Sync
30 creative works found
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R.A.N. Aerospatiale AS350B Squirrel helicopters head home after their display.
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Generic image of the feet of two synchronised swimmers during part of their competition duet routine.
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2008 Copyright. All Rights Reserved to Mariam Muradian. This Outdoor Series was created during the time that my Feral Child and Feral Woman were emerging. I had a claustrophobic time being inside anywhere…even my own house. I could only BREATHE outside. So I spent many days and nights outside. I moved my studio outside. I painted outside only. This series of paintings, I am convinced, cannot live indoors because it will choke the life out of them and they will die; so this series is prepared with heavy heavy sealants to live outdoors forever. I place each one very carefully in their “chosen” place. Each must be a compliment in the truest sense of the word to nature. You can never out-create nature. The series can be vibrant and subdued at the same time, depending on its environment. So once each has found their interconnected, noncompetitive place in the landscape, I watch. I enjoy watching these outdoor paintings live their life! How they communicate and play and change with the light, the blooms, the seasons! It is wondrous to witness! Their subtle variations and transformations are always perfectly, proportionately in sync with nature’s doings. Truly awesome! My ART has reached a Nirvana of sort in this context. It feels so right in my soul. Now you know why I must LIVE outdoors and garden and paint! I have never before felt such passion, such joy, and such inspiration! I continue to paint for this series. I will continue to take photographs of these art pieces as they change, as different colored blooms come to surround them. You must see! Thank you for looking and reading about this ongoing process of healing in my life. Please do comment, as I would love to hear how this effects the Beholder. Thank you. Outdoor Art Series 1L Gate (description for context): to the immediate right of this piece is the trellis gate leading to the backyard gardens. And immediately right of that is the companion gate art piece flanking the other side. Growing and climbing up this art piece is ivy and a wisteria with silvery white/lavender flowers. To the left of the piece is a huge true red rhododendron bush/tree. And to the left of that, a twin royal purple rhododendron bush/tree. More toward the ground in this same area is green grass with assorted colorful wildflowers, and running perpendicular to the fence is a bed of large white daisies/yellow centers and yellow tulips. I am just so grateful that I can SEE! That my vision returned from blindness, along with my color vision. That I am alive at all! A miracle and a blessing! See the others in the series /
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2008 Copyright. All Rights Reserved to Mariam Muradian. This Outdoor Series was created during the time that my Feral Child and Feral Woman were emerging. I had a claustrophobic time being inside anywhere…even my own house. I could only BREATHE outside. So I spent many days and nights outside. I moved my studio outside. I painted outside only. This series of paintings, I am convinced, cannot live indoors because it will choke the life out of them and they will die; so this series is prepared with heavy heavy sealants to live outdoors forever. I place each one very carefully in their “chosen” place. Each must be a compliment in the truest sense of the word to nature. You can never out-create nature. The series can be vibrant and subdued at the same time, depending on its environment. So once each has found their interconnected, noncompetitive place in the landscape, I watch. I enjoy watching these outdoor paintings live their life! How they communicate and play and change with the light, the blooms, the seasons! It is wondrous to witness! Their subtle variations and transformations are always perfectly, proportionately in sync with nature’s doings. Truly awesome! My ART has reached a Nirvana of sort in this context. It feels so right in my soul. Now you know why I must LIVE outdoors and garden and paint! I have never before felt such passion, such joy, and such inspiration! I continue to paint for this series. I will continue to take photographs of these art pieces as they change, as different colored blooms come to surround them. You must see! Thank you for looking and reading about this ongoing process of healing in my life. Please do comment, as I would love to hear how this effects the Beholder. Thank you. Outdoor Art Series 1L Gate (description for context): to the immediate left of this piece is the trellis gate leading to the backyard gardens. And immediately left of that is the companion gate art piece flanking the other side. Growing and climbing up this art piece is ivy and a wisteria with pale pink flowers. To the left of the piece is a huge true red rhododendron bush/tree. And to the left of that, a twin royal purple rhododendron bush/tree. More toward the ground in this same area is green grass with assorted colorful wildflowers, and running perpendicular to the fence is a bed of large white daisies/yellow centers and yellow tulips. I am just so grateful that I can SEE! That my vision returned from blindness, along with my color vision. That I am alive at all! A miracle and a blessing! See the others in the series /
