Australia
Australia
Green Dragon on a yellow umbrella.
Enjoying taking these droplet photos!
I love simplicity & dandelions… Can you tell?! ;o)
Road trip treasure – a drive-by shot. / I accidently got it right! / / / / / Featured in the Minimalism group. / /
www.danadipasquale.com © Dana DiPasquale 2008. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Dana DiPasquale. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
This photo was taken in 2007 at Karnak temple (Egypt. Africa). The Karnak temple complex, universally known only as Karnak, describes a vast conglomeration of ruined temples, chapels, pylons and other buildings. It is located near Luxor in Egypt. This was ancient Egyptian Ipet-isut (“The Most Selected of Places”), the main place of worship of the Theban Triad with Amun as its head, in the monumental city of Thebes. The complex retrieves its current name from the nearby and partly surrounding modern village of el-Karnak, some 2.5km north of Luxor. / The complex is a vast open-air museum and the largest ancient religious site in the world. It is probably the second most visited historical site in Egypt, second only to the Giza Pyramids near Cairo. It consists of four main parts (precincts) of which only one is accessible for tourists and the general public. This is the Precinct of Amun-Re, and this it is also the main part of the complex and by far the largest part. The term Karnak is often understood as being the Precinct of Amun-Re only, as this is the only part most visitors normally see. The three other parts, the Precinct of Montu, the Precinct of Mut and the Temple of Amenhotep IV (dismantled), are closed to the public. There also are a few smaller temples and sanctuaries located outside the enclosing walls of the four main parts, as well as several avenues of human and ram-headed sphinxes connecting the Precinct of Mut, the Precinct of Amon-Re, and Luxor Temple. / The key difference between Karnak and most of the other temples and sites in Egypt is the length of time over which it was developed and used. Construction work began in the 16th century BC. Approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the individual features of Karnak are unique, but the size and number of features are overwhelming. Browse Palinchak Mikhail art by categories Art Nudes · Fractal Art · Egypt · Landscapes · Conceptual / / / /
I can’t help but like this one and be drawn to it. I know it’s kind of strange but I thought I’d see what you all thought of it. :) This photo is featured in my calendar A Bouquet. Please take a look!
One Single Tear is never enough. (c) Sarah Moore Stock Image
Candy on white plate in light pink lighting
He looked so forlorn, walking along the beach by himself, early one morning. Featured in the Moody Dark and Evocative Group 1.4.09
Taken at the same time as “Softness”: a pale yellow rose…untouched…will make a great love card. / / /
Nikon D300, Sigma 105 mm macro lens, 1/30 sec at F 6.3, ISO 200
Chasing storms today and ended up with some spectacular skies
CELEBRATE! / Best viewed large. / / / / / “CELEBRATE” was FEATURED in the group:FOCUS AND LIGHTING / / / “CELEBRATE!” is a title I chose for this single, stunning rose, which stood out in a special vase of beautiful, / mixed roses that I received for my birthday. / / / /
Stock used: / Barn / ground
Close up of a Dandelion flower head. Black & white picture.
THIS WAS TAKEN IN THE STREETS OF CHICAGO IN A SERIES OF SHOTS TAKEN OF A BAND CALLED COMINUS . TWO BROTHERS WHO ROCK. / THIS IS TAKEN AS A SINGLE IMAGE JUST USING A TRIPOD AND FLASH USING MOTION BLUR OF ONE OF THE BAND MEMBERS JUMPING OFF A FIRE HYDRANT ITS LIKE HIS DANCEING TOWARDS THE END
Best Viewed Large “Will you walk into my parlour?” said the Spider to the Fly, / ‘Tis the prettiest little parlour that ever you did spy; / The way into my parlour is up a winding stair, / And I’ve a many curious things to show when you are there.” / Oh no, no,” said the little Fly, “to ask me is in vain, / For who goes up your winding stair can ne’er come down again.” “I’m sure you must be weary, dear, with soaring up so high; / Will you rest upon my little bed?” said the Spider to the Fly. / “There are pretty curtains drawn around; the sheets are fine and thin, / And if you like to rest awhile, I’ll snugly tuck you in!” / Oh no, no,” said the little Fly, “for I’ve often heard it said, / They never, never wake again, who sleep upon your bed!” Said the cunning Spider to the Fly, ” Dear friend what can I do, / To prove the warm affection I ‘ve always felt for you? / I have within my pantry, good store of all that’s nice; / I’m sure you’re very welcome—will you please to take a slice?” / “Oh no, no,” said the little Fly, “kind Sir, that cannot be, / I’ve heard what’s in your pantry, and I do not wish to see!” “Sweet creature!” said the Spider, “you’re witty and you’re wise, / How handsome are your gauzy wings, how brilliant are your eyes! / I’ve a little looking-glass upon my parlour shelf, / If you’ll step in one moment, dear, you shall behold yourself.” / “I thank you, gentle sir,” she said, “for what you ‘re pleased to say, / And bidding you good morning now, I’ll call another day.” The Spider turned him round about, and went into his den, / For well he knew the silly Fly would soon come back again: / So he wove a subtle web, in a little corner sly, / And set his table ready, to dine upon the Fly. / Then he came out to his door again, and merrily did sing, / “Come hither, hither, pretty Fly, with the pearl and silver wing; / Your robes are green and purple—there’s a crest upon your head; / Your eyes are like the diamond bright, but mine are dull as lead!” Alas, alas! how very soon this silly little Fly, / Hearing his wily, flattering words, came slowly flitting by; / With buzzing wings she hung aloft, then near and nearer drew, / Thinking only of her brilliant eyes, and green and purple hue - / Thinking only of her crested head - poor foolish thing! At last, / Up jumped the cunning Spider, and fiercely held her fast. / He dragged her up his winding stair, into his dismal den, / Within his little parlour—but she ne’er came out again! And now dear little children, who may this story read, / To idle, silly flattering words, I pray you ne’er give heed: / Unto an evil counselor, close heart and ear and eye, / And take a lesson from this tale, of the Spider and the Fly.” The Spider and the Fly / by Mary Howitt Part of “To Dance Between Shadow and Light” series. First image can be seen here Model: Danika / Photography / processing: Geoff Tv: 1/200 sec / Av: f/11 / ISO: 200
twenty seven years on this ungodly earth / ending, sat down by the river / absorbing the small sips now taking their berth / on the tasting buds, keen to deliver the living in trees are now passing to ground / and winter stands waiting in line / and the stream trickles on, in knowledge it’s bound / for pitlochry, til barrels entwine an edradour malt slides faint troubles and fears / away, ships past stormy seas / so here I raise a glass to the twenty eighth year / may it flow as the river decrees —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Pitlochry, Perthshire, Scotland © Donald Cameron 2009 / Monophotography.co.uk
... echinacea / . / Sony A100 + DT 18-70mm / Rawdon (Quebec, Canada) - / sorry for the massive daisy (and similar) pictures coming. That is because someone ask for a daisy calendar and viewing new ones. ... at least, there is diversity from them ^^ / . / . / / . / . / / .
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