Shan
3 members found
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Shan Richards
Australia
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Shan
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Shan S Law
Australia
116 creative works found
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Hua Shan, near Xi’an, is one of the five holy mountains in Taoism. It’s name means “splendid mountain” and it is the Westernmost of the Taoist mountains. In misty weather like this you can see where chinese landscape painters got their inspiration for some of the ink paintings that you see. We stayed in the building you can see on the next ridge for a night.
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Watercolour and ink illustration of baby animals on a slide. / This image was featured in Art and Stories made for Children Could make a pretty addition to a child’s room… A cropped version detailing the little lion on the slide is available here Other Products available from my Australian CafePress Store: / /
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A vector illustration of the centre of a rose. / I tried to concentrate on light and dark and each petal. / Hope you like it! Featured Aug 2008in ‘All that is Nature’ Group
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Busker
by shanmcleanSoft Pastels / For Andy :) Came 9th in the PIMT Song and Dance Challenge :)
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Pastels…. messy, fun, oil pastels / Was done very quickly with layers of fast marks while sitting in front of the mirror. Also available on a shirt
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A novice nun on her morning rounds – Kengtung, Burma. Kengtung is located in Eastern Shan State – part of the infamous Golden Triangle where the borders of Burma, Laos and Thailand meet. It is probably the best place in Southeast Asia to see hilltribe people.
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The Wu Shan Fairy Series Red Cranes Original Art by Zhao, Ze. The Wu Shen Fairy Series is based on a famous Chinese legend about Wu Shan (Wu Mountain), located at the traditional eastern border of China’s Sichuan Provence on the Yangtze river. This area is popularly known today as the “Three Georges” and is the site of the world’s largest dam for flood control and power generation. As with many legends and fables a number of variations exist. Only a brief summary of the fairy story is described here. Since humans dwelled in China rivers and floods carved history into the mountains, shaped the lives of humans and affected the course of human events. Farmers need rivers to nourish their crops for bountiful yields but nature also wrecks havoc with floods. The struggle with the river that ancient Chinese faced continues in the modern era with the new Three Gorges Dam as the world’s largest construction project. The Chinese poet Lu You also wrote about this area and its fairy stories. / In this context, thousands of years ago the Queen of the West sent her beautiful young daughter Wao Ji and 11 hand maidens to watch over the Jade Pool. These 12 fairies are symbolized by the 12 peaks of the gorge. The lovely Wao Ji wandered and lived among the animals. Eventually she settled in the magnificent beauty of Wu Shan. She observed the suffering of humans caused by the river floods and took pity. Ultimately, she had a rendezvous with Prince Chu and gave him a book describing how to control the river and its floods. / There are many additional details to this epoch not retold here. You can search under “Three Gorges History”, “Wu Shan Mountain” or “Wu Shan Fairy” for the rest of the story. The paintings are the artist’s image of the beautiful fairy goddess and her surroundings.
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The Wu Shan Fairy Series Deer By River Original Art by Zhao, Ze. The Wu Shen Fairy Series is based on a famous Chinese legend about Wu Shan (Wu Mountain), located at the traditional eastern border of China’s Sichuan Provence on the Yangtze river. This area is popularly known today as the “Three Georges” and is the site of the world’s largest dam for flood control and power generation. As with many legends and fables a number of variations exist. Only a brief summary of the fairy story is described here. Since humans dwelled in China rivers and floods carved history into the mountains, shaped the lives of humans and affected the course of human events. Farmers need rivers to nourish their crops for bountiful yields but nature also wrecks havoc with floods. The struggle with the river that ancient Chinese faced continues in the modern era with the new Three Gorges Dam as the world’s largest construction project. The Chinese poet Lu You also wrote about this area and its fairy stories. / In this context, thousands of years ago the Queen of the West sent her beautiful young daughter Wao Ji and 11 hand maidens to watch over the Jade Pool. These 12 fairies are symbolized by the 12 peaks of the gorge. The lovely Wao Ji wandered and lived among the animals. Eventually she settled in the magnificent beauty of Wu Shan. She observed the suffering of humans caused by the river floods and took pity. Ultimately, she had a rendezvous with Prince Chu and gave him a book describing how to control the river and its floods. / There are many additional details to this epoch not retold here. You can search under “Three Gorges History”, “Wu Shan Mountain” or “Wu Shan Fairy” for the rest of the story. The paintings are the artist’s image of the beautiful fairy goddess and her surroundings.
