Snake
1 member found
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snake
Australia
3951 creative works found
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Taken by a professional stunt driver under controlled conditions (maybe or possibly) The TAC (Traffic Accident Commission) warns that driving with your knees while taking photographs is dangerous and should not be tried at home or anywhere.
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Surrealism. In the course of every day life one is always confronted with having to make a choice about something. For every choice one makes, one must be prepared to pay the consequence. Adam and Eve had a choice. You can always think what the consequence may be in the land of Bryce. / © Dave Moilanen 2007
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Taken at Adelaide Zoo, South Australia, through glass. This python looked like his eye was watching my every move. This image featured in Top Shelf Wildlife and Nature Art in September 2009. Many thanks! And featured again in Zoophoria in September 2009. Thank you! And yet another feature, this time in South Australian Artists in September 2009. Thanks again!
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Green Tree Snakes often show beautiful glimpses of Blue in their colours. Copyright © Bullock Photos – www.bullockphotos.com
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Oil on canvas 40” X 40”. Completed 1995. www.RainbowPathArtStudio.com “I saw the angel in the marble and I carved until I set him free” / – Michelangelo The Dream was the first painting that I had completed from a vision. Painting The Dream was a very interesting process for me. I was concerned how others would react to a non-Aboriginal person using a style normally synonymous with Aboriginal art, i.e. dot painting. For this reason, when it was completed, I was hesitant to show it to anyone for some years. In November 1999 I succumbed and included The Dream, along with The Awakening, in a Sacred Art exhibition that featured six local artists. The exhibition began with a special welcoming ceremony performed by the Aboriginal Elders of the region. Afterwards, the Aboriginal Elders approached me and asked questions about my visions and paintings. They said they liked my work. I was so happy and relieved to hear that. Local dignitaries, including the Governor of South Australia, Sir Erik Neal, attended the public opening. To my surprise Sir Erik Neal invited me to display The Dream at Government House (his official residence) for six months to which I agreed. After the exhibition, The Dream featured in the main boardroom of Government House to be viewed by visitors from all over the world. The story of The Dream is about the creation of our universe. The snake (Rainbow Serpent) represents the Creator. The centre shows the creation of our universe, with the hands representing the creation of spirits in all dimensions and the eggs, the creation of life. The greens and browns represent land and all things that live on the land. The shades of blue and purple represent water and all creatures that live in water. The branches and red berries represent nourishment and sustenance. / At this stage in the story, Creation is not complete; hence the black (unfilled) background at two corners. The Rainbow Serpent has entered a sleep state and has begun dreaming our future. The Dream is the first of a series showing the transition of the universe from Creation to enlightenment. The next of the series is The Awakening.
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Snake
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Oil on canvas 24” X 24”. Completed April 2008. www.RainbowPathArtStudio.com “All living beings have the Buddha nature and can become Buddhas” / – Buddha Buddha Within illustrates the story of personal awakening. My understanding of the personal awakening process is that when undergoing the final awakening stage, the kundalini (rainbow serpent) becomes an intense fire (red/orange beside the tree trunk) shooting through the spine engulfing the body. The energy (green vortexes) required is enormous. As the kundalini reaches the crown chakra, it fully opens and all earthly limitations drop away. This being is no longer tied to a religion or faith but now embraces them all as represented by the sacred symbols in the tree. The consciousness now resides in the higher self and is one with the universe and all that is. When the transformation is complete sonic waves (the four vertical crystalline waves) travel out into the universe to let all of creation know of the grace that has taken place. All life is naturally drawn to the radiant and divine being that has become pure Buddha consciousness (centre). At each of the chakra points on the Buddha is a Swarovsky crystal in the relevant chakra colour. Crystal magnifies the properties of the chakra energy. / Buddha Within is divided into four quadrants (earth, fire, water, air) and the five elements including precious metals (bottom corners). The red veins dividing the quadrants represent the lower dimension (inner earth). The higher dimension is represented by the white equilateral triangle. If you look closely, you can see the texture of the underlying branches in the tree. These were meticulous painted before adding the covering of leaves. The tree must be complete in the physical, in order to emit the complete energy of the life form. Imbibed in the painting is sand from a sand mandala created by Gyuto Monks. They had spent a week painstakingly building an exquisite sand mandala. Upon its completion the mandala was ceremonially deconstructed and the sand poured into the local river for healing, accompanied by prayer and the blasting of Tibetan ceremonial horns. Some of the sand is held back and distributed to those who attend the ceremony: it holds sacred healing properties. I used some of the sand from this mandala, mixing it in the purple paint used for the crown charka encircling the white triangle and Buddha. Buddha Within is the third in a series and preceded by The Dream and The Awakening.
