If you’re an artist or designer looking for some free hi res textures to use in you work, I am now giving away my personal textures for o…
If you’re an artist or designer looking for some free hi res textures to use in you work, I am now giving away my personal textures for others to use in their work. These textures are completely free and can be used for commercial and non-commercial work. / If you could help spread the word about these free textures, I would be very grateful. / I’m also giving away free copies of my book to certain people who are of particular help in promoting these textures & my website. / Textures are available from: / http://www.ParableVisions.com Enjoy, - Cameron Gray
/ ^click header…
/ click header image to take you directly to the group or click here h1.GROUP GUIDELINES: TAG YOUR IMAGE! PLEASE TAG YOUR IMAGE with Psychedelic_Arts or Psychedelic ” / THIS IS VERY IMPORTANT, or your images may be removed. / If you are submitting a piece of art into this group, then by logic, it should have ‘PSYCHEDELIC’ in the tags Submit up to TWO (2) images per section (art/clothing) per person, per day. Make an effort to comment on at least one image in the group pool by others, each time you post. Do not submit images that are similar, one after another, we like variety :) If you are not sure whether your image is Psychedelic or not, just ask me. / Bubblemail me with the link of your image. / WHY WAS MY IMAGE REMOVED?: images that are not considered ‘psychedelic’ will be removed. Please read the groups description to see if your images have the qualities of Psychedelic Arts before submitting, if you are not sure.. please excuse me if i dont write to each one thats removed with the explanations.. You are welcome to write to me to enquire, if you would like to know why it wasnt ‘psychedelic’ enuf.. :) about this group/what to post: / Fantastic, metaphysical and surrealistic subject matter, kaleidoscopic, fractal or paisley patterns, bright and/or highly contrasting colours, extreme depth of detail or stylisation of detail. Morphing of objects and/or themes and sometimes collage, inclusion of phosphenes and other entopic motifs, repetition of motifs. Please visit Wikipedia’s definition of Psychedelic Arts to understand/learn more / http://en.wikipedia.org/wiki/Psychedelic_art definition of psychedelic arts: (from Wikipedia) / Psychedelic art is art inspired by the psychedelic experience induced by drugs such as LSD, Mescaline, and Psilocybin. The word “psychedelic” (coined by British psychologist Humphrey Osmond) means “mind manifesting”. By that definition all artistic efforts to depict the inner world of the psyche may be considered “psychedelic”. However, in common parlance “Psychedelic Art” refers above all to the art movement of the 1960s counterculture. Psychedelic visual arts were a counterpart to psychedelic rock music. Concert posters, album covers, lightshows, murals, comic books, underground newspapers and more reflected not only the kaleidoscopically swirling patterns of LSD hallucinations, but also revolutionary political, social and spiritual sentiments inspired by insights derived from these psychedelic states of consciousness. PSYCHEDELIC INSPIRATIONS / The Art of Jeff Hopp / “I believe that true art is foremostly a form of communication. For me to be interested in a piece, it must tell me something. An artist can communicate many things…. ideas, emotions, events, beliefs, etc. As for my art, I am interested in illustrating events and experiences that I have witnessed on my spiritual journeys. It is a method of capturing moments that cannot be documented in any other way. / They are places that can’t be photographed, and I feel that is important to share them with others.” LINKS & RESOURCES PSYCHEDELIC ARTIST : JEFF HOPP RESOURCES : Psychedelic Arts @Squidoo PHOTOBLOG/IMAGES : Psychedelic Wallpapers & Posters
*The whole notion of intent is one that fascinates me almost to the point of obsession; when looking at or making artwork I always wonder…
The whole notion of intent is one that fascinates me almost to the point of obsession; when looking at or making artwork I always wonder, what is the artist’s intent for this thing that they are making?; what effect, exactly, is it supposed by the artist to have on others?... what effect does making it have on the artist?... and so on. This question of intentionality is strangely absent from most of what is considered critical thinking about Art. Probably the various art objects could even be meaningfully classified according to the various intentions and effects, but somehow this is never done. It can be quite enlightening to try and arrive at a more specific sort of clarity about what our intentions for, and suppositions about, the specific things that we create actually are. Not in the sense of why do artists make Art and what is the purpose of Art?, but rather what are my intentions for this specific thing that I have made, and what effect do I suppose that it will have on others? My personal opinion is that ambiguity is an essential quality of all really great Art. I’m