Seascape
18505 creative works found
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Sunrise on Lake Albert, Meningie, South Australia. Taken 45 mins after Majestic Morning – the most spectacular sunrise I have ever witnessed.
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EXHALE….peace check what the product looks like here thank you for stopping by!
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A trio of boulders on Indian Beach surrounded by the seas of the incoming tide as the sun sets over the Tillamook Rock Lighthouse. I arrived with another photographer to catch the sunset. It was raining, he left while I slipped on my rainjacket and was able to catch the spetacular colors of this sunset.
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A morning that started with a sunrise the that was totally blocked by thick clouds. However, the clouds started to part and I was greeted with this view of the incoming waves squeezing through every crack in the massive granite boulders that litter this stretch of coast
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Serene late afternoon with some nice warm glowy light. The low lying mountains of Norhtern Wilsons Promontory on the horizon. This area in Corner Inlet is often serene due to being nicely protected from the big Bass Straight swells that effect the ocean beaches. Thanks for looking, comments most welcome….cheers, Rob.
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Digital Airbrush Painting
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missing
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Continuation of my previous sunrise image, taken 14 minutes later as the ocean waits for the sun at Point Lonsdale beach looking over Port Phillip Bay to the Mornington Peninsula. This was one of the most beautiful sunrises that I have seen. Canon 40D w/ EF-S 10-22mm / Focal length @ 10mm / Aperture: f/22 / Shutter: 3.2sec / ISO: 100 Thanks to people in the Mornington Peninsula group who voted for this photo as their favourite in the Sunset… Sunrise beach scene challenge on 30/9/08. ~
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/ Where am I? / How can I differentiate between the real world / And the dream world? / Which world am I in / Or am I in the unknown, somewhere in between? / Where does reality end / And the dream start? / Is this dream real / Or is this reality a dream? / Do I need to decide which path to take / To the right world? / Or in the end, does it really matter / As long as I follow my heart? / —-—-—-—-—-—-—-——- / Long Exposure taken at Werribee South. / Canon 40D w/ EF-S 10-22mm / Aperture: f/20 / Shutter: 40 sec / ISO: 100
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Taken at Telok Cempedak, Kuantan, Pahang, Malaysia. Thanks for viewing. !
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Sunset along the Mornington Peninsula N.P. Coast..Taken after some great storm light as per some recent uploads..
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Happy New Year to all my friends on Red Bubble…here’s to a year full of inspiration and asperations…...Another addition to my recent Eagles Nest dawn series as per below. I love how the clouds parted in this shot in sort of biblical proportions..!!..Great light to shoot with….thanks for having a look..
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Taken at dawn near Redcliffe Qld. / f13, 15 sec with nd8 & nd8 grad filters.
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Some hints on shooting at the beach
by Mel BrackstoneI typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he fi…
I typed all this out for Ben, who asked for some help, since he doesn’t live near any beach, and didn’t want to waste his time when he finally made the long trek. Thought others might appreciate the info. I use my Canon 5D with Lee ND grads, mostly the darkest ones, for sunrise. I’ve never tried to shoot the ocean much after an hour or so after sunrise, and not been all that successful, unless it’s a cloudy day. You’ll need a tripod and cable release. The tripod just needs to be stable, and the cable release working. Then I set my camera on AV and start shooting with aperture at around f/8 or so while it’s dark, and closing it down as the light gets stronger, with ISO mostly 50….. There’s no formula I use, other than using AEB, to see if I can snag one that gets the sky right, then I look for the one with the right wave patterns. Sometimes I combine the two, sometimes I run them through photomatix. Sometimes they’re perfect. I use my 16-35mm nearly ALL the time when shooting seascapes, very rarely I’ve used the 70-200, and that’s only if there’s a detail that’s worth getting, like the shipwreck or some waterfalls over rocks from the surf…. Here the light is generally best till around 20mins after the sun goes down, or 30 mins before the sun comes up. If you have clouds, wait longer after sunset….you’ll probably get better colours. If you have clouds in the morning, you might be able to shoot longer after the sun comes up too, especially if the light breaks through…. The IR filter can come in handy once the light is stronger….here in Qld we have strong light for 12 hours a day or more, even in winter….IR is a blessing! I’ve never used a yellow filter….and wide angle with polarisers just don’t give good results, imho. Just keep checking your screen and moving around for different viewpoints. Everything will depend on how much water movement you prefer. This is a case of personal taste, and with practise you will work that out. Setting your camera on AV and using AEB will give you the three different exposures to see which works best, then you just adjust your aperture to slow it down, or speed it up….or add more filters…the darker it is, the longer the exposure…. Be careful of getting too close to the waves, and watch out for slippery rocks, they can be extremely dangerous! Here the tide surges more dangerously an hour before high tide. Make sure of tide times before you go, and be certain you have a way to escape from the beach if the tide is coming up….Rogue waves can, and do cause problems….try to go with someone who has local knowledge…. Wash your tripod off when you leave the beach, and again when you get home. Other than that, have fun!
