Southwestern
421 creative works found
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Skeleton of Coyote and Datura blossom. Photo based mixed medium image.
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Jawbone of a cow on abstract art.
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Profile of a Longhorn in the Texas Hill Country, sepia tone photography
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“The Blue Door” is a familiar sight in New Mexico against the warm terracotta tones of adobe walls. Hollyhocks add a beautiful touch of color during the summer.
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While visiting the Grand Canyon, I entered a place called The Watch Tower. I was too much of a sissy to climb to the top. Waiting below while my husband and son made the climb, I looked up to see this marvelous ceiling filled with what I thought were Petroglyphs (carvings in stone) but realized that they were in fact Pictographs (paintings on stone). The symbolism is from the prehistoric art of native american peoples. Each symbol represents the spirit of who created them. As I snapped away on my camera, I was awed by the colors and textures. This piece is an abstract of what I photographed. Later, I will upload the original image that inspired me. I hope you enjoy this one.
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“End Of The Trail” is a signed,original, pastel and prismacolor pencil drawing. / Drawn on card stock, acid free, bonded no tooth artist drawing paper. / All of my drawings are sprayed with a final professional artist protective fixitive. The romance of the West, Southwest and the Cowboy is a subject I always return to. I live both in Colorado and in Nevada, so I have an endless supply of personal photography that I draw from for these drawings. I personally developed this sharp focus pastel and prismacolor pencil technique to make my drawings come alive. / My studio is located in Mesquite, Nevada. As with all of my artwork , my initials are on the front with full signature,title and date on back. / Thank you for viewing my art. / VIEW Susan’sGallery / VIEW Susan’sZazzle
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“Coming Down From Black Mountain” is a signed,original, oil painting. The romance of the West, the Cowboy and Horses is a subject I always return to. I live both in Colorado and in Nevada, so I have an endless supply of personal photography that I draw from for my paintings. / Thank you for viewing my art. VIEW mygallery / View susan’szazzle /
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This guy came out after a heavy storm in the desert. / I thought it turned out pretty well since it was 9:30 at night and all I had was a small flashlight and the onboard flash. / He is about 2 inches in length. Shot in Cave Creek, Arizona.
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Contemporary Southwest abstract /
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Found this guy long after he had spotted me, but he was brave, I got within about 10’ without his moving and shot probably 40 pics over the course of a couple hours (as I kept coming back). These owls are “sit and wait” predators, dropping from a perch onto their prey. They feed mainly on that which is most available and may include insects, small mammals, birds, snakes, lizards, frogs, and crayfish. Their lifespan is up to 13 years. Measurements & Weights: / Wingspan: 18 – 24 in. / Length: 7.5 – 11 in. / Tail: 3.5 in. / Average Weights: / Male: 5.4 oz. / Female: 6.6 oz. Thanks for looking : )
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...an original oil and acrylic painting. Thank You for viewing my art. VIEW susan’sgallery / VIEW susan’szazzle /
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Sunrise colors from Bryce Point, captured at Bryce Canyon National Park in southwestern Utah. All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
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Black and white version of a gorgeous afternoon in Zion Canyon , captured at Zion National Park in southwestern Utah…one of my most favorite spots in the southwest for photography. Photo Equipment: Nikon D200 – Nikkor 24-85 F2.8 ED lens – circular polarizer All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
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Reflections on the banks of the colorful Virgin River, captured while hiking through Zion Canyon in southwestern Utah. All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
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Southwestern / Canon 40d / 17-40L / Orton Effect / Near Sedona Az /
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Lake Powell near Page Azizona / Canon 40d / 17-40L /
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The is the color version of a gorgeous afternoon in Zion Canyon, captured at Zion National Park in southwestern Utah…one of my most favorite spots in the southwest for photography. All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
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Another light show commences at sunset in the Grand Canyon, captured from Hopi Point in Grand Canyon National Park, Arizona. Equipment : Nikon D200 – Nikkor 12-24 F2.8 ED lens – Circular Polarizer – Manfrotto tripod with cable release – minor enhancements in Photoshop. All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
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Vivid colors of sunset in the magnificent Grand Canyon of Arizona, captured from Mather Point at Grand Canyon National Park. A sight that everyone should make a point see at least once in their lifetime. Equipment : Nikon D200 – Nikkor 12-24 F2.8 ED lens – Circular Polarizer – Manfrotto tripod with cable release – minor enhancements in Photoshop. All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
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This to me gives this sacred place the feel I was looking for. It is in northwestern New Mexico in the Four Corners area where New Mexico, Colorado, Arizona and Utah all meet and is a very sacred place to the Navajo people. Taken on 7/23/07 with a Canon 20D / 10-22mm EF-S lens 22mm<br />1/200th sec f11 and ISO 100
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Chimney Rock and the Ghost Ranch are probably going to be a recurring theme in this stage of my photographic journey. It is very hard to find a landscape location in New Mexico with more context. Perhaps even in all the American southwest. So, another entry, this one taken with a Pentax 645 medium format film camera. I’ve had this camera since February 2009 and have quite a bit of cash and sweat equity invested in it. I’ve lugged it and its lenses and flash attachment over many, many miles of desert terrain across four states and have spent a small fortune on film and processing and prints and scans, not to mention buying my own film scanner. And this is it, the one image that pleases me from the whole lot. To say that my medium format experiment is not going well is an understatement; however, this one shows me what might be if I can relearn the craft of film photography before it bankrupts me. And If there is to be just one, I am happy it occurred at Ghost Ranch. Pentax 645, Velvia 50 film, Pentax 45mm lens, settings not recorded.
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Acrylic on back stapled stretched canvas. 20” x 16”
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I’ve shot a lot of southwest doorways. This is my personal favorite thus far. This is a 3-shot HDR. Pentax K20D, 1/60 @ F6.3, ISO 100, 200mm
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