not taking the position that one should read words like “intent”, “understanding”, and “meaning” as if any piece of visual Art shouldn’t be just Art for Art’s sake, as opposed to Art with a message. Speaking only for myself, and the intentionality vs. ambiguity question, my thesis is not contra ars gratia artis; rather, I’m saying that, on close examination, artists actually do have purposes and goals for these things that they make (whether they’re capable of articulating and/or admitting them or not), and these things that they make are worthy of being examined in terms of the artist’s own intentions. “An unexamined life is not worth living.” – Socrates Here’s to plain speaking and clear understanding: intent Law: the state of a person’s mind that directs his or her actions toward a specific object. Adjective: 1.firmly or steadfastly fixed or directed. 2.having the attention sharply focused or fixed on something. 3.determined or resolved; having the mind or will fixed on some goal. 4.earnest; intense. - The American Heritage Dictionary (A propos: P.D. Ouspensky, and others, would argue that most of us only imagine that we have intent.) It strikes me that Art making may be the only organized human activity in which a lack of purposes or goals is considered by anyone to be a virtue. Why is this important? Well, for example, try to imagine a major business, charitable, or government organization with no stated purpose or “core values”. No such thing exists. There’s a reason for that: an organization so completely rudderless wouldn’t survive for 15 minutes in the real world. Recently I have initiated some discussions on the topic of “The Question of Intentionality”in a few artists’ forums on the Internet. The Surrealists, as a group, are the ones that get the most upset at the very notion that artists (like everyone else) exhibit goal-directed behavior. Here are some typical responses: “Sorry, don’t have time to think, I just paint because I like it. Don’t want to know the reasons, I prefer mystery, as an open space for imagination.” ”...a drawing with the intention of creating images without having any intentions about what those images will be… the intention to create something unintentionally…” Certainly one can do this, Surrealists, in particular, often do. Nothing wrong with that. However this only brings up other questions of intentionality, as if one were peeling an onion. First, one might ask, what was the artist’s motive (intent) for wanting to “create something unintentionally” in the first place? What result, exactly, did the artist hope to achieve via this method? ”...to connect with deeper psychological and emotional levels.” And then, what is the purpose of that? Self-knowledge? If so, then why show it to anyone else? Because if one makes something with the intent to show it to other people, it seems that there is implied an intent on the part of the artist to produce some effect on the viewer. Artists working within the Abstract paradigm tended to have a different set of objections to the notion of art being intentional. Here’s a particularly articulate example: ”...a reason for someone to dabble in the the arts has been called an addiction and the reason they do it (some artists) is to seek a particular state of being (mind) while in this process of mark making. This is the primary motive or intention of some artists and by using this method it may have been achieved, or not. The actual image, or images, created evolved as an accident. There was no intent to draw, let’s say, eyeballs but when the artist steps back and takes a look all she sees are eyeballs staring back at her. The artist can’t decide whether to show anyone her art… Eventually… she decides to show it to her mom. No matter what the artist does… her mom always says after looking at the daughter’s marks, “That’s nice dear, but why so many nipples.” ...Curiously the observer of the art sees images that are different than what the artist sees. There was no intention to create eyes nor was there any intention to create nipples. After a while the artist gets up enough nerve and shows her work to many people. Each individual sees something different in this abstract piece of art. It appears that each viewer interprets the drawing differently. Perhaps that is another of the artist’s intent, a secondary intent to create mystery and the result was that she succeeded. Bottom line, there was no intention to create eyes, nipples or toes or whatever one might see. The intent was to create ambiguity. Each viewer was allowed to interpret the marks without being told what they should see. The drawing becomes a sort of mirror and reflects back more about the viewer than the artist. Abstract art is curious in this way and perhaps why it leaves many people baffled as to the artist’s intent. They want to see the artist’s intentions, they want to know what it means. Are they being put-on? They may feel that way but few artists apply their art just to make fools of people, maybe.” That’s a chain of events that I find plausible, although I find it disturbing. Not the part about