Suggestive
343 creative works found
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www.cathleentarawhiti.co.nz Featured in Sold! / Thank you. 2000+ views People/Portraiture HDR Photography Macro Photography Architecture Collaborations Skyscapes Animals/Birds/Insects Street Art Street Photography Everyday Objects Seascapes/Rivers/All Water Summer Photography Odd/Unusual Flowers/Plants/Trees Landscapes New Zealand Abstract Humour Black and White Photography Out of Order / Sold as a poster to a water company /
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/ / The Invitation was taken from photographic artist Jaeda DeWalt’s, Bliss series featuring herself and model Josh (mysterious arm) and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / The Invitation The invitation still dances with the ghosts at night / Daring me to come out from behind the curtain / Take your hand / And guide you into the unknown © Jaeda DeWalt listen to Jaeda recite The Invitation / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / visit the rest of this series / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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/ / Strange Sensualistic Delight features photographic artist Jaeda DeWalt and was taken from her, The Black Feathers series – part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Matted Prints, / Posters, Mounted Prints, Canvas Prints and Framed Prints / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / visit the rest of this series . . . / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Featured in Jaeda’s Je t’aime, Je t’adore calendar. / / / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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View All Art » 1 2 3 4 5 6 / / Belted 1 is a self-portrait taken from photographic artist Jaeda DeWalt’s Belted series and is a part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, / Posters, Mounted Prints, Canvas Prints and Framed Prints / / Featured in The Community of Erotic Submission group on 10-30-2009 / Featured in The Blue Room on 7-20-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s Erotique calendar / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / about this series / The Belted series came about when my stability ball burst. I use it to do my stomach crunches and sit-ups. I remembered the movie, “The Professional” and decided to belt myself to the edge of my bed to do my sit-ups, the way Leon did in the movie, until my new stability ball arrived. I ended up hooking a bunch of belts together and thought to myself “Hey, that would make an awesome photo prop!” and the Belted series was conceived. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / visit the rest of this series . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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For anyone who was wondering, this was what Hong Kong looked like yesterday, however I cannot guarantee it will look like this tomorrow.
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Photographers - What are you paying for? (Part One)
by Jo O'Brien^Disclaimer: This is not legal advice or even professional advice. This is some stuff I’ve learned along this funny little thing called l…
Disclaimer: This is not legal advice or even professional advice. This is some stuff I’ve learned along this funny little thing called life and may not apply in any way to your current situation. At worst, it’s my opinion, at best it’s some ideas for you to think about. If you need real proper advice, go see your solicitor. I’m of the opinion that photography should make me money, not cost me money. So far, I have been successful is making more from a photograph than it took me to create. Here is my list of not so secret tips and advice on covering your arse and saving your cash. When To Pay There are times where spending your hard earned money is the right choice. For example to obtain goods or services you can not find for less (or free) elsewhere. Or when you have done all the maths yourself and you feel you are buying into a good deal. But there are also some pit falls to watch out for. Art Direction, Ideas and Intellectual Property My rule of thumb, if I am paying to shoot, I should have full rights to everything I take. No ifs buts or maybes about it. If you shoot a commercial, the art direction team put together a shoot and then hire a photographer to take photos of what they and the crew have created. They pay for lighting design, they pay the models, they pay the hair stylist, they pay the guy who makes the coffees- and they pay the photographer. Some businesses operate under a similar model but suck money out of photographers in the process. As part of a ‘workshop’ or ‘event’, several photographers rock up with their cameras and take photos of a scene. Often they have little or no control of the setup, can’t communicate properly with the models and will walk out of it with similar images to everyone else who attended! In the worst cases they have restricted rights regarding how they use their images. So is essence, they have paid for something that out in the real world, would be making them money. Sorry if it sounds confusing, the concept completely baffles me. When you are shooting someone else’s ideas and have restricted publishing rights or have little influence over the set up, posing, lighting or set design, (in my