Sharon
49 members found (show all)
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Sharon Hammond
Australia
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Sharon Johnstone
United Kingdom
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Sharon Mau
United States
923 creative works found
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Excellent Photoshop Tutorials and Professional Photographers Newsletters
by Sharon MauPhotographers’ Voices Heard at Congressional Briefing on Copyright...
Photographers’ Voices Heard at Congressional Briefing on Copyright Certified Professional Photographer Ashley Riddell ~ ranash1995 Excellent Photoshop Tutorials Metallic BW portrait toning Lipo’s Photo Effect Retouch Digital Makeup by Christian Reppen Ship Speedpaint Waterfall Speedpaint Basic Retouch and Makeup Glamour Glow Skin Retouch Facial scrub for even, glowing skin Body Reshaping with Liquify Applying Texture Without Looking Like a Douche IceflowStudios Awesome Eyes Photoshop Tutorial “Excellent Photoshop Tutorials” was accepted into the How To RedBubble group. / Mahalo to the Hosts for including this, thank you so much!
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From my collection: / Alaska North Star ~ Arctic Fantasy Copyright © Sharon Mau 2009 / All Rights Reserved “Our deepest fear is not that we are inadequate, our deepest fear is that we are powerful beyond measure. / It is our light, not our darkness that most frightens us. / We ask ourselves who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? / You are a child of God. / Your playing small does not serve the world. / There is nothing enlightened about shrinking so that other people won’t feel insecure around you. / We were born to make manifest the glory of God that is within us. / It is not just in some of us; it is in everyone. / And as we let our own light shine, we unconsciously give other people permission to do the same. / As we are liberated from our own fear, / our presence automatically liberates others.” by Marrianne Williamson ~ excerpts from Reflections on the Principles of A Course in Miracles. I use only my own images to create composites, matrix panoramic images and digital art, therefore I own full copyrights on all my work. This is one of my favourites. It is a composite of three of my images, one of the Chena Slough near North Pole Alaska and two of Interior Alaska brilliant skies Featured in Mountains and Light 29 December 2008 Canon EOS Digital Rebel XTi
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This is a composite of two of my photographs taken on the beautiful and luxurious Black Sands of Hamoa Beach Maui Hawai’i “I the human wander lone in wonder amid this grand universe of unbounded space and time You the great keeper of universe / Exist in its infinite wonders / Lone in silence / In the grand home of your own being! Through the limitless lands and times / Through the incountable stars / You are gazing at me I look up towards thee! / All noise ceased in silence / All worlds absorbed in deep peace / Alone / You are! / Alone / I am within, fearless!” ~ Poetry and Songs by Rabindranath Tagore’ Canon EOS Digital Rebel XTi Copyright © Sharon Mau 2009 / All Rights Reserved
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Took a trip to Adelaide to celebrate Shazza’s birthday, and knowing me as she does, she organised to get me down to the beach at least once! Thank you so much precious :) Henley pier, Canon 5D Mk II, 24-105mm at 24mm, f/5.6, 25”, ISO 100, Hoya ND 400, Singh Ray warming polariser, Shazza’s tripod, just after sundown. Cross processed and faded back a little with a black and white adjustment layer, and a very fine texture layer.
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The luxurious black sand beach of Hamoa / Hana Maui Hawai’i Canon EOS Digital Rebel XTi Copyright © Sharon Mau 2009 / All Rights Reserved
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I borrowed this photo from Sharon Hammond and added some Apophysis layers to it. Check out the rest of her work at http://www.redbubble.com/people/sharon
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This is the very dysfunctional Osbourne family photographed with their cousin at their home in Beverly Hills,CA. / Without a doubt there is no messing – Ozzy really is like you have seen him on the TV show – Bonkers!
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Today was a beautiful day, the sun came out at last, the rain stopped, that was enough for me, grabbed my camera and headed straight for Langstone Habour. The tide was out the sun was shining and it wasn’t too cold. There were 2 swans in the little pool of water by the redundant windmill. All I have done to this image is a simple sharp and change to b&w and that is it. /
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I thought I would do a close up of todays wonderful sunrise.