the artist’s intention to “seek a particular state of being (mind) while in this process of mark making.” – that’s something that I’m intimately aware of, and it’s certainly one of a multiplicity of intentions that I ascribe to myself. What disturbs me about this hypothetical anecdote is that it seems to imply that important Art can somehow be made by accident, or, even more disturbingly, that the critic’s rationalization after the fact is somehow more important than the artist’s original act. This was precisely the initial point of contention, reflecting back to a seminal conversation that I had with David Cohen in the September, 2003 issue of Art Critical . Assigning meaning or value to such an object beyond the intentions of its maker seems to me a rather questionable idea. ”...”If a herd of pigs knocked over a table of paints and smeared a canvas, and you liked it, then you’d have to call it art…” We do often find beauty or significance in the chance arrangement of things, whether done by an artist or an accident; an historical accident, in the case of some museum pieces. And, as Carl Jung pointed out with his concept of Synchronicity, this is far from trivial – it tells us something important about ourselves (and nothing in particular about the object). ”...do you think people need to know what your intentions are to understand your paintings? Do you not think something is lost by explaining it? If they don’t get it without it being explained to them, have you failed?” I don’t think there’s anything to “understand”; I’m more interested in having the viewer experience a certain state of mind, of emotion, a profound and lucid calm. If they don’t experience that state when looking at my paintings , I don’t think there’s anything to be gained by “explaining” my intentions; insofar as that particular viewer is concerned, my work has failed utterly. To quote David Cohen, ”...I wouldn’t want to participate in a criticism the function of which would be to award brownie points for good intentions.” One’s paintings might work for some people and not for most people, regardless of any intentions. The fact that some viewers understand and appreciate and others do not has absolutely nothing to do with the question of intentionality. Intentionality is about one’s own purposes and goals, not about the reactions of others. An artist of a mystical/Symbolist bent had this to say: ”...consciousness reflects reality, thus if you alter consciousness, you alter reality… Intent is simply a concentrated, intense energy that we apply—to whatever. As bodies of energy ourselves, we certainly can manifest many things. It is the same with prayer, per se, or meditation. It’s all energy.” And a very pragmatic artist shared this point of view: ”...Intent has to do more with Preparation. Even Improvisation requires some sort of preparation. Spontaneity requires also preparation. The very ability to approach a blank page, a blank canvas or a computer screen is contingent on our inner preparations… contingent on the alignment of our heart, mind, and hands… in the direction of the task.” In conclusion, here is an interesting area of thought: i.e., the historical relationship between Art and ceremonial magick. Arguably this may have been the original (prehistorical) reason for the invention of representational Art. Perhaps Art is something that exists in a realm beyond intentionality, more akin to instinct. It seems to me that the impulse to make Art is both necessary and inevitable, an inextricable part of human nature. I refer again to P. D. Ouspensky: “Man is a machine, but a very peculiar machine which, in the right circumstances, and with the right treatment, can know that he is a machine, and, having fully realized this, he may find ways to cease to be a machine. First of all, what man must know is that he is not one; he is many. He has not one permanent and unchangeable “I” or Ego. He is always different. One moment he is one, another moment he is another, the third moment he is a third, and so on, almost without an end… In reality there is no oneness in man and there is no controlling center, no permanent “I” or Ego. Every thought, every feeling, every sensation, every desire, every like and dislike is an “I”. These “I’s” are not connected and are not co-ordinated in any way. Each of them depends on the change in external circumstances…” (from “The Psychology of Man’s Possible Evolution”, Chapter 1) Finally, it occurrs to me that Intent plays no role in “evolution” as defined by Charles Darwin; evolution is the result of environmental factors acting on random mutations. In other words, blind chance. Does Art “evolve” in an analogous manner? Or is it, more properly, the intentional product of work done by sentient beings? Heartfelt thanks to all of the thoughtful artists who have taken the time to participate in my ongoing investigation of the Question of Intentionality, and to David Cohen, art critic for the New York Sun, who started me down this path back in 2003. I sincerely hope that readers of this essay will contribute their thoughts to my investigation.
