Shift
600 creative works found
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catching the every day rush. / over the shadows. along the line. _ _ _ _ _ _ _ _ _ _ _ _ __ Beautiful words by Nicole Ryan / “I was tangled up in the words / of the world / she said / he said / everything was so much better / then / and i’ve found / nothing that reminds me of you / when you were around…” / . / Read more / . / . / . / . / .
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Repost I Fixed this one up a bit from my first posting on redbubble of Climate Shift art work
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Apophysis composite Show me the things I’ve been missing / show me the ways I forgot to be speaking / show me the ways to get back to the garden Tori Amos
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Inspiration: Tilt Shift Miniatures
by communityRemember the fun we had creating Little Planets? W…
Remember the fun we had creating Little Planets? Well here’s another cool technique we think you might enjoy playing around with. Tilt shift miniature photography uses a technique where a tilt shift lens is used to make real life scenes appear as miniature scale models. / / The good news for those who don’t have the budget for an expensive lens is that this effect can easily be achieved using photo editing software like PhotoShop or Gimp (which is free). Below are some amazing tilt shift miniatures from around the web to get you inspired: / Keith Loutit’s time-lapse tilt-shift videos / Serpentine by Harald Kirr / Harvard Book Store by Azripal / Tiltshift, outside Waterloo station by Cloudsoup Keen to give this a try? The following links should help to get you started: Creating the tilt shift miniature effect in Photoshop or Gimp: Gimp tutorial PhotoShop tutorial by Alison Johnston Faking tilt-shift in PhotoShop by Martin Pot Using a tilt shift lens: Build a DIY Tilt-Shift Camera Lens Using a tilt shift lens Using a tilt shift lens (video) And just for fun … (purists – look away now): A website that will do it for you An app for your iphone that will allow you to achieve the miniature effect For more inspriation, look no further than these tilt shift miniatures from our very own talented bubblers: / US Open final … in minature by hazy / Sydney Opera House by Lorraine Creagh / Robin Hoods Bay, Tilt Shift by TallGuy / Monsal Head – The Peak District by Steven Lee / Minature Bangkok by David Goymer If you’d like to give this a go, please feel free to post your results below … and don’t forget to add them to the The Tilt-Shift Photography Gallery. Good luck!
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Apophysis composite
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Apophysis composite
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A splash frozen in time. A cherry dropped into a glass of water breaks an infra red beam, triggering a high speed flash. An exposure time of 1/30,000s captures every detail.
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Apophysis composite
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Apophysis composite Your way begins on the other side / become the sky / take an axe to the prison wall / escape / walk out like someone / suddenly born into colour / do it now Rumi
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Apophysis composite I am all orders of being, the circling galaxy, / the evolutionary intelligence, the lift, and the falling away. What is, / and what isn’t. Rumi
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Apophysis composite
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Apophysis composite The inner secret, that which was never born / you are that freshness, and I am with you now. I can’t explain the goings / or the comings. You enter suddenly, and I am nowhere again. / Inside the majesty. Rumi
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I have this Climate shift art up on redbubble before I fixed up I did not realy like the colour and light before and I made it much higher res better for print.
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Apophysis composite
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I found this suitcase in an abandoned house and was struck by its pattern. Tilt Shift lens so very little focus and a lot of visual.
