State york
1279 creative works found
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Another shot from the top of the rock.
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Leaving the gorge there is one more set of falls for your enjoyment / Taken with the Nikon d-90 and the 18-105 nikkor lens on safari with fellow redbubblerLina This is a 3 shot bracket tonemapped in photomatrix
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Sunset from the top of Rockefeller Center’s terrace in early November 2008, New York.
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Crown Jewel ~ inspired by the Taj Mahal, which is often referred to as / ‘Poetry in Stone’ The History of Lost Love / Shah Jahan of the Mogul dynasty was yet to accede the throne when he heard about the unsurpassed beauty of Mumtaz. He took Mumtaz as his third wife in 1612. For the next 18 years Shah Jahan and Mumtaz were inseparable. Shah Jahan took his wife along on every journey and war campaign. Over the years Mumtaz came to be his best friend, his critic and a canny political adviser. Mumtaz was expecting their 14th child when Shah Jahan embarked on a campaign against the Lodhi Empire in 1631. In the heat of the Indian summer, the army traveled to the Deccans. Mumtaz, who had accompanied the emperor, went through a rigorous childbirth. She died in Burhanpur. On her deathbed, she asked her husband to promise her that he would build a monument to their love. Legend has it that he locked himself in his room for eight days without food after Mumtaz passed away. After burying Mumtaz temporarily in Burhanpur, Shah Jahan went about constructing the Taj Mahal in right earnest. He summoned the best architects and artisans from far away lands like Multan, Kannauj, Lahore, Iraq and Persia. He arranged for the best marble from all around. It took 22 years, 22,000 people, 400 elephants and 32 million rupees to build the Taj Mahal. The result: an awe-inspiring structure, which is one of the most globally recognized symbols of grace and beauty. The Magnificent Monument / Built on a raised, square platform it is as tall as a 20-storey building. You enter through an imposing gateway. The complex consists of an elaborate garden set in the typical charbagh style, a mosque, a guesthouse and several other charming buildings. The mausoleum itself stands at the farthest end of the complex, right along the Yamuna River. The signature central dome (58 ft in diameter and 213 ft high) is truly magnificent and is echoed in the smaller domed chambers on all sides. The four slender minarets that rise from the corners of the mausoleum complete the picture of symmetry. The undisputed majesty and beauty is further reflected in the exquisite artistry created by inspired artisans from Baghdad, Shiraz and Bukhara. Exquisite floral patterns and calligraphy on both the exterior and interior were inlaid with precious stones such as jasper and agate. Quotations from the Koran were etched into stone archways; a pinnacle was set on the central dome; and thus came to life the most splendid resting place a lover could ever hope to find on this planet! By Ravi Kunjithai / Beautiful intricate abstract design bursting forth in hues of light blue and gray, yellow / orange, and even a hint of rose, all interspersed with lovely metalic golds. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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Taken of Stony Brook Creek at Stony Brook State Park, in Dansville, NY Nikon D80, 18mm, CPL ISO 100
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Original Photo © jwarburton 07. Post work in PSP. Someone mentioned on another site that she remembers being asked a test question in grammar school, “does the Statue Of Liberty really have sandals on her feet?” Yes, she has sandals on her feet, she’s moving forward with one foot lifted. She has the mark of the early Romans (toes) still visible in many people today – second toe is longer than big toe and little toe is “hammered”. :) “Is the Statue of Liberty in New York or New Jersey?” The statue is part of New York Harbor and sits in Liberty State Park which is in Jersey City, New Jersey. The statue is actually in New Jersey. New York Harbor includes the Statue of Liberty and Ellis Island, the first stop for all immigrants (1892 – 1954) who arrived in New York by boat. Featured on Home Page December 08 Featured in: Spring & Summer In The North-East USA
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A late night view of the New York City skyline and the Hudson River.
