Technique 

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  • This was the view from my studio window for nearly four years. I loved that studio but it was right at the back of St Peters station and really bleak at times. The photo was taken with one of my Dad’s homemade camera’s and is part of a small series of panoramas that I am uploading now. Enjoy! Below is a thumbnail of some Dad’s camera’s His camera always produced much better photo ’s technically than mine but I maintain that the mistakes I made with mine made for a more interesting image :)

  • A Bug’s view of the world

  • Digital art from my original Drawing: “Monica and Sunset. / /

  • Black Version

  • TUTORIAL:Add a visitor counter to your bubblesite or profile page
    by D R Moore

    Here is the Classic number counter / I have one on my Bubble Page I got it from http://www.digits.com / Go to digit…

    Here is the Classic number counter / I have one on my Bubble Page I got it from http://www.digits.com / Go to digits.com and create your web counter, They will e-mail you your information it will look similar to below / Please note: all web counters have their own web counter numbers and You must link to their web site. / and Please remember: If you are using the free counter services, you must to credit the Web-Counter somewhere on your home-page by using its name and/or logo and with a HTML link It must be linked to their web site or it will stop working / / The text in the above image in red is what you will use to make the counter / First the image location / http://counter.digits.com/?counter={the counter id numbers}&template=simple So it will look like below / !http://counter.digits.com/?counter={the counter id numbers}&template=simple!: http//www.digits.com / Remember no Spaces between the ! & : / Don’t forget to link to their website with one of their images or it will stop working / Make the counter invisible To visitors by adding the color code that matches the theme color that you are using like below / !http://counter.digits.com/?counter={the counter id numbers}&template=simple&foreground=oooooo!:http//www.digits.com / Color codes for black add &forground=000000 / for white add &forground=ffffff / and for grey add &forground=cccccc Happy Bubbling / Dan / Get the Firefox and Internet Explorer Tool bar for Redbubble Here / See more info See all my How-to’s Here Includes “Framed image on Bubblesite home page”, “Adding Calendars to your bubblesite”, “feedjit Live Traffic Feed”, “Using tags on Redbubble”, “Add a visitor counter to your bubblesite or profile page” and More Please don’t Copy and paste this written work as that would really hurt my feelings :) / you can copy the link below and paste it if you would like to share with others on Redbubble / "Add a visitor counter to your bubblesite or profile page":http://www.redbubble.com/people/envelope150/journal/1856790-tutorial-add-a-visitor-counter-to-your-bubblesite-or-profile-page / or on the web / <a href="http://www.redbubble.com/people/envelope150/journal/1856790-tutorial-add-a-visitor-counter-to-your-bubblesite-or-profile-page">Add a visitor counter to your bubblesite or profile page</a> /

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  • Original Oil on Canvas.Sold(Bob-Ross-Technique)

  • An oldie but a goodie.Sepia,waterfall,browns,yellows with milky waters(Bob-Ross-Technique) /

  • Soft light from the moon with autumnal colours in the foliage.Oil on Canvas.Size 18” x 24”

  • New portrait of Battlestar Galactica character Cylon 6 – the 6th generation autonomous cybernetic organism, portrayed by actress Tricia Helfer. I wanted a new take on the stylized screen goddess, and had recently discovered the Battlestar series. Several of the characters faces struck me as having that epic dramatic quality. I’m not sure if Helfer has had deep training as a Ben Geserit witch, years of ballet practice, or perhaps a strong shakespearean theatre apprenticeship, but one senses a discipline of craft underneath the beautiful exterior… some of the same quality Ive admired in Michelle Yeoh, Martin Csokas and other actors with that strong onscreen presence. Painted with a somewhat camp pop aesthetic in a very traditional layered manner in oil on canvas. dimensions around 45×35cm. Please contact me if you would like to own an original, in the same series, or commission a custom piece. If you happen to be in Melbourne I’m happy to autograph a RedBubble print, which will enhance its value as a collectors item. enjoy! regards, gordon anderson / port melbourne

  • 16” x 20” unframed oil on canvas.(Bob-Ross-Technique) /

  • Card Stacking: Propagandist uses this technique to make the best case possible for his side and the worst for the opposing viewpoint by carefully using only those facts that support his or her side of the argument while attempting to lead the audience into accepting the facts as a conclusion. In other words, the propagandist stacks the cards against the truth. / Bandwagon: Propagandists use this technique to persuade the audience to follow the crowd. This device creates the impression of widespread support. It reinforces the human desire to be on the winning side. It also plays on feelings of loneliness and isolation. / Plain Folks: Propagandists use this approach to convince the audience that the spokesperson is from humble origins, someone they can trust and who has their interests at heart. / Testimonial: Propagandists use this technique to associate a respected person or someone with experience to endorse a product or cause by giving it their stamp of approval hoping that the intended audience will follow their example. / Transfer: Transfer is a technique used to carry over the authority and approval of something we respect and revere to something the propagandist would have us accept. / Glittering Generalities: Propagandists employ vague, sweeping statements (often slogans or simple catchphrases) using language associated with values and beliefs deeply held by the audience without providing supporting information or reason. / Name Calling: Propagandists use this technique to create fear and arouse prejudice by using negative words (bad names) to create an unfavorable opinion or hatred against a group, beliefs, ideas or institutions they would have us denounce. / My American mythology tee 1.