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The Wu Shan Fairy Series Pandas Crossing River Original Art by Zhao, Ze. The Wu Shen Fairy Series is based on a famous Chinese legend about Wu Shan (Wu Mountain), located at the traditional eastern border of China’s Sichuan Provence on the Yangtze river. This area is popularly known today as the “Three Georges” and is the site of the world’s largest dam for flood control and power generation. As with many legends and fables a number of variations exist. Only a brief summary of the fairy story is described here. Since humans dwelled in China rivers and floods carved history into the mountains, shaped the lives of humans and affected the course of human events. Farmers need rivers to nourish their crops for bountiful yields but nature also wrecks havoc with floods. The struggle with the river that ancient Chinese faced continues in the modern era with the new Three Gorges Dam as the world’s largest construction project. The Chinese poet Lu You also wrote about this area and its fairy stories. / In this context, thousands of years ago the Queen of the West sent her beautiful young daughter Wao Ji and 11 hand maidens to watch over the Jade Pool. These 12 fairies are symbolized by the 12 peaks of the gorge. The lovely Wao Ji wandered and lived among the animals. Eventually she settled in the magnificent beauty of Wu Shan. She observed the suffering of humans caused by the river floods and took pity. Ultimately, she had a rendezvous with Prince Chu and gave him a book describing how to control the river and its floods. / There are many additional details to this epoch not retold here. You can search under “Three Gorges History”, “Wu Shan Mountain” or “Wu Shan Fairy” for the rest of the story. The paintings are the artist’s image of the beautiful fairy goddess and her surroundings.
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The Wu Shan Fairy Series Wild Horses Original Art By by Zhao, Ze. The Wu Shen Fairy Series is based on a famous Chinese legend about Wu Shan (Wu Mountain), located at the traditional eastern border of China’s Sichuan Provence on the Yangtze river. This area is popularly known today as the “Three Georges” and is the site of the world’s largest dam for flood control and power generation. As with many legends and fables a number of variations exist. Only a brief summary of the fairy story is described here. Since humans dwelled in China rivers and floods carved history into the mountains, shaped the lives of humans and affected the course of human events. Farmers need rivers to nourish their crops for bountiful yields but nature also wrecks havoc with floods. The struggle with the river that ancient Chinese faced continues in the modern era with the new Three Gorges Dam as the world’s largest construction project. The Chinese poet Lu You also wrote about this area and its fairy stories. / In this context, thousands of years ago the Queen of the West sent her beautiful young daughter Wao Ji and 11 hand maidens to watch over the Jade Pool. These 12 fairies are symbolized by the 12 peaks of the gorge. The lovely Wao Ji wandered and lived among the animals. Eventually she settled in the magnificent beauty of Wu Shan. She observed the suffering of humans caused by the river floods and took pity. Ultimately, she had a rendezvous with Prince Chu and gave him a book describing how to control the river and its floods. / There are many additional details to this epoch not retold here. You can search under “Three Gorges History”, “Wu Shan Mountain” or “Wu Shan Fairy” for the rest of the story. The paintings are the artist’s image of the beautiful fairy goddess and her surroundings.
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The Akha People are one of a number of Hilltribes living in the Golden Triangle – the place where the borders of Burma, Thailand, and Laos meet. This child was photographed near the town of Kengtung in Eastern Shan State, Burma. Akha ladies are well known for their elaborate headdresses.