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Oil Bites / It’s ironic, we take something that exists naturally in the earth and use it to poison the planet. Detail: /
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The cliff face shimmered slightly as the craft slipped softly into the blue. They hugged the sheer wall until they were well clear, then dipped into the powdered soft whiteness beneath. It had been a while since their last meeting. Hopefully this one would go better… I have used this digital painting as the cover for my / 2009 Sci Fi Calendar /
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Oil on canvas 24” X 18”. Completed July 2008. www.RainbowPathArtStudio.com “To see a world in a grain of sand and a heaven in a wild flower, hold infinity in the palm of your hand and eternity in an hour” / – William Blake This painting represents our internal vision and the ability to fully see the wonders of creation. Vision was inspired by my favourite poem of all time, written by William Blake (see above). In peace and joy, / Maya
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Acrylic paint on canvas board. / 46X46cm Gratitude for everything in my life. / Especially for the completion of this body of work.
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Hi, I am Lily! I am starting with my older works here. This is a collage from 2005, combining a photo with a fractal. Original source: Seraphina by Lilyas
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Ecuadorean green vine snake – Oxybelis brevirostris the size of an anklet! Buenaventura Reserve, Ecuador
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This work was created in Photoshop, used photographs of girls, flowers, snakes
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Ameonna / 16” x 24” Acrylic and Sumi Ink / . Japanese Music by: EXILE / . / . Before you go, give me a little of your soul / You can not deny me / A little more is what I asked / If you feel at all / Then give me more / I want more soul of you / ~ Ming Myaskovsky . Featured in Japanfluence Group / . / . / Featured in Immortal Love . / . / .
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My pet snake Ursula…....... only joking! I dont like green :-) This was done in a zoo, through the glas… Featured in Unlimited Quality / Featured in The women Photographer / Featured in Animal Photography / Featured in Animal Portraits / Top Ten in this Challenge / Featured in Mood & Ambience / Featured in Dgital Photography / Challenge Winner / Top Ten in this Challenge
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Oxbow Bend
by AZPutAutumn comes to the Grand Tetons. My son, Sean, and I were traveling north on 9-27-2007 and arrived here at just the right moment. There were a ton of photographers here, as usual. I took a ton of pictures and got this shot after a tripod guy got out of the way. Taken hand-held with my Canon EOS-1D Mark III camera and Canon EF—24-105 L IS lens.
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Featured in Lakes and Inland Waterways – Sep 4th, 2009 / Featured in Live and Let Live – Aug 21st, 2009 / Featured in Landscape Photography – Aug 11th, 2009 / Featured in Dimensions – Aug 10th, 2009 Every morning photographers line up at Oxbow Bend to capture the perfect reflection of Mount Moran in the Snake River. Every morning the view is different, maybe not always perfect but always breathtaking. / Located in Grand Teton National Park, Wyoming, USA Canon XSi with 18-55mm lens, f/7.1, 1/60 sec, ISO-200, 44mm, max aperture 4.75
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Featured in Beautiful – Sep 23rd, 2009 / Featured in Human. Animal. Nature – Aug 27th, 2009 / Featured in MASTERS OF THE SCENIC – Aug 26th, 2009 / Featured in Live and Let Live – Aug 25th, 2009 / Featured in JPG Cast-Offs – Aug 25th, 2009 / Featured in Live, Love, Dream – Aug 25th, 2009 / Featured in Mountains and Mountain Light – Aug 24th, 2009 Oxbow Bend view in Grand Teton National Park, Wyoming, USA. / It’s a Mount Moran reflection in Snake River. Canon XSi with 18-55mm lens, f/5.6, 1/50sec, ISO-200, 47mm.
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