  • Lighting and exposure
    by Larry Grayam

    First let’s discuss lighting. Most of our photos are made under existing light conditions. This can be natural sunlight or moonlight. W…

    First let’s discuss lighting. Most of our photos are made under existing light conditions. This can be natural sunlight or moonlight. While the rest of our photographs are made under artificial light, candles, room lamps, flash, stadium or city lights. Most of our stored imagery is of scenes lit from above. So we often associate natural light as coming from above the subject. Let’s do a little experiment go outdoors and hold your hand out, palm toward you, see the effect of sunlight on your hand. Now turn your body so the sun is on your back and directly on your hand. Look at the detail and color of your hand in “direct light”. Now turn so the sun is from the side move those fingers and look at the shadows created by “side light”. Now turn again until your hand is between you and the sun to see the effect of “back light” note the difficulty adjusting between your eyes on the backlit hand and the rest of the scene. You camera will have that same difficulty in capturing backlit subjects. This example uses strong side light coming through the windows to increase the drama of the scene. / Nikon FTN/F36 with 105mm lens Kodak Tri-X 125sec/f5.6 / A camera mounted flash would have exposed the photo but would also ruin the effect of the strong side light. A camera mounted flash tends to produce a flat lighting, eliminating the shadows that give a feeling of depth to your photos. A flash could be bounced off of a side wall however to simulate window lighting. And a flash can be aimer upwards to bounce light off of the ceiling giving us that familiar down light look. Exposure / In the days of film the manufacturers would include an instruction sheet with each roll of film. On these information sheets would be rudimentary exposure information an example is inside this box of Kodak Ektachrome film ASA 200 / / Kodak box courtesy of Rick Bender A general rule of thumb for handheld shooting was to use a shutter speed no slower than the films ASA and shoot at F16 on a bright sunny day. In the past a photographer would have to make adjustments to shutter speed and aperture, while looking through the viewfinder, to align arrows, make dots appear or receive some other indication of correct exposure. This allowed awareness to prepare the photographer for shooting a slow shutter speed or give us an indication of depth of field. After shooting tens of thousands of rolls of Kodak Tri-x film I got to anticipate exposures. If entering a building my camera would be preset to 1/60sec f4, a home would be 1/30sec f2.8 and outdoors 1/250 @ f11. If I had to make a grab shot without setup I knew I would capture a useable image. We now have sophisticated light meters built into today’s modern cameras Exposure programs give the photographer many choices of exposure profiles to apply. Aperture priority lets you select an aperture to use and the camera selects a shutter speed to expose the image. Shutter priority allows the photographer to choose a specific shutter speed, to stop action for example, while the meter selects an aperture for correct exposure, Program modes and Auto are other common profiles that select both the shutter speed and aperture to use. Many of today’s cameras allow programming under or over exposure compensation and some even allow shooting bursts at several different exposures. The result of all of this automation is that many photographers have no idea what settings their camera is using. So when “The picture doesn’t turn out” we have no idea what went wrong. So pay attention, shoot and review what you do. Oh yes and have some fun-Larry Grayam /

  • 18” x 24” ? Box Canvas.(Bob-Ross-Technique)

  • A collection of some of the most popular images from my portfolio that have been Featured and Sold from my days as a Bob Ross’s Wet on Wet Technique Artist. / They will always be a big part of my life.

  • I know this has been seen before,but I want to upload to do a new calender.No need to comment as there will be many more uploads today.Thanks for looking.xxx(Bob-Ross-Technique)

  • Just another Calender upload..sorry.xxxxxxx / (Bob-Ross-Technique) /

  • Calender Upload.(Bob-Ross-Technique)

  • Popular colour and sale item.(Bob-Ross-Technique) /

  • A Calendar to brighten every month of the year,whether it be rain,snow or shine. / This will warm the cockles of your Heart if you love Colour. / (Bob Ross Technique)

  • Original Oils on Canvas measuring 24” x 18 ”.Sold. / Couldn’t leave old sad sack in my file alone while all of the other work is allowed on site. / Originally entitled “So Sad” because his eyes portray their Future or lack of it.(Bob-Ross-Technique)

  • detail of a silk painting in watercolor technique on pongee silk

  • Effect created by zooming away from window while taking the shot. I set the camera up on the tripod with a long timing, focussed manually on the window and the turned the lens during the shot. I tried a few shots before I got one where I didn’t shake the camera . Location: Old Palace, Schillerplatz, Stuttgart, Germany / Nikon D200, Sigma 70-300mm, tripod.

  • silk painting in watercolor technique on pongee silk,15×18cm featured in “PEACE,LOVE & TRANQUILITY” Dec10,2009

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