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978 views “Don’t talk to strangers / ‘Cause they’re only there to do you harm / Don’t write in starlight / ‘Cause the words may come out real Don’t hide in doorways / You may find the key that opens up your soul / Don’t go to heaven / ‘Cause it’s really only hell” Ronnie James Dio Model – my brother Serg…
Surrealistic Digital Art / / / / / MCN: C4369-F11B0-74D70 / / © Imber 2007. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Imber. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved. /
Often those we believe we are closest too are no more than strangers in our lives. Acrylic On Canvas. Original Painting is 110cm x 110cm. / Painted 13.10.2007
We are all close, yet so far apart.
Illustration
January 12, 2008. Beijing. Take in one of the most prosperous areas in the city. The proceeds from this item will be donated to FareStart.
This dog is actually quite friendly, he likes to stick his nose through the gap in his back fence to greet us every morning on our morning walk.
Location : / Folkestone, Kent, England Map: / Google Maps Date and Time: / 10 September 2007, 4.59 a.m. Camera Details: / ISO 200 : f/4 : 30 seconds : 20mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / Taken a good hour or so before sun rise, the original colour version was awash with that street glow orange which led to the conversion of this image as a black and white. The glow of lights to the far right hand side are that of Folkestone Harbour. Photographs from Folkestone, Kent
There is a really deep message in there somewhere… i am sure. Just not clear on what it is yet!
.stilllife / .oddthings / .NativeAmerican / .Masks / .kaleidoscopeart / .silhouette / .weaponsandarmor / .Abstract / .Curvilinearart / .floral / .Photography / .TraditionalArt / .selfportraits
...you can’t always rely on it.
sf
. i swam through liquid rainbow in my dream / the other night… . oil pastel on pastel paper / 6”x 6” .
RedBubble’s very own Earthmonster for the / Unconventional Artistry challenge Hair / Inspired by the book of the same title by Robert A. Heinlein /
/ I have been intrigued with Leonard Cohen all my adult life..I own all his music and writings, and in fact studied his work in University... / This is my interpretation of “The Stranger”...a figure, part human, part landscape, faceless, featureless, with light shining right through him as if he were not really there, at one with the trees and the hills…his stance is vaguely menacing, his person anonymous…we know him and yet we don’t at the same time….even thought I knew it by heart, I listened to the song over and over while I painted…as the initial colours became darker and darker, I felt I knew The Stranger, seen him in fact…in reality I have never met anyone remotely like him, but I think many women do know him…..the lyrics tell the whole story and listening to LC brings it to life…only he knows who The Stranger really is. It’s true that all the men you knew were dealers / who said they were through with dealing / Every time you gave them shelter / I know that kind of man / It’s hard to hold the hand of anyone / who is reaching for the sky just to surrender / who is reaching for the sky just to surrender. And then sweeping up the jokers that he left behind / you find he did not leave you very much not even laughter / Like any dealer he was watching for the card / that is so high and wild / he’ll never need to deal another / He was just some Joseph looking for a manger / He was just some Joseph looking for a manger. And then leaning on your window sill / he’ll say one day you caused his will / to weaken with your love and warmth and shelter / And then taking from his wallet / an old schedule of trains, he’ll say / I told you when I came I was a stranger / I told you when I came I was a stranger. But now another stranger seems / to want you to ignore his dreams / as though they were the burden of some other / O you’ve seen that man before / his golden arm dispatching cards / but now it’s rusted from the elbows to the finger / And he wants to trade the game he plays for shelter / Yes he wants to trade the game he knows for shelter. Ah you hate to watch another tired man / lay down his hand / like he was giving up the holy game of poker / And while he talks his dreams to sleep / you notice there’s a highway / that is curling up like smoke above his shoulder / and suddenly you feel a little older You tell him to come in sit down / but something makes you turn around / The door is open you can’t close your shelter / You try the handle of the road / It opens do not be afraid / It’s you my love, you who are the stranger / It’s you my love, you who are the stranger. Well, I’ve been waiting, I was sure / we’d meet between the trains we’re waiting for / I think it’s time to board another / Please understand, I never had a secret chart / to get me to the heart of this / or any other matter / When he talks like this / you don’t know what he’s after / When he speaks like this, / you don’t know what he’s after. Let’s meet tomorrow if you choose / upon the shore, beneath the bridge / that they are building on some endless river / Then he leaves the platform / for the sleeping car that’s warm / You realize, he’s only advertising one more shelter / And it comes to you, he never was a stranger / And you say ok the bridge or someplace later. And then sweeping up the jokers that he left behind … / And leaning on your window sill … / I told you when I came I was a stranger. Leonard Cohen LISTEN TO THE SONG Acrylic on Canvas
She will not come now, / Turn and sleep again; / Hear the winds blow / Listen to the rain. Lying here awake / you already knew. / Day begins to break, / What is left to do? No step on the stone, / No hand at the door; / You must sleep alone / Now and evermore. (A. D. Hope) - street shot by the talented Lumase, processing by me /
Taken in the small mountain village of Capileira, The Alpujarra of Granada (Andalusia, Spain) Canon 400D / It has no retouching in photoshop except the frame and the b&w conversion :) Featured work in: / - Top Ten in the Over The Top Challenge of the Challenge Café group (September 09) / - Tone it Down group (August 09) / / - The Art of Intrigue group (August 09) / - Speaking photos (August 09) / / Challenger winner in Speaking Photos group (August 09) / See also /
ink pencil, paint, on photo paper / 8×11.5”
Title drawn from the 1979 horror movie by Fred Walton ” When a Stranger Calls” High school student Jill Johnson is traumatized over an evening of babysitting by a caller who repeatedly asks, “Have you checked the children lately?” After notifying the police, Jill is told that the calls are coming from inside the house Canon 50D / 1/90th sec f/2.8<br />70-200 f/2.8L 98mm / ISO 400 / RBH Hospital, Herston, Brisbane, Qld. Product of this mornings shoot with Bensound and Mel Brackstone (thanks for a gr8 start to another year for me guys!!!) Thanks to the talented Mel for spotting the door and Ben for the modeling and fashion (no makeup was used and always looking his best!!) / 231 views @ 6/12/09
A late night visitor perched on a fuschia on the verandah… Lumix TZ11. Featured in The Woman Photographer.
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