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Apophysis composite Wax / When I see you and how you are, / I close my eyes to the other. / For your Solomon’s seal I become wax / throughout my body. I wait to be light. / I give up opinions on all matters. / I become the reed flute for your breath. You were inside my hand. / I kept reaching around for something. / I was inside your hand, but I kept asking questions / of those who know very little. I must have been incredibly simple or drunk or insane / to sneak into my own house and steal money, / to climb over the fence and take my own vegetables. / But no more. I’ve gotten free of that ignorant fist / that was pinching and twisting my secret self. The universe and the light of the stars come through me. / I am the crescent moon put up / over the gate to the festival. Rumi
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Faking Tilt Shift Photography In Photoshop
by Alison JohnstonFrom Wikipedia HERE _Tilt-shift photography refers to the use of camera movement…
From Wikipedia HERE Tilt-shift photography refers to the use of camera movements on small- and medium format cameras; it usually requires the use of special lenses. “Tilt-shift” actually encompasses two different types of movements: rotation of the lens relative to the image plane, called tilt, and movement of the lens parallel to the image plane, called shift. Tilt is used to control the orientation of the plane of focus (PoF), and hence the part of an image that appears sharp; it makes use of the Scheimpflug principle. Shift is used to control perspective, often involving the convergence of vertical parallel lines, as when photographing tall buildings. In many cases, “tilt-shift photography” refers to the use of tilt and a large aperture to achieve a very shallow depth of field. Tilt shift faking is the process whereby we take a normal life size location or object and give it an optical illusion to make it appear as a miniature scale model. Probably the best images to use are those that look down on a subject i.e. from a high angle – this isn’t always the case though and a bit of fiddling in Photoshop will soon let you know if the image is suitable. Definately one of the easier effects to achieve in Photoshop – so lets get rolling. I would very much like to thank Steve Carter for the use of his image Shieldaig Village in February. Steve has some fabulous images of Loch Torridon and other places that I’ve never heard of :-) over at his site – which you can find HERE THIS is the link to the images of the latest local photos(Highlands) I have resized the image a little for the purpose of this tutorial. Please be respectful of Steve’s copyright to this image. Open the image, duplicate the image and close the original. Duplicate the image by dragging it to the create new layer icon at the bottom of the layers palette or pressing Ctrl + J on the keyboard. Make sure your f/ground is set to black and the b/ground to white then click on the gradient filter, go to the top toolbar and make sure the filter is set to f/ground to b/ground i.e. black to white and click on the Reflected Gradient icon. Next click on the Quick Mask Icon at the bottom of the side toolbar, or press Q on the keyboard. In this particular image, you want the main row of houses to be in focus, see the image below for the start and finish position I used for the gradient. Once you have done that, the mask will appear, exist quick mask mode by clicking on the icon on the side toolbar, or pressing Q on the keyboard – marching ants will appear. Next you need to go to Filter>Blur>Lens Blur and the teeny weeny dialogue box will open :) I did adjust my gradient after previewing it in the Lens Blur dialogue box, just take it a little bit higher than shown in the example above. You can punch in the same settings as I have, see image below. Most miniatures are painted bright colours, so next you are going to use a Hue and Saturation adjustment layer to boost the colours. Click on the little ying yang symbol at the bottom of the layers palette (create new adjustment layer) and choose Hue/Saturation from the menu. On the Master, pump the colours up quite a bit, I chose +60 on the saturation slider – just watch what is going on with the houses, you are going to add a mask in a minute so the changes only apply to the part that is in focus. Hold down the Alt key and click on the add layer mask icon at the bottom of the layers palette. Grab a soft edged white brush and making sure the mask is active by clicking on it, paint back in the colour to the houses, road, cars etc., all things that are in focus. You can boost the Saturation a little more if you want by double clicking on the adjustment layer thumbnail. And there we have our miniature village. I went ahead and added a small amount of sharpening to the houses. Bear in mind that the settings used are relevant to this image 800×507@72dpi.
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Inspired by the manual gear shift of a VW kombi – white image
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Interior of a bar in Mesilla, New Mexico. The two fellows were about to get off work and go home when I shot the photo for this painting. 24×36 Sold to the Vice-President of The National Oil and Acrylic Painters Society which I Have been a member of for several years.
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I took this photo while vacationing on the Gold Coast. This is a lovely little headland called Fingal Head. A cute little lighthouse sits on top of the headland and keeps watch over the ocean. The light you see in the sky is actually the moon (blown out) and the bright star to the right is Venus.
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Just trying something new.
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Just playing around with this tilt shift effect. Stanley Hotel Estes Park Co. / Canon 40d
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Ok…another Fingal shot. I can really say that this is one of my top 5 locations. Just love the versatility it provides. This shot has been PP using CS3 tilt shift technique. If you need explanations how that works you best ask Mel ...hehe / Let me know what you think? / Make sure you check the colour version too
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