Yeeeeaaah….after a long day of chores, running …
Yeeeeaaah….after a long day of chores, running around and my weekend cleaning…I began to log on to my favorite site…only to find, one of my newest works staring back at me…and let out a small yelp of joy…to myself! ;) / It’s strange almost to see my own work on the homepage…I always check out what works are featured; it’s a great way to find new artists to watch and I really enjoy the themes. I was very happy to be included in one!!! / Thanks everyone!!! ....and the fish thanks you too… ;)
I just realized “A Fish Out of Water” i…
I just realized “A Fish Out of Water” is the Humor Captured groups icon! Yeaaah thanks guys…and it just makes me laugh more when people laugh at my piece…it’s contagious! Stop…you’re making my tummy hurt!! LOL / So I wanted to say thanks to Daren Deri and Meg for that. They are all uniquely talented people and I think do a fabulous job on the group / If you haven’t seen this group, stop by and take a look….and join the fun! Thanks everyone! :)
!http://images-1.redbubble.net/img/art/border:whitewithdetail/product:laminated-print/size:medium/view:preview/1483055-1-creation-of-a-li…
Big thanks, Helene, for giving me sooo much encouragement and helping me believe in my art again :-)))
Take a bow / is now one the featured works in surrealism...
Take a bow / is now one the featured works in surrealism Once again, / A big THANK YOU to the Surrealism group / for Featuring three of my Works in a row…. 1.BEYOND / 2.ON A HILL FAR AWAY / and of course the third one: three surreal wofs….......to ya’ll / WOF WOF WOF!
!http://images-2.redbubble.net/img/art/border:whitewithdetail/product:laminated-print/size:medium/view:preview/1267468-2-moonlight-dance….
I am sooo pleased!!! And grateful, of course…
Surreal Calendar
Surreal Calendar
“Happy Halloween!” was featured in the groups Surrealism and The Love of Eerie and Enchanting Artwork !http://images-2.redbubble…
“Happy Halloween!” was featured in the groups Surrealism and The Love of Eerie and Enchanting Artwork “Ashes to ashes – II” was featured in the group The Love of Eerie and Enchanting Artwork / It makes me feel sooooooo good… Thank you, hosts of both wonderful groups!!
I AM SOOOO HONORED.. that the group Surrealism has featured my work that I adore.. btw..”Growing Pa…
I AM SOOOO HONORED.. that the group Surrealism has featured my work that I adore.. btw..Growing Pains! HELENE RUIZ whom I have written about before is an artist and a woman whom I deeply respect. Her work inspires me on so many levels.. and one level is the example she sets for one to allow feelings and emotions to become a work of art! This is where I feel most comfortable… the emotional level.. it does not lie to me. Surrealism seems to be where my poetry and writing reaches into the manifestation of an Art Piece. Again.. let me say.. I am forever grateful to my friends here at RB for steering me towards groups that really suit me. / tee heee.. yep.. thank you Teriee
This bubblemail greeted me this morning… “Ann, / I’m the Editor/Art Director of a national fireworks magazine. I’d love to use the ph…
This bubblemail greeted me this morning… “Ann, / I’m the Editor/Art Director of a national fireworks magazine. I’d love to use the photo of your nephew and his sparkler for a future issue. Great photo! www.76pyro.com Anyway, let me know and you can either send it to my personal email address* or I can send you a password to send it to our ftp site. You will be given full credit for the photo and I’ll send you a free copy. Michael Richards” / *e-mail address omitted for privacy’s sake. This is the image that he’s referring to…it won best of show at our local fair this summer. I couldn’t be more thrilled!
