Stylized
586 creative works found
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Check out more items from this design here! Check out wedding items from this design here!
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these spring flowers are popping! featured on RB homepage on 17 May 2008… thanks RB!! Check out more products from this design here!. Check out wedding related products from this design here!.
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grow your own cupcakes! featured in Christmas and Seasonal Greeting Cards on August 16, 2008 Check out more products from this design here!
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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thank you sooo much to the anonymous buyer who purchased this poster on June 27, 2008! cheers! / A BIG THANK YOU to the fabulous buyer who bought this large framed print on the 12th of September, 2008! cheers :) /
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hey mom! your baby’s growing! :) featured in RB’s homepage on 11 April 2008… thanks RB!!
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grow your own cupcakes! Check out more products from this design here!
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these spring flowers are popping! Check out more products from this design here!. Check out wedding related products from this design here!.
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The original illustration was made with graphite and chalk
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Check out more products from this design here!
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Here’s another new painting. Acrylic on Canvas. Original is available for sale although it’s going to exhibition at the end of May. Happy to sell it prior though and exhibit with a red sticker if you are interested : ) Size: 76×51cm
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pop and grow…every colour of the rainbow…. See more products from this design here! See wedding related products from this design here! thank you sooo much to the fabulous buyer who bought this poster on the 28th of August, 2008! cheers :) /
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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pop and grow…every colour of the rainbow! See more products from this design here! See wedding related products from this design here!
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This painting is a portrait of myself and my oldest daughter. Acrylic Artist’s Colors on Canvas / H22” x W22” / Black Matte Gallery Frame / 2007 SOLD / South Side Community Art Center 43rd Annual Art Auction & Fundraiser / Saturday, May 17, 2008
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