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Black glass magic – I had gone on this shoot with a bad attitude, expecting the sky to be bland and the day to be a waste of time, and therefore I set the camera on large jpg so I wouldn’t waste too much computer space….As it turned out, I’ve managed to drag out some amazing results. This is another straight from the camera image, although I had to take it into PS to straighten the horizon…. Canon 5D Mk II, 16-35mm at 16mm, f/10, 90seconds, ISO 50, Hoya NDX400, Singh Ray 3 stop reverse grad, Lee 0.9 ND grad, tripod, cable release, lots of guessing….I should point out the red sky is enhanced by the Singh Ray filter, which seems to put a colour cast across the ND area when used in conjunction with the Lee filter…. - / SEASCAPES / NEW ZEALAND / PEOPLE
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Mullion Cove is situated below the village of Mullion on the West coast of the Lizard Peninsula in Cornwall. The little harbour is owned and maintained by the National Trust, this is the view I managed by climbing along the rocks at the end of the harbour wall and looking out between the rocks to the sea during my recent holiday. Even on a fine day like this, the sea was quite choppy but I loved the aqua marine tones of it in the sunshine, I certainly would never attempt to get to my vantage point when the sea wasn’t so calm, the Atlantic waves crash off these rocks spectacularly at times. PLEASE VIEW LARGER Nikon D300 / 18 -70 zoom @18mm / F11 for 1/40 sec / WB set to Sunny / CP Filter
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Loch Brittle is at the Southern end of the Isle of Skye looking out across the Atlantic Ocean. With the menace of the Black Cuillin hills behind, contrasted against the sea glittering in the sunset, this sandy bay is one of the most beautiful beaches in the world. / Oil on canvas / Original size 60×60cm SCOTT NAISMITH WEBSITE
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Warn limestone blocks in the North Bay at Kaikoura on New Zealand’s South Island, carved smooth by the sea. i shot this just as the dawn started, its very very calm, or so it seam, a wave had crashed in and rushed back, this is a 25 second exposure, chek out the gull on the rock to the right, it didn’t move! Shot on a Nikon D700 with 17-35mm Nikkor Lens, ND 4 soft Grad, tripod with weighted bags. Check out other images of these rocks from my last trip, more to come from here. / Mayan Blood at Dusk Lost Civilization / Mayan Blocks at Dusk / Spun Silk / Kaikoura Limestone
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The sun setting over the Isle of Rum with the Isle of Eigg just visible on the left as seen from the Morar hotel. The silver Sands of Morar is one of my favourite, inspirational mainland Scotland locations. Oil on Canvas / original size 80×80cm
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no thats not its real name. But this image totally surprised me. I thought the camera held solely throw aways. Went for a shoot with Murph and didnt feel as if I had anything. / Then I looked at this more closely and yes it does have washed out sunset highlights but they mightnt be too much of a problem. / I love the isolation of all the little “islands”. West Point Reserve / Marrawah / NW Tasmania Nikon D90 / Sigma 10-20mm lens @ 10mm cropped / 20 seconds or so 627+ views featured in Your Magic Places 20th September 2009 / featured in SEA group 21st September 2009 / featured in Morning & Evenings, Sunbeams & Storms 24th September 2009 Top Ten in Focus & Lighting Groups’ Show Your Favourite Subject Challenge 25th October 2009 featured on the RedBubble Homepage Tasmanian edition on 10th October 2009
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Canon 5D, 16-35mm at 16mm, f/11, 2.5”, ISO 400, tripod SEASCAPES
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10/11/09 – 178 views PLEASE VIEW LARGE Taken at Pheasant Point, Kiama, NSW, Australia. / PP done in Photoshop. / I hope you like it :) Nikon D80 / f/9
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Australia, Sydney, Eastern suburbs, Clovelly bay. Featured in: / Mornings & Evenings—Sunbeams & Storms / SEA / The Beauty of Nature / All Water in Motion / FEATURED ONLY / ARTISTS OF REDBUBBLE / A Place To Call Home / At The Edge Currently 50 favs and 1400+ views / Nikon D80
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