After a lot of thought about the comments I / received I have created a book. It is my first / so please bare with me. I will prolong thi…
After a lot of thought about the comments I / received I have created a book. It is my first / so please bare with me. I will prolong this / project if it doesn’t do well the first month. / Filling my time with more effective ways / seems a bit more logical. Check out The Dark Arts when you get the / chance.As always, thank you for being so / supportive and helpful !!!
Again, thank you to Red Bubble and to the / community for my home page feature for / “Potted” it’s different for my style but it / was a nee…
Again, thank you to Red Bubble and to the / community for my home page feature for / “Potted” it’s different for my style but it / was a needed post after my last few. Potted / —-—-—-—-—-—-—-—-—-—-—— / Ok, two days in a row, wow I am / flabbergasted! Thank you once / again for everything. Red Bubble / sure knows how to make a girl / feel special! I think this is the 7th / time and every time feels just as / amazing as the first!!! This piece is one of my / all time favorites and it / didn’t get the attention that / I would have liked. So it / means even more. A Greater Being / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—— Thank you to Red Bubble for / the home page feature on / Stitched Smile I have a small format file / that is not for sale and a / Lrg that is available. Thank / you for ALL of the mail and / comments, the support is / always so amazing! This is my 6th time being / showcased, I am very very / honored! Anxiety / Flower Child / Lost In Time / Eye Of The Beholder / Insomnia / Stitched Smile A Greater Being / Potted /
“Monitor Man” is now on You Tube / http://uk.youtube.com/user/ToastedGhost / Before you leave com…
“Monitor Man” is now on You Tube / http://uk.youtube.com/user/ToastedGhost / Before you leave comment please consider that I made the video myself solo including the recording… / Damn difficult with a monitor on your head. lol If you want to participate / Monitor man Needs you.. Technical stuff and a large print of “Monitor Man” / Tech stuff and print
some of my favorite surreal and conceptual works, beautiful photography that makes you think, wonder and leaves your tongue searching for…
some of my favorite surreal and conceptual works, beautiful photography that makes you think, wonder and leaves your tongue searching for more droolable images. / I’m speaking my truth by Karen Cougan is a delicious image full of rich tones and beautiful forms. / SEX is an intriguing image whose name Begs one to reconsider the depth of the image and its meaning. / amazingly well thought out shot with an equally amazing explanation. any one who has tried to paint with light will appreciate the skill that went onto creating this shot. - just look at this artists gallery and you will be blown away. simple yet effective / I love this shot, just love it. / Mannequin III is a seamless image that shows a mastery of photoshop by its creator. / hilarious and cringe-worthy at the same time. Isn’t it wonderful! Love the action and the framing of this glorious shot / beautiful image with such an interesting pose / look closer and appreciate. interesting ideas- read blurb Once again, all the images are linked to the full size image and thus artist. If you like a shot PLEASE tell its creator, they worked hard to make that shot and everyone loves feedback!
NATIONAL GALLERY of VICTORIA/MELBOURNE/AUSTRALIA Searching for the Surreal Image – an NGV photographic project / An invitation! / ...