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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FEATURED in United States group on September 18, 2009 / WINNER of “Bridges” challenge in Cee’s Fun Artsy Friends group on February 24, 2010 / FEATURED in A Night Somewhere group on February 27, 2010 / FEATURED in Americas – Rural, Urban, Wild Free group on March 8, 2010 / ================================================== / Brooklyn – Staten Island, NY / The home of the highest toll $11 to cross! :))
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Featured in the In-Between Group – Thank You / Featured in the Curious Vintage Fictions Group – Thank You / Featured in the New York State: Up, down and all around Group – Thank You / 503 views as at 10/12/09 / The image began with my photo of the Empire State Building taken from the Rockefeller Centre building in January this year. The gorilla has been extracted from my image taken at Taronga Zoo, Sydney in Dec 07. Credit to Robyn England www.happyrobyn.com for the La Femme elements of cat and striped hat. Credit to Katie Pertiet of DesignerDigitals.com for the LetterBox traveller paper (vintage aircraft ). / The title reflects the humour in the image with an oversized cat watching nonchalantly on the other building while flames lick at King Kong. If you look closely you might spot my daughter (the heroine) standing on the Empire State building waiting to be rescued by a confused King Kong. Hence the need for a Tom-Tom! A little whimsy is good for the soul. Thanks for looking. / / Gorilla image /
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“Some folks like to get away / Take a holiday from the neighbourhood / Hop a flight to Miami Beach / Or to Hollywood / But I’m taking a Greyhound / On the Hudson River Line / I’m in a New York state of mind I’ve seen all the movie stars / In their fancy cars and their limousines / Been high in the Rockies under the evergreens / But I know what I’m needing / And I don’t want to waste more time / I’m in a New York state of mind It was so easy living day by day / Out of touch with the rhythm and blues / But now I need a little give and take / The New York Times, The Daily News It comes down to reality / And it’s fine with me ‘cause I’ve let it slide / Don’t care if it’s Chinatown or on Riverside / I don’t have any reasons / I’ve left them all behind / I’m in a New York state of mind” / -Billy Joel/”New York State Of Mind” I think this may be the last image in my George Washington Bridge series because I’m not sure I can top this one. All the elements came together perfectly here…the texture layer, the winter light, my sweet wonderful LensBaby and most of all… that beautiful, magnificent bridge across the Hudson! Nikon D70/Original LensBaby
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Newyork City / USA / Date Added June 20.2009 Collage includes / 1.View from Empire State Building / 2.Newyork’s famous yellow cabs / 3.Cyclist on the Brooklyn Bridge / 4.Brooklyn Bridge Featured in First Things Group on June 22, 2009 /
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Taken from the top of the Rockefeller centre. I’m not very good with landscapes and cityscapes, but I’ve always wanted to go visit the city and get some black and white shots of it.
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A landscape from upstate New York, Columbia county. Best viewed large.
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Taken the last morning of a NYC trip I took to do a project at Google. The sky was amazing!
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Sea Sponge
by RLHallA very close view of the delicate fibers of a sea sponge glowing with golden light and a beautiful natural abstract quality. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent. sc
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Original sculpture, installed at the Empire State Building observation deck. Created with thousands of LEGO® bricks by artist Sean Kenney.
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New York City, Manhattan taken from Empire State Building / Dec 09_my first time in New York!!! / 11. Jan. 2010 Your Magical places / 20.Jan.2010 A Night Somewhere / 29.Jan.2010 TOP 10 in A Night Somewhere Nikon D90 105mm / F/4.5 / 0.62 sec / night shot setting, no tripod straight from camera
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Empire State Building, New York City, NY Experimenting with a bit of Solarisation to give it a dark “end of the world”, comic book or superhero feel. Featured in Postcard Style / Featured in Unique Buildings Of The World / Featured in Digital Photography / Featured in Put Out Or Get Out / Featured in All About New York State Top 10 in City & Town Buildings Challenge / Top 10 in Charity Calendar Challenge No. 2 of 4 / Top 10 in No Colour Around The World Challenge Canon SX100IS MCN: C835F-9A670-09EF0
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A lovely image of red sumac in autumn, lightly silhoutted against a gorgeous blue and pink sky, with touches of green and purple in the distant low foliage. This design also available as T-shirts, titled “Sillouette”. All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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View from my deck facing west, looking at the Empire State Building in New York. Copyright
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Soho, New York City.
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All artwork is © Rhonda L. Hall, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
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An early evening of the Empire State Building and Manhattan / as seen from Rockefeller Center.
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