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2008 Copyright. All Rights Reserved to Mariam Muradian. This Outdoor Series was created during the time that my Feral Child and Feral Woman were emerging. I had a claustrophobic time being inside anywhere…even my own house. I could only BREATHE outside. So I spent many days and nights outside. I moved my studio outside. I painted outside only. This series of paintings, I am convinced, cannot live indoors because it will choke the life out of them and they will die; so this series is prepared with heavy heavy sealants to live outdoors forever. I place each one very carefully in their “chosen” place. Each must be a compliment in the truest sense of the word to nature. You can never out-create nature. The series can be vibrant and subdued at the same time, depending on its environment. So once each has found their interconnected, noncompetitive place in the landscape, I watch. I enjoy watching these outdoor paintings live their life! How they communicate and play and change with the light, the blooms, the seasons! It is wondrous to witness! Their subtle variations and transformations are always perfectly, proportionately in sync with nature’s doings. Truly awesome! My ART has reached a Nirvana of sort in this context. It feels so right in my soul. Now you know why I must LIVE outdoors and garden and paint! I have never before felt such passion, such joy, and such inspiration! I continue to paint for this series. I will continue to take photographs of these art pieces as they change, as different colored blooms come to surround them. You must see! Thank you for looking and reading about this ongoing process of healing in my life. Please do comment, as I would love to hear how this effects the Beholder. Thank you. Outdoor Art Series to Neighbor’s Garden (description for context): this art series has extended to the neighbor’s garden! This art piece is attached to the neighbor’s barn. Raw wooden hand-carved beams hold up this end of the barn; a tin mossy roof; ferns and trees surround it; handmade wooden wheelbarrows strewn about. To the left of the barn are the pastures and large oak trees and bamboo groves, flower gardens in abundance and streams with croaking frogs. The chestnut horse, Romeo, is in his corral. To the right is the old barn red house. Roses and rhododendron all over, ivy, ferns, wisteria covered arbor over the patio dining area, daisies, and berries surround brick enclosed ponds with goldfish. Tables covered with floral tablecloths and old kerosene lanterns and set for tea with everyday silver and blue willow dishes. I am just so grateful that I can SEE! That my vision returned from blindness, along with my color vision. That I am alive at all! A miracle and a blessing! See the others in the series /
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Two pelicans grooming on the dock. (B&W) / Hilton Head, SC By: / Terri~Lynn / 2009
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Quartz-timed synchronization light on a record turntable. Long exposure in a dark room. Scan from film. A macro time-lapse exposure :-) Nikon FM-2 on tripod, 50mm lens on extension tubes (probably about an inch), 90 seconds at f/11, shot on Kodak Lumiere 100 transparency film. The long exposure allows us to see that the bottom row of raised dots appear stationary while the three rows above it are moving.
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Tree swallows Nikon D200 + Nikkor 300/4 AFS
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I just loved that the runner and the umpire were running at the same angle.
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My husband and our daughter at Christies Beach, South Australia…
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out of sync
by J D -
Resistance is always useful, technophobes… reboot often required.
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Blue Nose Dolphins jumping the Atlantic Ocean Waves in sync off Assateague Island in Virginia. Taken with an Olympus E510 w/ 40 – 150mm lens while enjoying the beach in August 2009. /
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Near Stanford, Montana, we watched these horses rolling in a pool of water, they left the pool, to roll in the grass…They were quite entertaining! / ______ / Nikon D300, 70-300 mm lens
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These horses went over and over together, after they wallowed around in the water…We saw them near Stanford, Montana. / ____ / Nikon D300 70-300 mm lens
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