NATIONAL GALLERY of VICTORIA/MELBOURNE/AUSTRALIA Searching for the Surreal Image – an NGV photographic project / An invitation! An on-line gallery visitor? / A member of the general community? We are looking for original photographic images, made by you, which explore and celebrate the legacy of SALVADOR DALI and other surrealist artists. Surrealism means… / a 20th century movement of artists and writers who used dreamlike images and unexpected combinations to represent unconscious thoughts. (For examples have a look at the NGV’s website and others.) / How to Enter / Simply via our website at the NGV- www.ngv.vic.gov.au www.ngv.vic.gov.au www.ngv.vic.gov.au www.ngv.vic.gov.au www.ngv.vic.gov.au www.ngv.vic.gov.au go check this site NOW /for conditions/etc/as you maybe very interested!! this info has been cut and pasted from the site as I think this is important enough to pass on to YOU
NGV on FLICKR you still have time to enter!!
NGV on FLICKR you still have time to enter!!
Surrealist artists are credited with developing a series of automatic techniques with the aim of freeing the imagination and removing con…
Surrealist artists are credited with developing a series of automatic techniques with the aim of freeing the imagination and removing conscious control from at least part of their creative process. The appealing thing about these techniques is that they help you get over the problem of staring at a blank canvas or wondering where to start. When you’re absolutely stuck for ideas and creative inspiration, why not give some of these a try: Decalcomania Decalcomania is a process of spreading thick paint on a canvas then covering it with another material such as paper or tin foil. This layer is then peeled back, leaving a pattern which becomes the basis for your work of art. The technique was used by surrealist artists including Max Ernst who used sheets of glass to create patterns which became artworks such as this: / Works using decalcomania by Max Ernst Bulletism Bulletism describes the technique of shooting or throwing ink at a blank piece of paper. The artist then develops the image based on what they see. Salvador Dali used this technique in images such as the one below: / Biblia Sacra 1- Sanctus Hieronymus by Salvador Dali Basic technique (video) Cubomania Cubomania is a method of making collages in which a picture or image is cut into squares and the squares are then reassembled without regard for the image. The technique was first used by the Romanian surrealist Gherasim Luca. Parsemage Parsemage describes a technique where dust from charcoal or colored chalk is scattered on the surface of water and then skimmed off by running cardboard or heavy paper under the water’s surface. UK artist Ithell Colquhoun is credited with inventing the technique. Grattage Grattage is the act of scraping off dry pieces of paint from a canvas, resulting in random lines and shapes. The technique was used by surrealist artists including Max Ernst and Joan Miro. / The Entire City by Max Ernst / We’d like to hear about any similar automatic techniques you use in your work. Perhaps you’ve dabbled in a little paint throwing or maybe you’ve joined the photographers in Project Double X, swapping rolls of film to see what results you get. You might have even been brave enough to try camera tossing. We’d love to see some examples of work where part of your creative process has been left to chance. / / Nat Related groups: Project Double X, Surrealism, The Ressurrection of The Exquisite Corpse and The Voyage Of The Surrealists
A new online magazine featured an interview with me. It is an online magazine / issue date Sept 1, 2009 on deviantart.com / it is a PDF f…
A new online magazine featured an interview with me. It is an online magazine / issue date Sept 1, 2009 on deviantart.com / it is a PDF file, and so once you go to the link below, please click DOWNLOAD on left hand side of page to read…... thank you so much for looking. / My interview is on pages 4,5, and 6 and my drawing “Mother Nature” is the cover. click here
