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these gorgeous silver birches stand outside the tate modern museum in london. / shot through canon digital lens – august 2008.
people walking in the turbine hall of the tate modern art gallery in london the other day
Canon 450d, sigma 28-300mm at f11. This is the only possible way to shoot this and that is from inside Tate Modern Gallery in London. As no tripod allowed I had to touch the lens in the not so clean window and had to use a circular polariser.
Tate Modern museum, London, UK (February 2008)
From a Flashmob tribute to Tony Hart at Tate Modern, London. I have been very busy of late, so not much time to spend on the Bubble.
Part of a festival of mime held on the South Bank London. /
Picture taken of Tate Modern Being used in my A level photography. Taken using Fujifilm s5600
Tate Modern museum, London, UK (February 2008)
Busy, busy, busy Millenium Bridge! You can see some of the people staring up – they are looking at the artwork on the outside wall of the Tate Modern.
This is a sign for the Rothko exhibition at the Tate Modern gallery in London. I took quite a few photos around the gallery exterior, this is the first and it has been digitally altered.
birch trees from outside the Tate modern in London Exposure 1 / 40 sec at f / 5.6 / Focal Length 55mm / ISO 100 / No Flash / Canon EOS 20D
From a public collaboration @ Tate Modern this weekend.
Tate Modern / London
silhouettes of people taken at the main entrance of tate modern, london
The View out from the entrance to the Tate – St Ives
The foyer of the Tate modern museum throngs with people on their way to and from viewing the arts on display. Nikkor 50 mm lens / Fuji Velvia 100
The juxtaposition of London’s Tate Modern and the new Millennium Bridge is for me very welcome – but I wanted to push it further. I am also interested in the links between form and function, the structural and organic – who is to say what is considered “beautiful”, or even beyond a certain point, “alive”? A BRIEF BESTIARY To carry the child into adult life / Is good? I say it is not, / To carry the child into adult life / Is to be handicapped. - Stevie Smith There are the scientists. They know how to play. / There are the children, who know how to play and how to weep. / There are artists, who play and who purport to weep. / There are misfits, who yearn to play and weep. / And, last of all, come the decent grown-ups / Who have forgotten how to do either. / If, indeed, they ever found out. Why have we killed the child inside? / Since it is better (we suppose) to forfeit joy than to / Admit the possibility of failure. Better to do nothing / Than to risk a humiliation of mistakes. Instead / We’ll tilt at windmills; and bind our bones with iron / Against the breeze. Stephen Jackson January 2005
Pedestrians walk across the Millenium bridge towards the Tate Modern Museum, London. I love the strange abstract like nature of the humans crossing the bridge. Kodak EIR / Yellow filter / Nikkor 35-70 mm lens
I was in the Tate Gallery London when I decided to have a go at practicing drawing hands by copying an old master; that’s when I saw the Teucer bronze sculpture by Hamo Thornycroft.
Graffiti and windows art on the Tate modernin London
Bankside, London, February 2008
7 Shape Vector drawn by hand from scratch in Xara Xtreme. Your friend and mine … the nutter that is Charles Manson. There’s a lot of mythology surrounding him … but to listen to him speak he’s pretty interesting. Well worth checking out some documentaries about him and getting the real picture. More about Charles Manson / —— /
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