Te 

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  • All things originate from Io Matua Kore “Io the parentless one”. / Io is the beginning and end of all things, the creator of heaven / and earth. Tane-nui-a-rangi ascended to the peak of Manono, the dwelling / place of Io, and returned with the baskets of knowledge, thus / bringing understanding to the world. “Ko Io te timatanga me te whakaotinga o nga mea katoa” / “Io is the beginning and end of all things.”

  • water color on cotton canvas

  • Esta camiseta pretende inmortalizar la frase del rey de España “¿Por qué no te callas?”, tan famosa estos días, con este diseño que hace un juego de palabras con la inigualable Maria Callas.

  • photomanipulation (software: Photoshop 7). Used my 9 photos

  • You have to have a dream so you can get up in the morning. Billy Wilder (1906-2002)

  • Te Anau, New Zealand I was lucky enough to spend my honeymoon in New Zealand, touring around in a campervan. Whilst at Te Anau, I woke early one morning and took a stroll down to the lake, to find it totally shrouded in mist, floating quietly about 1 metre above the surface of the water. It seemed like I was the only person in the whole world for about half an hour or so, except for this little man just going about his business (but in a respectfully quiet fashion!). See also Lake Mist Other New Zealand pics Other water pics Other sky pics Other landscape pics

  • Te Anau, South Island, New Zealand Taken the same morning as Misty Morning Moments – just another shot which I think captures the magic and the stillness of the lake mist. Other New Zealand pics Other water pics Other sky pics Other landscape pics

  • This image was taken about 10 days after severe thunderstorms in Paris at the end of 1999. There had been debris scattered all over the Champs de Mars, but once they’d cleaned everthing up, it looked almost too tidy. It was taken at approximately midday, and eerily, there was no one around.

  • Did you have a sacred space when you were younger that you would get in trouble for visiting in the event you got caught? Mine happened to be the middle of a large Iris garden planted accross the lane from a large Hawthorn tree. I would lay in the middle of that Iris patch and look up at the sky and the flowers above me, and my grandmother would give me the devil every time she caught me there. I’d also like to give friend and fellow Artist Ely Pares acknowledgement for her help, support, and friendship in completing this project. / This is a large scale painting on panel 24×36

  • Te Anau is a small town next to a large lake in Southern New Zealand. This icy sunrise was beautiful, the mist rising off the lake, snow capped mountains and a setting moon. The red boat was just in the right place for contrast. / Nikon D300, 18-200mm lens at 18mm / 1/640s F/3.5

  • as is… / this was a lucky shot . I was shooting flowers when I saw this grasshopper standing on a basketball base and gave it a try without changing my camera settings, to be sure not to miss it (yes, I quite often scare them ! lol) / I liked the dof and how it peeks out of the smooth and light surrounding. / and how curious this little cutie looks ^^ / so here it is =)

  • The road to cloud nine, where our new attitude energy is supposed to come from.

  • My Guardian Angel A counterpart to the two series My Shadow and Me and The Animal in Me View large please This is a composite. First image is almost untouthced and created with long exposure with a flashlight. Second layer is worked in CS. Both blended and mixed in CS. For the image on the main layer I try to keep the Photoshop-work to a minimum to not loose the ethereal energy the method some times captures. Inspired by Te Deum – Arvo Pärt and by for you Rockers :) ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ / and inspired by : WITHOUT A TRACE (Jim Morrison ) We come to this world desperately, / we die in a fear of being dead. / Who could make up such a cruelty? I would like to send a message / to the drafter: / Your plan is successfully done, / I’ll disappear without a trace, / I promise. ¤¤¤¤¤¤¤¤ LYRICS Carpet Crawlers There is lambswool under my naked feet. / The wool is soft and warm, / - gives off some kind of heat. / A salamander scurries into flame to be destroyed. / Imaginary creatures are trapped in birth on celluloid. / The fleas cling to the golden fleece, / Hoping theyll find peace. / Each thought and gesture are caught in celluloid. / Theres no hiding in my memory. / Theres no room to avoid. The walls are painted in red ochre and are marked by strange insignia, some looking like a bulls-eye, others of birds and boats. further down the corridor, he can see some people; all kneeling. / Broken sighs and murmurs they struggle, in their slow motion to move towards a wooden door at the end. having seen only the inanimate bodies in the grand parade of lifeless packaging, rael rushe / Talk to them. The crawlers cover the floor in the red ochre corridor. / For my second sight of people, theyve more lifeblood than before. / Theyre moving in time to a heavy wooden door, / Where the needles eye is winking, closing in on the poor. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out. Whats going on? he cries to a muttering monk, who conceals a yawn and replies its a long time yet before the dawn. a sphinx-like crawler calls his name saying don / K him, the monk is drunk. each one of us is trying to reach the top of the stairs, a way out will await us there. not asking how he can move freely, our hero goes boldly through the door. / D a table loaded with food, is a spiral staircase going up into the ceiling. Theres only one direction in the faces that I see; / Its upward to the ceiling, where the chambers said to be. / Like the forest fight for sunlight, that takes root in every tree. / They are pulled up by the magnet, believing theyre free. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out. Mild mannered supermen are held in kryptonite, / And the wise and foolish virgins giggle with their bodies glowing / Bright. / Through a door a harvest feast is lit by candlelight; / Its the bottom of a staircase that spirals out of sight. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out. The porcelain mannikin with shattered skin fears attack. / The eager pack lift up their pitchers – they carry all they lack. / The liquid has congealed, which has seeped out through the crack, / And the tickler takes his stickleback. / The carpet crawlers heed their callers: / Weve got to get in to get out / Weve got to get in to get out / Weve got to get in to get out. / ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Thank you for spending time here with me / ...roy

  • Park – Bucarest – Romania

  • Cubist townscape painting

  • “Je suis venu te dire que je m’en vais” was featured in Group à EUROPA! / “Je suis venu te dire que je m’en vais” was featuredin a Group You’re Accepted / “Je suis venu te dire que je m’en vais was featured in Outsiders / “Je suis venu te dire que je m’en vais” was featured in “I Got The Music In Me” / Featured in The-mysterious-balkans / Featured in Heritage Listed and Other Trusts Sites World Wide taken in Balgrade, Serbia, near my parents house – / it is heartbreaking to go visit old parents and to think what is he number of times we’ll see each other? twise? five times? all reasons for leaving my contry i firget the moment I see there happy old faces, when i hug them..and I want to stay / but my life is elswere… / this masterpiece of Serge Gainsbourg came to me when I opend the door of there house, like sayin’ I just came to tell ya that I’m going, / And all your tears won’t change anything, / As the poet said ‘and the wind is blowing’ / So I just came to tell ya that I’m going. no, it is not just a lovers song / once you leave your country you can leave any other.. you are free. but love ones…..*

  • Tao te Ching – We all need to be reminded of this sometimes….all of us! July 23rd 2009

  • Days of reckoning…days of awe. / If Paradise exists, it’s part of us. / Not out there, up there, somewhere. / Or maybe we ARE Paradise… / and each other’s angels? (In Paradisum Deducant Te Angeli: May angels lead you into Paradise) Last night I began getting caught up a little with replies, and later today I’ll be visiting your incredible works of art. I wasn’t going to upload this until I’d had a chance to say HI to everyone but as usual I can’t wait. So here it is: a digital painting, 8 photoimages, and another digital painting. Please do the extra click to see it in the large view…it’s more interesting that way. / /

  • Hasselblad Xpan film camera / Fuji velvia slide film

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