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“Love Rests on No Foundation ~ It is an endless ocean, with no beginning or end. Imagine, a suspended ocean, riding on a cushion of ancient secrets. All souls have drowned in it, and now dwell there. One drop of that ocean is hope, and the rest is fear.” ~ Quatrains of Rumi Plumeria Blossom on Lava Rocks / Hamoa Beach Maui Hawai`i Copyright © Sharon Mau / All Rights Reserved Featured in Natural Colour and Light group 25 December 2008 Canon EOS Digital Rebel XTi This lovely Plumeria blossom floated from the tree which arches overhead as I was walking down the stone steps to the luxurious black sand beach of Hamoa, one of my favourite beaches on Maui. I was captivated with the beauty of it resting softly on the lichen blanketed lava rock and the contrasts of soft sensual beauty with the rough textures of the hardened magma. Of course I instantly stopped and photographed it. It is one of my favourites and I am happy you enjoy it
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Love consists in desiring to give what is our own to another and feeling his delight as our own. / Words by Emanuel Swedenborg This painting is dedicated to Sharon Painting in acrylics, printing ink and gold foil Music – / For Sharon
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I couldn’t resist these two as they bathed in the pond. Taken at Langstone Habour on Saturday 12-1-08.
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Adonidia Merrillii / Veitchia merrillii / Manilla Palm / Tropical Gardens of Maui Hawai’i Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS Digital Rebel XTi
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Autumn Gold Colours / Reflections of Beauty / Clouds and Sky Reflections on Chena River Lakes / Alaska North Star Copyright © Sharon Mau 2009 / All Rights Reserved Featured Art 15 June 2009 Descriptions On Silence and Talking / We Indians know about silence. We aren’t afraid of it. In fact, to us it is more powerful than words. Our elders were schooled in the ways of silence, and they passed that along to us. Watch, listen, and then act, they told us. This is the way to live. Watch the animals to see how they care for their young. Watch the elders to see how they behave. Watch the white man to see what he wants. Always watch first, with a still heart and mind, then you will learn. When you have watched enough, then you can act. With you it’s the opposite. You learn by talking. You reward the kids who talk the most in school. At your parties everyone is trying to talk. In your work you are always having meetings where everyone interrupts everyone else, and everyone talks five, ten, or a hundred times. You say it is ‘working out a problem’. When you are in a room and it is quiet you get nervous. You have to fill the space with sound. So you talk right away, before you even know what you are going to say. White people like to argue. They don’t even let each other finish sentences. They are always interrupting. To Indians this is very disrespectful and even very stupid. If you start talking, I’m not going to interrupt you. I will listen. Maybe I will stop listening if I don’t like what you are saying. But I won’t interrupt you. When you are done I will make my decision on what you said, but I won’t tell you if I disagree with you unless it is important. Otherwise I will just be quiet and go away. You have told me what I need to know. There is nothing more to say. But this isn’t enough for most white people. People should think of their words like seeds. They should plant them, then let them grow in silence. Our old people taught us that the earth is always speaking to us, but that we have to be silent to hear her. / There are lots of voices besides ours. Lots of voices. / Lakota Wisdom Canon EOS Digital Rebel XTi
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From my collection: / Perception is Reality Copyright © Sharon Mau 2009 / All Rights Reserved Featured Art 12 June 2009 Rural Around the Globe A composite of two of my images; one of Ho’okipa Beach Maui at sunset, and one of a beautiful horse / Upcountry layered over Ho’okipa. See the person on the lava rocks below? ;) “In Xanadu did Kubla Khan / A stately pleasure-dome decree : / Where Alph, the sacred river, ran / Through caverns measureless to man / Down to a sunless sea. / So twice five miles of fertile ground / With walls and towers were girdled round : / And there were gardens bright with sinuous rills, / Where blossomed many an incense-bearing tree ; / And here were forests ancient as the hills, / Enfolding sunny spots of greenery. / But oh ! that deep romantic chasm / which slanted Down the green hill athwart a cedarn cover ! / A savage place ! / as holy and enchanted / As e’er beneath a waning moon was haunted / By woman wailing for her daemon-lover ! / And from this chasm, with ceaseless turmoil seething, / As if this earth in fast thick pants were breathing, / A mighty fountain momently was forced : / Amid whose swift half-intermitted burst / Huge fragments vaulted like rebounding hail, / Or chaffy grain beneath the thresher’s flail : / And ‘mid these dancing rocks at once and ever / It flung up momently the sacred river. / Five miles meandering with a mazy motion / Through wood and dale the sacred river ran, / Then reached