Spades Wall Art
238 creative works found
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not me, i love my job =P
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Enjoy!
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This photograph is a follow-up to / Fence Hole Diggers All artwork is copyright© to Stephen Mitchell All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify my photography, writing, and artwork without my express consent.
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Well,....pretty obvious yeah? poser/photoshop/painter
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ORIGINAL SOLD. Contemporary acrylic painting on canvas. Dimensions 4ft x 4ft.
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Black and white photography taken during a professional bridge competition
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Part of a garden gate made from garden tools. Featured in Tools group, RedBubble, November 2009 / /
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This image was featured in the “If It Doesn’t Belong” group. Thanks again to the wonderful hosts of that group!! Sony Cyber-shot Poker….anyone? Anyone who loves the game of Poker will enjoy this shot with the perfect hand. Hang it in a game room, family room or where ever you ante up! > > > >
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Definition: Let’s call a spade a spade: To tell the unpleasant truth about something. / Let’s call a spade a spade –
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Yesterday, my son and I went to build sandcastles by the sea. We set off in our Winter woollies, gumboots, buckets and spades, ready for anything. I took time out to take a few photos, as you do!! Taken at Christies Beach, South Australia. One for a bubble challenge!! My 2009 resolution… go to the beach lots more often!! Whether its rain or shine!!
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Canon rebelxt sigma 17-70
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Copyright © by Aleksandar Djordjevic
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An old spade, that hasn’t been used for a while.
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Flowering from spring into summer, it is readily identified by its mauve spade shaped (oval) 10mm flower. This shot was taken at Katoomba in the Blue Mountains of NSW.
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more calender, i know i have missed out June and July but i thought this was better for August,hope no one is getting bored… / i am not sure what baby duck is going to do in the back there,,mum and dad keep a watchful eye on him, duckies Characters kindly shared to all by krwgraphics.com, thank you kerry
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spade work
by kitsch -
STOCK PHOTO / DEVIANTART.COM: / Dark_Stock_by_that_damn_eskimo FEATURED IN MOMS FOR ART / FEATURED IN ELITE CONTROVERSIAL ARTISTS / FEAUTURED IN COLOR ME A RAINBOW / FEATURED IN ART HOUSE PRODUCTIONS
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...she has a cure for what ails you! (c) Sarah Moore 2009 Photographer: Bill Fonseca / Post Production: Me / Model: Katie (my sister!) Other cards in the set…
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playing cards
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A morning on the beach! A watercolour sketch on paper 125lb
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A scene from the Watercress Line Thomas week Thomas the Tank Engine is a fictional anthropomorphic steam locomotive created by the Rev. W. V. Awdry as one of a number of characters in his Railway Series books, first published in the 1940s. Thomas is a tank engine: a steam locomotive with large rectangular tanks to carry water, on each side of his boiler. He is based on the E2 Class 0-6-0T locomotives built for the London, Brighton and South Coast Railway between 1913 and 1916. In his first appearance he was described as follows: Thomas was a tank engine who lived at a Big Station. He had six small wheels, a short stumpy funnel, a short stumpy boiler and a short stumpy dome. He was a fussy little engine, always pulling coaches about. [...] He was a cheeky little engine, too. —from the story “Thomas & Gordon”. Thomas the Tank Engine first appeared in 1946 in the book Thomas the Tank Engine as a station pilot, whose job was to shunt coaches for the bigger engines. He longed for more important jobs such as pulling the express train like Gordon, but his inexperience prevented this. Eventually he was responsible for rescuing James after an accident, and the Fat Controller (then known as the Fat Director) decided that he was a Really Useful Engine, and ready for his own branch line. He has remained in charge of this line ever since, with his two coaches Annie and Clarabel, and help from Percy the Small Engine and Toby the Tram Engine. The Watercress Line is the marketing name of the Mid-Hants Railway, a heritage line in Hampshire, England, running 10 miles (16 km) from New Alresford to Alton where it connects to the National Rail network. In 1861 the Alton, Alresford and Winchester Railway Company was authorised to build a new railway to connect to the existing London & South Western Railway lines at Alton and Winchester. It was opened on 2 October 1865, as the Mid-Hants Railway. Trains were operated by the London & South Western Railway, who eventually purchased the Mid-Hants Railway Company in 1884. Stations were initially constructed at Itchen Abbas, Ropley and Alresford. The station at Alton was already in existence. The station at Medstead and Four Marks was added in 1868. Just outside this station, the line is at it highest point (652 feet (199 m) above sea level)[ having risen from Alresford (263 feet (80 m) above sea level) and descending to Alton (339 feet (103 m) above sea level). The section of line became known as “the Alps”, due to the steep gradients that exist here. The line provided an alternative route between London and Southampton and besides transporting locally produced watercress, was particularly important for military traffic between the army town of Aldershot and the military embarkation port at Southampton. With the development of motorised transport, the line declined during the inter-war and post-war periods of the 20th Century and was further compromised by the closures of the Basingstoke and Alton Light Railway in 1932, and the Meon Valley Railway in 1955.Electrification of the line from London to Alton in 1937 meant that the Watercress Line was no longer part of a through route: it became necessary to change at Alton. Electrification of the line from London to Southampton occurred in 1967, which further affected the economics of the picturesque Mid-Hants route. The line became part of the Southern Railway in 1923, and then part of the Southern Region of British Railways in 1948.It survived the Beeching Axe[ in 1967, but was eventually closed by British Railways in 1973.
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From a series of illustrations I created a decade ago during the years I lived under canvas by the Somerset levels. Crafted with gouache, sable brushes and an old toothbrush. This was a piece directly inspired by my homelife and extended family at the time, and was used in the UK national broadsheet The Guardian in 2000 with an article on guerrilla gardening protests in London. Also by The Land Is Ours as part of their allotments campaign. Subverted for counter culture propaganda from the WWII Dig For Victory campaign.
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