Tattoo Wall Art
3481 creative works found
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19×24 inch colour print on Synthetic gloss paper. Signed by artist. Sam Rulz 2009
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Gold Leaf and tattoo ink painting of Battle Cat from He-Man, the 80’s cartoon series, in his alter-ego form of the cowardly Cringer. An interesting mix of American oldschool traditional tattoo style and Japanese. Signed by artist. Sam Rulz 2009
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playing with extreme light angles.
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... So take the colour from my skin and fill yourself…
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... You Give Me Butterflies!
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Unionville, CT
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think whatever you want, its a single picture from an animation of mine
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One of the designs that I did for Too Fast Apparel.
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Just doodling :)
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This is not a huge piece, but I am mega happy with my color job. Used Prisma colors. No light table used. Just eye.
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This was alot of fun. I really like the black and white version. Maybe I will make one colored.
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Part of my sac religious project.
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Another design that I had done for Too Fast Apparel. Of course they muffed it up by changing her colors TERRIBLY.
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This cute little guy got a revamping last year. He’s really cute, and I plan on using him in a flash set one of these days when I cure my laziness.
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I love this guy!
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My first ever attempt at painting a human Torso. The model had to be sedated to keep her still, so we knocked her out with a bottle of something from the top shelf and a few big mac meals to keep her quiet. She was far more co-operative after that and I was very greatful for the 4 out of 6 hours I had to do this before the chairs that the model was laying on became unbearable for her. She went to bed at 6am and I’m so very greatful that she gave that much time and discomfort for this. Had I the chance to finish it I don’t think i could have been happier. Right now I’m easy to please, so in time I may absolutely hate this. The idea was to use some of the shapes and design elements often used by face painters (Curls, swirls & tear drops which i think stem from folk art) but on a larger than usual scale since it was going to be on a larger canvas. Usually, being a face painter, it’s limited to the face. I tried to limit myself to just tear drop shapes and use that idea to shape out a kind of skull design I had in the back of my mind. The tricky part is that usually the strokes that make the shapes are done by using the shape of the brush and applying the correct way, in most cases with one stroke. Also loading colours in a certain way to get a certain affect. I soon realized that was not how I was going to paint this. After attempting to draw the shapes with larger brushes it got to a point where I gave up on the tear drops and just started adding other shapes & linework to free it up a bit here & there …and that’s when it started to get interesting. Unfortunately that’s when the model awoke and we had to call it a night. ...Still makes a nice picture I think and considering I’m unable to finish anything I start it’s not a terrible job. A stepping stone to things far more inviting than coffee. That could be a big call. Thanks Steph!! / You’re a star!
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My first ever attempt at painting a human Torso. The model had to be sedated to keep her still, so we knocked her out with a bottle of something from the top shelf and a few big mac meals to keep her quiet. She was far more co-operative after that and I was very greatful for the 4 out of 6 hours I had to do this before the chairs that the model was laying on became unbearable for her. She went to bed at 6am and I’m so very greatful that she gave that much time and discomfort for this. Had I the chance to finish it I don’t think i could have been happier. Right now I’m easy to please, so in time I may absolutely hate this. The idea was to use some of the shapes and design elements often used by face painters (Curls, swirls & tear drops which i think stem from folk art) but on a larger than usual scale since it was going to be on a larger canvas. Usually, being a face painter, it’s limited to the face. I tried to limit myself to just tear drop shapes and use that idea to shape out a kind of skull design I had in the back of my mind. The tricky part is that usually the strokes that make the shapes are done by using the shape of the brush and applying the correct way, in most cases with one stroke. Also loading colours in a certain way to get a certain affect. I soon realized that was not how I was going to paint this. After attempting to draw the shapes with larger brushes it got to a point where I gave up on the tear drops and just started adding other shapes & linework to free it up a bit here & there …and that’s when it started to get interesting. Unfortunately that’s when the model awoke and we had to call it a night. ...Still makes a nice picture I think and considering I’m unable to finish anything I start it’s not a terrible job. A stepping stone to things far more inviting than coffee. That could be a big call. Thanks Steph!! / You’re a star!
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My first ever attempt at painting a human Torso. The model had to be sedated to keep her still, so we knocked her out with a bottle of something from the top shelf and a few big mac meals to keep her quiet. She was far more co-operative after that and I was very greatful for the 4 out of 6 hours I had to do this before the chairs that the model was laying on became unbearable for her. She went to bed at 6am and I’m so very greatful that she gave that much time and discomfort for this. Had I the chance to finish it I don’t think i could have been happier. Right now I’m easy to please, so in time I may absolutely hate this. The idea was to use some of the shapes and design elements often used by face painters (Curls, swirls & tear drops which i think stem from folk art) but on a larger than usual scale since it was going to be on a larger canvas. Usually, being a face painter, it’s limited to the face. I tried to limit myself to just tear drop shapes and use that idea to shape out a kind of skull design I had in the back of my mind. The tricky part is that usually the strokes that make the shapes are done by using the shape of the brush and applying the correct way, in most cases with one stroke. Also loading colours in a certain way to get a certain affect. I soon realized that was not how I was going to paint this. After attempting to draw the shapes with larger brushes it got to a point where I gave up on the tear drops and just started adding other shapes & linework to free it up a bit here & there …and that’s when it started to get interesting. Unfortunately that’s when the model awoke and we had to call it a night. ...Still makes a nice picture I think and considering I’m unable to finish anything I start it’s not a terrible job. A stepping stone to things far more inviting than coffee. That could be a big call. Thanks Steph!! / You’re a star!
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