degrees of the adjustment to certain parts of an image. Think of it in terms of 255=white 100% revealed 128=grey 50% revealed or 50% hidden, whichever way to want to look at it .. and 0=black 100% concealed. It’s all those different shades inbetween that can add an extra dimension to an image – or as Chris Orwig likes to say “Subtle, yet Significant” You can borrow my image to practise on if you like, copyright is mine etc., Open the image and duplicate the b/ground layer by pressing Ctrl + J on the keyboard or dragging the layer to the create new layer icon at the bottom of the layers palette. Take a few moments to look at the image (your image, if you have one of yours open) and really think what you want to do with it and where you want the viewers attention to be focused. In my image I’d like to hit some of the b/ground with a Gaussian Blur to increase the shallow Depth of field. I’d also like to do something with the green stem sitting right in front of the flower. Cloning it out might be a pain in the bum, so using some of the Gaussian Blur on that might be a good idea. I’d also like to take the back petals a bit more out of focus, but not a great deal. You can do all that on one mask using different greys as well as the standard black & white that we associate with masking. Go to Filter>Blur>Gaussian Blur and I’m going to hit this with a 10 px blur – you might want to choose something lower or higher. Hold down the Alt key and then click on the Add Layer Mask icon at the bottom of the layers palette, you will be presented with a black mask (hide all). Make sure the f/ground colour is set to white and choose a soft edged brush and start painting over the b/ground area. Zoom in and out as necessary Ctrl + the plus key to zoom in – Ctrl + the minus key to zoom out. Hold down the spacebar to temporarily get the hand to move around the image. If you make any mistakes while doing this, simply hit the X key on the keyboard to get black (provided your b/ground colour is black) and paint over to fix. You may end up with something like the image below. You can also check on your painting abilities by holding down the Alt Key and clicking on the layer mask. See image below. Hold down the Alt key and click on the layer mask to go back to the normal view. You can paint directly on the mask to make sure you have everything selected. Lets have a look at that two petals at the back of the flower. I don’t want them to be waaay out of focus like the b/ground, so I’m going to try a 50% neutral grey i.e. 128, 128, 128. Bring up the Colour Picker and in the RGB section use 128 for each of them. Paint over the two petals behind the flower. Your layer mask will now look something like the image below Okay, now lets deal with the leaf thing. I don’t want the blur effect completely revealed like the b/ground and I don’t want it as subtle as the petals, so lets try a darker grey. Bring up the colour picker again and in the RGB boxes try 200 and paint over the stem/leaf thing. Your mask might be looking similar to the image below. We really need to do something about the bright green. Click on the little ying yang symbol at the bottom of the layers palette and choose Hue/Saturation from the menu. Choose greens from the drop down menu at the top of the dialogue box. Use the eyedropper tool to select one of the greens, then use the eyedropper with a + sign next to it to add some various shades. Take the saturation slider all the way down to -100. Click OK to accept that change and then click on the white layer mask and press Ctrl + i to invert it (black – hide all) Open the colour Picker (by clicking on the f/ground colour) and pick 64-64-64 for the RGB colours – paint over the stem/leaf. Change the f/ground to a neutral grey 128-128-128 and paint over the b/ground area. Your layer mask might look something like the one below. Create a new Hue/Saturation adjustment layer, and this time just increase the Saturation by +15 on the Master. Click on the white layer mask and then use Ctrl + i to invert it. I used a white brush to paint over the main flower petals and then took the layer opacity down to 50%. You can carry on doing this to your hearts content, at the end of the day you will probably want to sharpen selective areas as well. You’re going to do a Stamp Visible (you may want to phone a friend to help with this keyboard shortcut) Make sure the topmost layer is selected, then Ctrl + Shift + Alt + E will place all the layers below in to one single layer, whilst still retaining the layers below. If you adjust the layers below, the adjustment will not be visible on the Stamped layer. Once you’ve done that, duplicate the layer and change the blend mode to Overlay. Go to Filter>Other>High Pass and choose a radius of 3 pixels. Hold down the Alt key and click on the Add Layer Mask icon at the bottom of the layers palette. The mask will be Black (Hide All) Go about the business of selecting various shades of grey – white etc., to bring some areas into sharper focus than others. Just to finish off this image you may want to create a new selective colour adjustment layer and choose whites from the drop down menu – make sure Absolute is checked at the bottom of the dialogue box. Move the Yellow slider to about +10, click OK and then click on the layer mask and press Ctrl + i to invert it. Use a white brush to take out some of the glaring white areas and then take the layer down to 75%. And there you have it. You will probably take much more care than I have. Have fun!
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Sam is my best friend, and has helped me through rough times recently, couldn’t imagine my life without him, so this means alot to me, and i dont care what people initally think of this photo. jusge all you want!
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Adriatic coast, Montenegro. / feautured in The Mysterious Balkans group. / . Perast lies beneath the hill of St. Elijah (873 m), on a cape that separates the bay of Risan from the bay of Kotor (two smaller bays within the Boka Kotorska) and overlooks the Verige strait, the narrowest part of Boka. The average yearly temperature in Perasto is 18.3°C, and the number of sunny days is 240 (or around 2,500 sunny hours per year). Near Perast there are two small islands: one is called St. George island, and the other called Gospa od Škrpjela (Our Lady of the Rock), and each of them has a picturesque chapel. Gospa od Škrpjela is particularly interesting given that it is the only artificially built island in the Adriatic, with an area of 3,030 m² — it was built upon a rock (Škrpjel) after two venetian sailors from Perast found a picture of the Virgin Mary on it in 1452. Venice owned the city between 1420 and 1797. Perast was part of the Venetian Albania. The city’s sixteen Baroque palaces were mostly built in this period, too, as were its seventeen Catholic churches and two Orthodox churches. The old city does not have a defensive wall, but instead it has nine defensive towers, the most important of which is the tower of the Holy Cross. These were built by the navy of the Venetian Republic in the 15th and 16th centuries. / The two islands off Perast. Perast was at its peak in the 18th century under the Venetian Republic, when it had as many as four active shipyards, a fleet of around one hundred ships, and 1,643 residents. At that time the most beautiful buildings arose in this fortified town. Many ornate baroque palaces and magnificent dwelling-houses decorated the town of Perast, full of typical venetian architecture1. The population has since decreased to 430 in 1910 and around 360 today. The fleet was dissolved by the rise of the steam engine. From 1941 to 1943 during WWII, when Mussolini annexed the territories around kotor to the Kingdom of Italy. The area was part of the Italian Governorship of Dalmatia and was called “Provincia di Cattaro”. After 1945 Perast was restored to Yugoslavia and now is part of the independent Montenegro. In the last census there were: 146 Montenegrins, 101 Serbs, 29 Croats, 10 Yugoslavs, 3 Bosniaks, 1 Macedonian, others: 59,TOTAL: 349. / —-—-—-—-—-—-—-—- . .Should I think to give it all-should i claim to give it all? / In a world where not much ever seems / To last long. / If the naked eye won’t see-if we make it i won’t see / It’s broken. .
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Thankyou to the beautiful Danielle Prowse who is just marvelous with her posing skills Also thanks to Simmone for her makeup skills and making Danielle look so sweaty and dirty. and to NIc who was wonderful as my studio assistant. please checkout her work as she is a very talented photographer
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Tenderness and lightness
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