Sunny 

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5348 creative works found

  • Taken at Balmoral Beach, Australia. / Nothing fancy but this shot represents for me the essence of the Australian lifestyle: sun, beach, youth and “no worries!” :)

  • Our red eyed tree frog and a beautiful yellow sunny Gerber Daisy

  • extreme sunset reflections

  • Such a sunny day, seems a shame to spend it traveling on the Imperial transports.

  • Sales of this Design? – 3 sales so far :) / / / Bosom Buddy is a mixed media production on canvas textured paper. / ink, pastel, acrylic, charcoal, pencil

  • Porcelain world Series Model: Chalsea Darling

  • Porcelain World Series Model: Chelsea Darling

  • Exposure - for beginners/ intermediate photographers.
    by Mark German

    I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….

    I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/100 SS, ISO100 (also known as ASA) Working up and down with this you can adjust to suit. For example – a slightly overcast day: / f/11, 1/100, ISO100 (1-stop wider aperture) / or / f/16, 1/50, ISO100 (1-stop slower SS) / or / f/16, 1/100, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. f/1, f/1.4,f/2,f/2.8,f/4,f/5.6,f/8,f/11,f/16,f/22,f32,f/44 Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. A larger aperture number means a tighter aperture – which means less light. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. There are various filters available to help shoot skies and landscapes – or any scene that has defined high dynamic range. Circular polarisers, graduated neutral density filters – ask. Using additional lighting such as flash adds another element to the equation, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.

  • The useful Sunny 16 rule always with you! Version printed in black:

  • Laminated Print to Redbubble member

  • Thank you – TwinkleTwinkle for you fantastic Editing work! Model – Myself

  • Matted print sold to RB member

  • Another in my poppy series, taken with Panasonic Lumix FZ 20, backlit with natural light. This image featured in the Compact Group, Feb. 2009 Thanks so much! this image published in the magazine Digital Photography & Design April/May 2009 and also on the magazine website here

  • Artwork from Ireland. I came across this little old cottage in The Aran Islands off the coast of County Clare/ County Galway on the west coast of Ireland. I’m sure there was a pot of tea brewing on the stove there many many years ago. These tiny fields are dating from The Great Irish Famine of the 1840’s Ireland. That’s the sea in the background. This image has been colour enhanced digitally for more dramatic effect. / Featured on the RedBubble Homepage on 17th/18th March: / Featured in: Cottage Style – 13th March 2009. Featured in: Going Coastal – 15th March 2009. Featured in: The Beginner’s Corner – 17th May 2009.

  • featured in Color Me a Rainbow 07-30-2009 / featured in ImageWriting 07-25-2009 / featured in Globes, Sphere’s & Curves 07-23-2009 / featured in A Spiritual Walk 07-05-2009 Copyright: DualityDesigns / (image not for sale) Here comes the sun, here comes the sun, / and I say it’s all right Little darling, it’s been a long cold lonely winter / Little darling, it feels like years since it’s been here / Here comes the sun, here comes the sun / and I say it’s all right Little darling, the smiles returning to the faces / Little darling, it seems like years since it’s been here / Here comes the sun, here comes the sun / and I say it’s all right Sun, sun, sun, here it comes… / Sun, sun, sun, here it comes… / Sun, sun, sun, here it comes… / Sun, sun, sun, here it comes… / Sun, sun, sun, here it comes… Little darling, I feel that ice is slowly melting / Little darling, it seems like years since it’s been clear / Here comes the sun, here comes the sun, / and I say it’s all right / It’s all right

  • Check out my other similar designs!! ;-) / /

  • Taken with a Canon 5D Mark II, 100 mm macro lens. Featured in ‘For the love of Canon’ / Featured in ‘Backyard Macro and Close ups’ / Top Ten- Water challenge in ‘Boredom Competitions’ This photo and many more are in my Raindrop calendar. Click on the photo below to view it. / Some of my other daisy / dandelion photos /

  • I went to a Travis show out in Berkeley. The last song they played was “Why does it always rain on me”. So this visual popped up in my head. Enjoy!

  • / / “Beach Picnic” is a pencil drawing which I’ve coloured digitally, I hope you like this image with mother and daughter in similar sundresses. As a child we enjoyed beach picnics all the time, mum would make us special fried chicken (better than Kentucky Fried) and we would go out on the boat to a little island, where i would play with soldier crabs for hours on end, while dad fished and mum sunbaked… they were wonderful times. We also went on the annual Beach Picnic to Bonny Hills with the church and we were great friends with the priest back in those days who was a top water skier.. We would see so many things at Bonny Hills, sea snakes slithered past in the creek where we were swimming and there were amazing white clay deposits in the sand….hours of fun were had by all… not to mention we even had a little mass there… top fun :)

  • Haha, one day I had to fight with other togs to get to the spot I want…. / Buachaille Etive Mor`, scottish Highlands, undoubtedly Scotlands most photographed mountain… Featured in Your Magic Place / Featured in The Beauty Of Nature / Featured in Style, Class & Elegance / Featured in Dimensions / Featured in Fineart & Landscape Photography

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