/ As a lot of you know, there is a forum he…
/ As a lot of you know, there is a forum here at RB to make Front Page suggestions – Choose the Red Bubble Home Page is basically a personal reference journal for me which i’ll continually add to along the way. / Some Useful Links Rules, Guidelines & Tips on Submitting Sanne’s Red Bubble Homepage Blog – for an updated daily record of Red Bubble Home Page features Aglaia’s Calendar Code – the code for squaring off calendars for HP submission on this page of the forum Link to the HP Suggestion Forum Link to the HP Comment & Chat Forum / and totally unrelated – but i keep getting asked for the link How to Add a Slideshow with your Images Dave Pearson’s Better Formatting Hack Edit a Work from Public View Hack Add a Share Button ...just so i can keep track of what and who I’ve suggested (in order not to double up!) i’ll throw my suggestions in here… they should be all hopefully be clickable links / Comments @Chat Forum Here Way Too Cute! / 23/9/09 – Pg 310 Extra / Ooops! / 23/9/09 – Pg 310 Shoes and Socks / 22/9/09 – Pg 309 / / Extras Stars and Stripes / 21/9/09 – Page 308 Extras / The Smiling Assassin / 21/9/09 – Pg. 307 Bounce – my assignment! / 21/9/09 – Pg.306 Of Clowns and Jellies / 20/9/09 – Pg.305 Loss / 20/9/09 – Page 301 / Minimalism / 19/9/09 Pg 299 / Front Page Selection 20/9/09 Beautiful Behinds! / 18/9/09 – Page 290 Extras / ...and wasn’t that little search educational!!! T...and Toast / 18/9/09 – Page 288 Extras / Hugs! / Revised 16/9/09 – Page 279 Extras / These are All Calendars / 16/9/09 – Page 276 Extras / Geeks & Nerds / 15/9/09 – Pg 271 and 17/10/09 – Pg 328 / Extras / Elves / 15/9/09 – Pg 269 Extras / Mirror Mirror / 15/9/09 – Pg 266 Cubism / 15/9/09 – Pg 265 Balance / 14/9/09 Extras Global Warming / 14/9/09 – Pg 263 Extras Chalk and Cheese / ...and viva la difference!!!! 14/9/09 – Pg 263 Niagara Falls and Vikings ♥ / random monday madness / 14/9/09 – Pg 263 Spheres / 14/9/09 – Pg 262 Extra / Surrealism / 13/9/09 – Pg 260 Extras / Impressionism / 13/9/09 – Pg 259 Extras / Sightless – as requested Ma’am / 13/9/09 and Revised 16/9/09 – Pgs 259 and 274 Extras / / (i keep seeing michael jackson’s face in the side of that bandage which is creeping me out a little!!!) From Grapes to Wine / 13/9/09 – Pg 259 and again 11/10/09 Pg 325 Extras Music Notes / 13/9/09 – Pg 259 Extras / Barcodes / 13/9/09 – Pg 259 Extra / Summer! / 13/9/09 – Pg 258 Extras / Upside Down / 13/9/09 – Pg 258 Extras / ...and finally (for today at least) shameless pimping of the amazing talent in my three groups / Frogs-Giraffes-Elephants / 13/9/09 – Pg 258 Take a Bow! / 12/9/09 – Pg 258 Extras / Say Ahhhh / 11/9/09 – Pg 258 Extras / Hula Hoops / A Couple of Groovy Spares! / Hopscotch! / Pg 257 / Extra / Pinstripes! / pg257 A couple of eye-popping spares! / RB HomePage 13th September, 2009 FRONT PAGE SUGGESTIONS – PAGE TWO
happy to announce the birth of my new Incendia calendar, if you like it PLEASEPLEASEPLEASE order since I will donate all profits towards …
happy to announce the birth of my new Incendia calendar, if you like it PLEASEPLEASEPLEASE order since I will donate all profits towards the futher development of the program! If you are working with Incendia as well I encourage you to do the same!!! We need to help this guy!!! / ENJOY / / / / / / / !http://images-2.redbubble.net/img/calendars/page:6/product:calendar/size:medium/view:preview/3823883-1-incendiatricks.jpg1 / / / / / /
Patrick Desmet has come to Redbubble! Please have a look at his amazing work. !http://images…
Patrick Desmet has come to Redbubble! Please have a look at his amazing work.
http://www.redbubble.com/groups/the-ressurrection-of-the-exquisite-corpse/forums/7343/topics/84439-hey-everyone-revised
http://www.redbubble.com/groups/the-ressurrection-of-the-exquisite-corpse/forums/7343/topics/84439-hey-everyone-revised
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