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The Wu Shan Fairy Series Red Cranes on river ice, original art work by Zhao, Ze. The Wu Shen Fairy Series is based on a famous Chinese legend about Wu Shan (Wu Mountain), located at the traditional eastern border of China’s Sichuan Provence on the Yangtze river. This area is popularly known today as the “Three Georges” and is the site of the world’s largest dam for flood control and power generation. As with many legends and fables a number of variations exist. Only a brief summary of the fairy story is described here. Since humans dwelled in China rivers and floods carved history into the mountains, shaped the lives of humans and affected the course of human events. Farmers need rivers to nourish their crops for bountiful yields but nature also wrecks havoc with floods. The struggle with the river that ancient Chinese faced continues in the modern era with the new Three Gorges Dam as the world’s largest construction project. The Chinese poet Lu You also wrote about this area and its fairy stories. / In this context, thousands of years ago the Queen of the West sent her beautiful young daughter Wao Ji and 11 hand maidens to watch over the Jade Pool. These 12 fairies are symbolized by the 12 peaks of the gorge. The lovely Wao Ji wandered and lived among the animals. Eventually she settled in the magnificent beauty of Wu Shan. She observed the suffering of humans caused by the river floods and took pity. Ultimately, she had a rendezvous with Prince Chu and gave him a book describing how to control the river and its floods. / There are many additional details to this epoch not retold here. You can search under “Three Gorges History”, “Wu Shan Mountain” or “Wu Shan Fairy” for the rest of the story. The paintings are the artist’s image of the beautiful fairy goddess and her surroundings.
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A Shan Lady puffing on a typical Burmese cheroot – Inle Lake, Burma.
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Why just wear one shirt, when you can have five! :)
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From the Black Butterfly series. Portrait of Shan Zuo Zhou, charcoal and white pastel on mylar drafting film with blue-gray Canson backing paper, 16×16”. From a reference photo by Steven E. Gross. I am a member of the 33 Collective Gallery located in the Zhou Brother’s Art Center, Chicago. The Zhou Brothers have been generous to allow our co-op gallery to use the entire art center for our group show this month. The show opens Friday March 20th, 2009. The Zhou Brothers are always on hand at the center and are very supportive of the members of the gallery and of their artists in residence. I am fascinated with them, their persona, and their work and decided they would be perfect subjects to draw for my series, which always features creatives as models. Brother #2, DaHuang Zhou will be tomorrow’s subject for Daily Drawing. The butterfly is borrowed from a Chinese watercolor design, and the Chinese symbols stand for “inspired-dream-vision-revelation” As noted in my earlier blogs, in this series the butterfly is symbolic of the artist’s muse. The title of this work comes from Chinese literature by Zhuangzi – [Chuang-Tse] “One day about sunset, Zhuangzi dozed off and dreamed that he turned into a butterfly. / He flapped his wings and sure enough he was a butterfly… / What a joyful feeling as he fluttered about, he completely forgot that he was Zhuangzi. / Soon though, he realized that that proud butterfly was really Zhuangzi who dreamed he was a butterfly, or was it a butterfly who dreamed he was Zhuangzi! / Maybe Zhuangzi was the butterfly, and maybe the butterfly was Zhungzi? This is what is meant by the “transformation of things.” – Zhuang Zi (369?-286? b.c.) The Zhou brothers short biography: The Zhou Brothers are one of the most accomplished contemporary artists in the world today renowned for their unique collaborative work process. They always work together on their paintings, performances, sculptures, and prints, often communicating without words in a so-called dream dialogue. Their thinking, aesthetic, and creativity are a symbiosis of Eastern and Western philosophy, art, and literature that informed their development since early childhood. Their indomitable spirit allowed them to leave behind their brilliant success in China, where they were hailed as national heroes for their early work, to step onto the world stage. They have since achieved international acclaim while continuing to work in the West. The Zhou Brothers, Shan Zuo and DaHuang Zhou, were born in China 1952 and 1957 respectively. They studied drama and painting at the University of Shanghai from 1978 to 1982 and the National Academy for Arts and Crafts in Beijing from 1983 to 1984 where they received their MFAs. During the beginning of the 1980s they became leaders of the contemporary art movement in China. In 1985 they won the National Prize of the Chinese Avant-Garde of the Ministry of Culture and the Prize for Creativity from the Peace Corps of the United Nations. They were also honored as the first contemporary artists ever to show their work in an exhibition that traveled to the five largest museums in China, including the National Art Museum of China in Beijing and the art museums in Shanghai and Nanjing. Realizing that the political and cultural landscape at that time would not allow them to expand their careers, an invitation to exhibit in Chicago in 1986 presented a timely opportunity to make the transition onto an international stage. The Zhou Brothers have consequently maintained their home and studios in Chicago while actively exhibiting their work nationally and abroad.” Companion piece, portrait of Shan Zuo’s brother DaHuang Zhou:
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I confront my lonely shadow; / Before I know it, my tears flow down / Into two streams…... Words by Han-Shan August 1st 2009
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