opinion) you should be getting paid by them. After all, you are doing them a favor by taking images of their creative work. Classes or Tuition Wanting to improve you skills and knowledge is a great thing. And there are numerous classes, mentors and workshops available for you to choose from. If you are going to pay to attend these, make sure you are getting what you pay for. Before you hand over any cash there are a few details that you should have to help make your decision. Class Size: The more people attending, the cheaper the class should be. If there is a practical component, I usually wont accept a class bigger than 10-12 / Location & Time: no point signing up for an ‘on location’ workshop only to find it is out of your way. Also as a safety issue, you should always be able to tell a trusted person exactly where and when you will be shooting. / The Teacher: You should be able to find and contact the person facilitating the class to verify their experience and ask questions. It not always convenient for a facilitator to take calls from a whole class, but you should be able to send them an email and get a reply without going through a middle man. / Contracts: Ask if you will need to sign any contracts and insist upon receiving them before paying. / What do you get: do you get class notes to take home? Exactly what does the course entail? What can you hope to know and have learned at the end of the course? Contracts These are a great way to waste your money. They also happen to be very important. First and foremost contracts exists to make people money or stop people from making money. So before signing anything, read it a few times and make sure you are aware of what your actions are costing you. If you need to get images approved before sale or publication, you could be agreeing to never publishing or selling any images taken if none are ‘approved.’ It is completely reasonable to request changes to a contract or write your own and offer it instead. Don’t sign away potential income! You should always be able to take a contract away and show it to other people for advice before signing it, and especially before paying for anything. If you are not given this opportunity, my advice is to avoid it with a ten foot pole. And then there are the bazillion poorly written contracts that mean very little or nothing at all. It’s actually quite funny to me sometimes, what people will put on paper. Useful Links Australian Competition & Consumer Commission / Scam Watch Photographers – What are you paying for (part 2).
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Strange things happen in dark places…
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Frisky Mac
by taiche -
featured in The World As We See It 10-17-2009 / featured in Featured Features 07-18-2009 / featured in All Things Black 07-12-2009 / featured in the group Not What It Seems 03-03-2009 / featured in the group Escher and Perspective Art 02-10-2009 / featured in the group Dimensions 02-04-2009 / featured in the group Core [C.O.R.E] 01-29-2009 / featured in the group 100% 01-28-2009 / featured in Unconventional Artistry 01-27-2009 All I need is a little time, / To get behind this sun and cast my weight, / All I need is a peace of this mind, / Then I can celebrate. All in all there�s something to give, / All in all there�s something to do, / All in all there�s something to live, / With you … All I need is a little sign, / To get behind this sun and cast this weight of mine, / All I need is the place to find, / And there I�ll celebrate. All in all there�s something to give, / All in all there�s something to do, / All in all there�s something to live, / With you …
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who can say? a combination of fractals rendered in apophysis and fractal explorer / featured in the group The Dutch Connection 02-02-2009 / featured in the group Back In Black 02-02-2009
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music fractals rendered in Fractal explorer’ .01 Am (The Pros And Cons Of Hitch Hiking) / / An angel on a Harley / Pulls across to greet a fellow rolling stone / Puts his bike up on it’s stand / Leans back and then extends / A scarred and greasy hand…he said Hells Angel :”How ya doin bro?...where ya been?...where ya goin?” / Then he takes your hand / In some strange Californian handshake / And breaks the bone Angels Moll :”Have a nice day” A housewife from Encino / Whose husbend’s on the golf course / With his book of rules / Breaks and makes a ‘U’ and idles back / To take a second look at you / You flex you rod / Fish takes the hook / Sweet vodka and tobacco in her breath / Another number in your little black book These are the pros and cons of hitchhiking Oh babe, I must be dreaming / I’m standing on the leading edge / The Eastern seaboard spread before my eyes / “Jump” says Yoko “Oh No! / I’m too scsred and too good looking” I cried / “Go on”,she says / “Why don’t you give it a try? / Why prolong the agony all men must die” Do you remember Dick Tracy? / Do you remember Shane? Joey :”And mother wants you” Could you see him selling tickets / Where the buzzard circles over Joey :”Shane” The body on the plain / Did you understand the music Yoko / Or was it all in vain? Joey :”Shane” The bitch said something mystical “Herro” / So I stepped back on the kerb again These are the pros and cons of hitchhiking Oh babe, I must be dreaming again These are the pros and cons of hitchhiking