the caverns measureless to man, / And sank in tumult to a lifeless ocean : / And ‘mid this tumult Kubla heard / from far Ancestral voices prophesying war ! / The shadow of the dome of pleasure / Floated midway on the waves ; / Where was heard the mingled measure / From the fountain and the caves. / It was a miracle of rare device, / A sunny pleasure-dome with caves of ice ! / A damsel with a dulcimer / In a vision once I saw : / It was an Abyssinian maid, / And on her dulcimer she played, / Singing of Mount Abora. / Could I revive within me Her symphony and song, / To such a deep delight ‘twould win me, / That with music loud and long, I would build that dome in air, / That sunny dome ! / those caves of ice ! / And all who heard should see them there, / And all should cry, Beware ! Beware ! / His flashing eyes, his floating hair ! / Weave a circle round him thrice, / And close your eyes with holy dread, / For he on honey-dew hath fed, / And drunk the milk of Paradise.” ~ Samuel Taylor Coleridge – 1797
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Model: Sharon Gertner www.sharongertner.nl / MUA+Hair: Yvonne Borland / Photography/ Direction : Myself / Wardrobe +Styling: Myself Taken @ the Royal Melbourne Show
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Copyright © Sharon Mau 2009 / All Rights Reserved Featured in Mountains and Mountain Light group 08 January 2009 / / Canon EOS DIGITAL REBEL XTi / 19 August 2007 22:06:27 / Tv 1/60 Av 5.6 ISO 400 The wild beauty and brilliant skies of Interior Alaska “Can you hear the gentle rippling of the shallows? / You can see by the convergence of diminutive waves and crests? This is the where the current reflects off objects in the stream, and creates the dance of light and sound. / And there, / just below the surface, / a fallen leaf waits patiently, / taking a little respite from its journey down stream. Soon enough, the water will shift again, and an upward current will likely bring it back to the surface. / Soon enough – but until then – it is art. / We call it art, / nay, / together, / we make it art. / But of course, first we must notice … “The moment one gives close attention to any thing, / even a blade of grass / it becomes a mysterious, awesome, indescribably magnificent world in itself.”—Henry Miller And what of it? / Well, listen closely. / Can you hear the notes … / the melody? / I can. / So soothing, / so moving. / As you lean back and soak up the afternoon sun, / smell the pine bows, / feel the damp soil with your hands, and smile. / Something connects. / Nothing else to do. / Nowhere else to be. / This is where you belong, right here, right now. / What of it, indeed … It’s waiting for you, / just below the surface of our work-a-day world. / There, / just below the surface, / where you are protected from the current that is trying to sweep you along, / to jostle for your attention, / to whisk your day away, / in the never ending lists, and the stuff that must be done. Listen again, more closely. / Isn’t that your song? / Don’t you recognize it? / It is in us all, somewhere deep within … / “To live content with small means; / to seek elegance rather than luxury, / and refinement rather than fashion; / to be worthy, not respectable, / and wealthy, not, rich; / to listen to stars and birds, babes and sages, / with open heart; / to study hard; / to think quietly, / act frankly, / talk gently, / await occasions, / hurry never; / in a word, to let the spiritual, unbidden and unconscious, grow up through the common ~ This is my symphony.” ~ by William Henry Channing
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Palm Silhouettes / Sunset Christmas Day on Maui My images do not belong to the public domain and may not be reproduced in any manner whatsover without my express written authorization. / Copyright © Sharon Mau 2009 / All Rights Reserved Canon EOS DIGITAL REBEL XTi / 25 December 2008 19:25:33 / Tv( Shutter Speed ) 1/250 / Av( Aperture Value ) 10.0 / ISO Speed 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 28.0 mm
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Ula Aloalo Hanohano Tropical Red Hibiscus Kahului Maui Hawai’i Fine Art Photography by Sharon Anne Mau SOLD 1x Laminated Print: Ula Aloalo Hanohano for a Tropical State of Mind / Large / Black Border with Artist’s Details / It is a beautiful greeting card! It would look lovely matted and framed displayed on a wall in your dining room! / ! It is believed that there are only five species of Hibiscus that originated from Hawai’i. Other species found their origin in Asia and the Pacific islands. In the early twenties, the Hibiscus Brackenbridgei was adopted as the official Territorial flower of Hawai’i. It kept this status throughout the 20th century, but only in 1988 its yellow colour was defined as the official colour for the Hibiscus representing the State of Hawai’i. Before 1988, the official Hibiscus could have any colour. Additionally, it was not until 1988 that the flower could represent the State of Hawai’i, because before that time the territorial status of the group of islands was unclear. Hawai’i’s state flower (Hibiscus rosa-sinensis) originated in Asia and the Pacific islands. Interestingly, it is also the national flower of Malaysia. Research suggests there were originally only five species of the tropical Hibiscus