Shutter slow
452 creative works found
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Yaroomba dawn – More in the Seascapes Group 5000+ views! Canon 5D, 16-35mm at 16mm, f/22, 1/3second, ISO 50. This is the under-exposed by one stop image from the AEB set of three. This has sold quite a few times on redbubble, most recently a laminated print. Other Seascapes /
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OTHER BEACH SHOTS / More in the Seascapes Group / NEW ZEALAND / REAL ESTATE SERIES / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES
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More in the Seascapes Group OTHER BEACH SHOTS / REAL ESTATE SERIES / NEW ZEALAND / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES
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Blowing Rocks Preserve Jupiter Beach Florida
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not sure about this effect, would love some feedback!thanks for looking.
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Alt Morning Glow for OE Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People
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light painting. no editing. straight from the camera.
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This is one of a series of long exposures i have taken in Dublin city centre,Ireland.Just off to the right of the photo is the main entrance to trinity college.The lights trails are from a passing bus and a few taxis.
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Dawn wave breaking near Ventura, California Canon 1Ds Mark II 1/10 second / f/8 / 600 mm focal length / ISO 100
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The glow of a sunrise is reflected off the wall of this wave breaking in Ventura, California.
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West Beach / Santa Barbara, California
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Photographed last year during the fires of Southern California. The smokey air created unusual colors that reflected off the water. Taken from the Santa Barbara breakwater. Canon 1Ds Mark II / 600 mm focal length / 1/8 second exposure / f/16
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Surfing just before dawn. The water color comes from the dawn light reflecting off high clouds in the sky. Canon 1Ds Mark II / 600 mm focal length / 1/15 second / f/4 / ISO 50 Panning and trying to keep the surfer in one spot in the frame produces the fluidity and quality to the water.
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Photographed in Santa Barbara, California during a smokey morning from a nearby wild fire which created the colors in the water. Canon 1Ds Mark II / f/16 / 1/8 second / ISO 50 / 600 mm focal length
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Approaching wave photographed near Ventura, California Canon 1Ds Mark II / 600 mm focal length / f/8 / 1/10 second
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A panoramic presentation of this wave to accentuate the wall of the water. Ventura, California Canon 1Ds Mark II / f/8 / 1/5 second exposure
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Canon 1 Ds Mark II / 1/10 second / 600 mm / f/8 Panning with the approach of the incoming wave
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Because…. Large canvas print sold through redbubble x3 And here’s the calendar OTHER BEACH SHOTS / NEW ZEALAND / FROGS / LENSBABY / INFRARED / INDUSTRIAL / SPAM / PANORAMAS / LANDSCAPES / REAL ESTATE SERIES
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Rainbow beach on a freezing cold winter’s day, 2008 Canon 5D, 16mm, f/5, 3.2seconds, lee nd grad and singh ray reverse grad Matted print sold August 2009 OTHER BEACH SHOTS / NEW ZEALAND / LENSBABY / LANDSCAPES
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Lake Falls in Matthiessen State Park is possibly the most magical, spiritual waterfall I have ever photographed. It is special and always blesses me with a wonderful spiritual feel to it. It inspires me to be religous in some way that I cannot explain. / The whirlpool is like God. He has no beginning and no end. Camera: Canon 5D / Lens: Canon 24-70mm L / Filter: Heliopan thin circular polarizer
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Sunset at Ella Bay near Innisfail FNQ.
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“Steady that shot” how to shoot slow shutter speeds
by Larry GrayamDo those available light photos sometimes come out a little fuzzy? Maybe you won’t even try a low light photo. Let’s look at some techniq…
Do those available light photos sometimes come out a little fuzzy? Maybe you won’t even try a low light photo. Let’s look at some techniques for shooting in low light that may help. We are not discussing time exposures here just slower shutter speeds. Some of the first steps are to adjust the shutter speed/aperture combination for low light shooting. Generally speaking try to open up the aperture to allow shooting at a higher shutter speed. You can also change the EI value on the camera. If you normally shoot photos at EI200 and the camera indicates this photo will be shot at 1/15sec then increasing to EI800 will allow you to shoot at 1/60sec. And of course the higher the shutter speed the less camera movement is visible in the image. Now get a grip. Extend your hand, palm upright, with the thumb pointing away from you. Lay your camera in your hand with the thumb and forefinger wrapping around the lens. This distributes the weight of the camera down your arm. Place your other hand in the shooting position with your finger over the shutter release button. Now bring your elbows into your body and snug the camera top against your forehead. You now have a mini tripod made from your upper body. Much of the camera movement will now be absorbed by your upper body. All you have to do now is Frame+ Focus+ Hold your breath+ Squeeze the shutter release. Now lean against a wall, sign or lamppost. Spread your feet apart and slightly forward. When in this position and holding your camera as above you can shoot at 2-3 slower shutter speeds than normal. When shooting with long lenses many photographers choose to use a monopod. A long multi sectioned tube with a 1/4×20tpi stud on top that screws into the tripod mount on your camera or long lens itself. Sandbags can be placed on a wall, the ground or an open car window to cushion and stabilize your camera. Emergency sandbags can be made from a pair of socks or small plastic bag. Tripods are three legged structures with a provision for mounting the camera at the top providing a rigid but adjustable platform for stabilizing the camera and lens. Many photographers will also use a remote shutter release and some will lock up the mirror to further reduce vibrations when using a tripod. Of course, for hand holding your camera, a well toned set of muscles help. So occasionally doing some upper body strengthening exercises will also help. In a quick shooting situation you might try wrapping the camera strap around your arm to tighten up your grip on the camera. Or with the strap over your shoulder extend the camera until the strap tightens up for a little more support. Plan your stance and stand your plan Frame+ Focus+ Hold your breath+ Squeeze the shutter release. / Have fun shoot lots of pictures-Larry Grayam
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The Faerie pools are very photogenic, and I like them best on a ‘bad’ weather day, when you can attempt to capture the mood of the surrounding dark and brooding mountains. This view is looking towards a famous climb, called “Stovepipe Gully”. / The rocks are slippery, not an easy place to set up a tripod, and I have been observed by more sane folk than myself, crawling on hands and knees for the best vantage point ! / There is a trail/walk alongside the burn and various pools that goes quite some way into the hills, amidst very grandiose scenery….....but prepare for wet feet, the ground is amazingly boggy here …...... and those rocks you have to clamber over to get your shot ? EXTRA slippery !! This is a three RAW HDR, shot on my Canon EOS 40D, mounted on the tripod, polariser fitted, to lose two stops of light for the blur effect, f27, underexposed by half a stop, then a +2EV and -2EV from that reading, iso 100, auto wb, processed in Photomatix, then in Adobe CS3 with various tweaks to colours etc., and where the water was burned out by the HDR process, layered in parts of the original 0EV file. FEATURED IN / http://www.redbubble.com/groups/all-water-in-motion / AND / http://www.redbubble.com/groups/unlimited-quality MORE OF MY ISLE OF SKYE SET….
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