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CLICK TO LISTEN TO MUSIC This is the story of a country girl / Back in town from her country house / She came to me with her muddy boots / She destroyed all my carpet / You know how to do it / Wonder milky bitch / You never wear cosmetic / You don’t like arithmetic / You know how to do it / Wonder milky bitch / Tasting,touching,swallowing me / Drinking me like bloody mary / You know how to do it / Wonder milky bitch / You don’t wear cosmetic / You don’t like arithmetic / You know how to do it / Wonder milky bitch / Tasting,touching,swallowing me / Drinking me like bloody mary / Wonder milky bitch / Wonder milky bitch / Wonder milky bitch / Wonder milky bitch
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featured in the group Art in Math 02-02-2009 / featured in Unconventional Artistry 02-02-2009* Yeah, I can see it now / The distant red neon shivered in the heat / I was feeling like a stranger in / a strange land / You know where people play games / with the night / God, it was too hot to sleep / I followed the sound of a jukebox coming from up the levee / All of a sudden I could hear somebody whistling / From right behind me / I turned around and she said / “Why do you always end up down at / Nick’s Cafe?” / I said “I don’t know, the wind just kind of pushed me this way.” / She said “Hang the rich.” Catch the blue train / To places never been / before / Look for me / Somewhere down the crazy river / Catch the blue train / All the way to Kokomo / You can find me / Somewhere down the crazy river Take a picture of this / The fields are empty, abandoned ‘59 Chevy / Laying in the back seat listening to Little Willie John / Yea, that’s when time stood still / You know, I think I’m gonna go down to / Madam X / And let her read my mind / She said “That Voodoo stuff don’t do nothing for me.” I’m a man with a clear destination / I’m a man with a broad imagination / You fog the mind, / you stir the soul / I can’t find, ... no control Catch the blue train / To places never been / before / Look for me / Somewhere down the crazy river / Catch the blue train / All the way to Kokomo / You can find me / Somewhere down the crazy river Wait, did you hear that / Oh this is sure stirring up some ghosts for me / She said “There’s one thing you’ve got to learn / Is not to be afraid of it.” / I said “No, I like it, I like it, / it’s good.” / She said “You like it now / But you’ll learn to love it later.” I been spellbound – falling in trances / I been spellbound – falling in trances / You give me shivers – chills and fever / I been spellbound – somewhere down the crazy river
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Fractals created with Fractal Explorer MUSIC featured in the group Art in Math 02-02-2009 “Welcome To The Plesuredome” The world is my oyster…..... / Ha ha ha ha ha…..... The animals are winding me up / The jungle call / The jungle call Who-ha who-ha who-ha who-ha In Xanadu did Kublai Khan A pleasuredome erect / Moving on keep moving on-yeah / Moving at one million miles an hour / Using my power / I sent it by the hour / I have it so I’m mocking it / You really can afford it-yeah / Really can afford it Shooting stars never stop / Even when they reach the top / Shooting stars never stop / Even when they reach the top [Repeat] There goes a supernova / What a pushover-yeah / There goes a supernova / What a pushover [Repeat] [1]-We’re a long way from home / Welcome to the Pleasuredome / On our way home / Going home where lovers roam / Long way from home / Welcome to the Pleasuredome Moving on / Keep moving on I will give you diamonds by the shower / Love your body even when it’s old / Do it just as only I can do it / And never ever doing what I’m told Keep moving on / Got to reach the top Don’t stop / Pay love and life-oh my / Keep moving on / On again-yeah Shooting stars never stop / Shooting stars never stop Shooting stars never stop / Even when they reach the top / There goes a supernova / What a pushover [Repeat] [Repeat 1] Who-ha who-ha / Welcome to the Pleasuredome WELCOME….....ha ha ha ha ha…..... Long way from home / WELCOME TO THE PLEASUREDOME
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A subtle seductive / suggestive image. Painting in oils. / I was going for a early 80’s advertising feel.
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Only James,,,,,,, / a lace thong …........ / on a martini stem…....... panasonic dmc lz7 Auto wb,,,1/25 sec..ISO200..flash off.. threshold adjusted,,, matte edges…then Orton effect applied,,,, in picnik one of my first stills,,,,, Featured in James Bond 007 April 30/09 Featured in Friends of Bangor and North Down Camera Club, May 2/09 Fourth place finish in JPG Castoff group challenge “Mirror,Mirror on the Wall Featured in Tone it Down, 3/day Oct 27/09 Oct 28/09
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A DEvine collection of suggestive fractals
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another one for the calendar! :) / Fractal Explorer, Apophysis & PSP
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featured in 100% 09-11-2009 / featured in Put Out or Get Out”:http://www.redbubble.com/groups/clowns-and-jokers 09-10-2009
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Texture from stock.xchng
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