Steel Wall Art
1412 creative works found
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visit my website, galleria mancuso
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/ / Visit my website On The Rock Photography / / / / VIEW MY GALLERIES HERE / / WILDLIFE / / / SHIPS BOATS & DORYS / / / SCENES OF NEWFOUNDLAND / / / BLACK WHITE & SEPIA / / / ARCHITECTURE / / / STILL LIFE / / / MY FAVORITES / / / MOST POPULAR / / / PEOPLE / / / ALL THINGS SINISTER / / / CHURCHES OF OLD / / / WINTER SCENES / / / TRAINS & TRACTORS / / / SELECTIVE COLORING SERIES / / / Visit my website On The Rock Photography
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Car wash east of Melbourne.
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The Petronas Twin Towers, Kuala Lumpur, Malaysia. This shot was taken on a recent work trip, I was fortunate enough to get a little time off to explore KL.
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Well Kellie, you’re right. Creating silhouettes / are NOT as easy as they look! I won’t be doing / it often, that’s for sure..heh. But I can’t thank / you enough for inspiring me to try. I wish I could / say there was some deep, meaningful reason for the / title, but in truth, I had absolutely no idea what / to call it and it’s the first thing that popped into / my head! I wanted to make you something, since you’re / so busy making stuff for everyone else. You are very / appreciated!! CS3 / 7 layers / Mirrored train bridge over the Ohio River / (soft focus) (I had to break the law to get this shot by the way..tresspassing! ;) / / If you haven’t seen Kellie’s amazing silhouette work, you can here: / / click me! / >featured<
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Model: Sarah Moore / Photographer: Andrew Bosman / Artistic Direction: Steve McLaren A Gallery 26 Collaboration Taken at the very end of the Sydney RedBubble Group outing. Featured on the home page!
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View from inside the lift shaft. I’m a fully qualified lift engineer. All Health and Safety procedures were used in this shot. Please do not try and emulate this type of photograph / It would be extremely dangerous to do so
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that’s a nun, in case you wondered
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For a change I wasn’t the one welding so I took the oppurtunity to get a few shots in.Always enjoyable watching someone else work.
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Taken at Docklands, Melbourne. The water surface was a little choppy with the strong breeze, but the 30 sec exposure helped smooth things out. The hardest part was the left hand side where the light was brightest from the complex, a half grad was used to hold back the light, a stronger grad would have been better (if I had one) Taken with a Canon EOS 40D, mounted on a triped (a must) / Aperture used: f/6.3 / ISO : 100 (to keep down digital noise) / Exposure time : 30.secs / Focal length: 10.00mm / Lens used, Sigma 10 – 20mm / / / / / / /
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I.M. Pei’s Miho Museum, on a mountain ridge in a nature preserve in Shiga Prefecture, Japan, an hour’s drive from Kyoto. The Miho Museum houses Mihoko Koyama’s private collection of Asian and Western antiques belonging to Mihoko Koyama (after whom it is named), the heiress to the Toyobo textile business, and one of the richest women in Japan. This photo shows the tunnel leading into the museum that cuts through the mountain. It`s a 200-metre curve, silent and echoless, and ends with the cables of a half suspension bridge 120 meters across a deep, narrow gorge. Its a stunning museum. If you`re ever in Japan, please check out this hidden gem. !
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Radiating beams transforming life
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Photo of my G scale 4-6-0 loco, which has been put through two programs to achieve this effect.
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Just continuing my love-affair with steam trains….I was back at Rothley Station today and shot this. They are having a Thomas the Tank Engine day later in the month…..me and Ollie….in the words of Beavis and Butthead ‘Whhoaaa…...we’re there duuuuudddde’
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‘cos its curved and made of metal.
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Do check out vinee – she’s quite new / / / / For the Passions Group / / The first instrument I bought new, in 1966, was a Japanese Yairi Nylon Stung Classical Guitar (far left) with a one piece rosewood neck and fret board, and who knows what body. I think it cost around £20. This was the mainstay of the folk music I was into during the 60’s. I sang and played in a short lived (about 1 year) folk duo in 1966 with a guy called Pete Haines – where are you now?? / / By the time the 70’s rolled around it was laid aside in favour of a Vox Phantom Electric (£25 – 2nd hand) and a Hofner Solid Electric. The Hofner + bent neck, was traded for an air rifle! / / The Vox + £60 was traded in for a Jap Les Paul Copy in 1971, which I owned until I sold it 1995 for, yup, £60. If only I had kept the Vox Phantom; now worth c. £700! It had an unusual semi-solid body and after I set it up, a great action. The two humbucking-style pickups gave a very pleasant sound with a slightly jazzy air. But the best feature was the Bigsby arm. Wonderful lump of metal. Some people say that this style of arm gives tuning problems. All I can say that in 24 years of ownership, it never gave me any trouble at all. A friend ‘borrowed’ it for about 10 years from 1980 to 1990, and he never complained either. / / I bought a new steel string acoustic in 1977, an Epiphone Texan FT 145 SB (2nd from left) for £70. This got well used in acoustic groups I was in during much of the late 70’s and early 80’s. It then continued to be the mainstay for most of my playing, until I retrieved the Jap electric around 1990, which covered mainly gospel and worship music. In ‘97 I had a transducer and pre-amp fitted to the Texan, which gave new life to the ol’ girl! / / Having retrieved the Jap electric, and begun to use it again, I was soon hankering after a better machine, because i was playing more rock orientated stuff for which the Jappy was not truely suited. / / Spotting an ad in a local newspaper I was soon the owner of a Gibson Epiphone Les Paul Custom in Black with Ivory edging and gold fittings (centre). The guy I bought it off was planning to do a university course in music, but failed to make the entrance exam and, disillusioned, was selling all his gear (shame). It was a year old, in immaculate condition, and I got if for £250 (retail c. £450). I have to say it is the best electric guitar I have ever owned, is a delight to play and about as near to owning a ‘real’ Gibson Les Paul as I am likely to get. / / I had always fancied playing some bass guitar, and towards the end of 2000 started to learn. I bought a Fender Squier Affinity P-Bass (2nd from right) and a Laney HC60B amp, which makes a nice combination. The bass cost £139 and the amp £179 Although the Epiphone Les Paul is a great guitar, I wanted to extend my available ‘sound’ and bought a very nice, new but slightly shop soiled Fender Squier Affinity Stratocaster (right) off ebay and a Marshal MG30 Amp – V. nice indeed! The Squier cost £49.95 and the MG30 £117.50 / / .... and, yes, (to a question in the comments) I do play all of these, but not all at the same time (LOL). / / Music has been a passion since I heard my first 45 rpm single, Tommy Steele’s, ‘Little White Bull’ (yes, I’m that old). With the guitar I was also able to make and create music. It remains a passion to this day. / / PS – the photos were all pre-digital, scanned prints, so apologes for the lack of my normal superb quality! LOL / / © photogenique (dave peddie): using this image for any purpose and in any way, without prior permission, may lead to legal action. /
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