that were native to Hawai’i. Growers began to hybridize these native species with other varieties imported to Hawai’i, which produced the huge kaleidoscope of colours and sizes available today. There are several ways to tell the difference between the tropical and hardy perennial varieties. Tropical hibiscuses have dark green glossy leaves, sporting 3-4 inch flowers that are either single or double in colors of yellow, orange, pink, or red. Also, tropical hibiscus can have blossoms of salmon, orange, yellow, or peach with double flowers. Hardy perennial Hibiscus have foliage of medium-green with leaves that are heart shaped. Their flowers of white, red, or pink are much larger than those of the tropical Hibiscus. Many hibiscus aficionados increase the number of plants they have by using cuttings, a practice known as cloning or asexual reproduction. Select the best tips; look for good leaf color and a robust upright growing stance. Water the plants in the morning before taking the cuttings. Use sterilized shears. Count down about 4 leaf nodes to where the stem starts turning from light green to brown. Make each cut at a 45 degree angle just below a leaf node. Remove the lower leaves from the cutting, as well as any large top leaves. Dip the point of the cutting into a rooting stimulant, and then insert them into the growing medium only as deep as necessary to keep them upright. The cuttings should be fully rooted by the end of 6 weeks, and can then be transplanted. If the cuttings have been rooted in a green house, they should be hardened off before transplanting, by switching them to regular irrigation, and moving them out into the sunlight during the day, and back indoors for the night, for a few days. This is a hardy perennial Hibiscus Canon EOS Digital Rebel XTi / Shooting Date/Time 21 Apelila 09:42:53 / Tv( Shutter Speed ) 1/200 / Av( Aperture Value ) 7.1 / ISO Speed 100 / Lens EF28-135mm f/3.5-5.6 IS USM / Focal Length 135.0 mm
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An amber street lamp glows through snow and ice on my windscreen / Winter North Pole Alaska Feature in Natural Colour and Light group 03 January 2009 2009 Fine Art Photography by Sharon Anne Mau I use a Canon EOS Digital Rebel XTi / Photograph with no post processing This photograph cannot be modified for commercial or advertising use, nor can it be copied or reproduced in any form without the photographer’s permission. I own full and exclusive copyrights on all my photographs and they are protected under International Copyright laws. My images do not belong to the public domain and may not be posted in another webpage on the internet or intranet, published in any book, magazine, newsletter or newspaper, duplicated, used in a dirivative work of art, used as illustration for musical, dramatic, and/or literary works, or used for commercial use of any kind whatsoever without my express written authorization, including but not limited to resale of my images without a license for use. © 2009 Fine Art Photography, Research and Photojournalism by Sharon Anne Mau
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Copyright © Sharon Mau 2009 / All Rights Reserved Awapuhi-ko `oko`o / Torch Ginger / Etlingera elatior / Phaeomeria magnifica / Twin Falls / Puohokamoa Valley Maui Hawai’i Canon EOS Digital Rebel XTi / Tv( Shutter Speed ) 1/125 / Av( Aperture Value ) 5.6 “The torch ginger or wax flower (Etlingera elatior) is believed native to Sulawesi (Celebes) and Jawa, Indonesia (Java). The plant is now grown in many tropical locations both for the extravagant ‘flowers’ and for food. In Malaysia, it is called kantan. The peduncles (stems) of the inflorescence are chopped and added to laksa pots (various curries or soups made with rice noodles). The spectacular inflorescence rises from the rhizome to a height of 60 centimeters (24 inches) to more than a meter (40 inches). The individual flowers will appear from between the pinecone-like scales above the waxy bracts. The leaves grow in ranks from separate stalks along the rhizome. The leafy stalks are evergreen and get 4.5 to 6 meters (15 to 20 feet) tall. Etlingera elatior (Torch Ginger or Ginger Flower) is a species of herbaceous perennial plant. Botanical synonyms include Nicolaia elatior and Phaeomeria speciosa. The showy pink flowers are used in decorative arrangements while the flower buds are an important ingredient in the Nonya dish laksa. In North Sumtara, the flower buds are used for a dish called arsik ikan mas (Andaliman Peppercorn Spiced Carps) It is known in Indonesianas “bunga kecombrang ” or “honje”, Malay as bunga kantan and Thai as kaalaa. In Karo, it is known as asam cekala (asam meaning ‘sour’), and the flower buds, but more importantly the ripe seed pods, which are packed with small black seeds, are an essential ingredient of the Karo version of sayur asam, and are particularly suited to cooking fresh fish.” Information Sources: Etlingera eliator / Plant of the Week
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Sun Pillar ~ Spirit of Delight ~ Alaska Sunset Copyright © Sharon Mau / All Rights Reserved Atmospheric optics and brilliant skies of Alaska Featured Art 08 December 2008 Both Sides Now / Featured Art 03 June 2009 Atmospheric Optics Canon EOS Digital Rebel XTi
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