Sculture
49 creative works found
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Double layer of Angelica ,my grandaughter ,who’s going to be 7 years old in august and a macro of stone .
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The woks exhibited represent the linkup of two artists, a photographer and a sculptor. Such an attempt to blend two spheres of art is really innovative and a bit unexpected. There had been few who were successful in such an attempt. Both authors, blending their art by the means of the photo art, are the winners. Sculpture, as such, is rather a static art, sometimes “performing” in a specific, sometimes artificial, environment. However, the means of the plastic photography, seemingly, make the sculptures movable, dynamic; they make you feel the sculptures are moving. They become alive, start moving and react both to the environment and the views captured by the photographer. I would like the viewers also note the colour solutions of the photos, aimed at the strengthening of the overall impression of the imagery. The original blend and overlapping of two arts let see the impressive plastic metaphors, giving birth to various associations. /
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The woks exhibited represent the linkup of two artists, a photographer and a sculptor. Such an attempt to blend two spheres of art is really innovative and a bit unexpected. There had been few who were successful in such an attempt. Both authors, blending their art by the means of the photo art, are the winners. Sculpture, as such, is rather a static art, sometimes “performing” in a specific, sometimes artificial, environment. However, the means of the plastic photography, seemingly, make the sculptures movable, dynamic; they make you feel the sculptures are moving. They become alive, start moving and react both to the environment and the views captured by the photographer. I would like the viewers also note the colour solutions of the photos, aimed at the strengthening of the overall impression of the imagery. The original blend and overlapping of two arts let see the impressive plastic metaphors, giving birth to various associations. /
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These are made of plaster and painted with cheap kid water colors. The plaster was poured into a rubber mold I made myself from one of my sculpted faces. available plasters / / Copyright / These Images and Writings Do Not Belong To ANY Public Domain. All images and Writing are copyright © Patricia Anne McCarty & Deep Red Tiger Images 2009. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images or Writings without written permission from the artist is strictly prohibited. / / Home Page / Symbolism in Art
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Taken in Darling Harbour, Sydney this abstract is a close up of a much larger sculpture installment for the 2000 Olympics (if memory servers me correct). I liked the metal against the clear blue sky.
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BETTER VIEWED LARGER Sydney does have buidings dating back to the 1800’s, this figurehead is carved from pure Sydney sandstone. An amazing work of art. This shot was taken using 5 bracketted exposures and processed using photomatix. The stone is reflecting the light of late afternoon. Equipment : Nikon D300, Nikkor 18-200mm
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Mixed Media: resin, photographs, butterfly wings, finger nails, it is the size of a house brick. The sculpture is currently being displayed at Muswellbrook Regional Gallery. It inspires debate about love, power and entrapment. The Art work is inspired from John Fowles book “The Collector” where the male protagonist captures and keeps a female art student. It’s a book about money and power in the wrong hands. Miss Brooker has trapped men in her Perspex, with real butterfly wings and red finger nails grating down the trapped men, sounding like finger nails on a blackboard. The artist refuses to marry because she would rather “collect’men, to try them and to learn from them rather than buy them and look after them. She believes marriage is a trap set up by the patriarchy and institutioned by women. The Art Work was sold to Max Watters with a custom built tall plinth, with a perspex top that a light shone through to highlight the features & flaws in this highly evolved polished, perspex sculture. To pour the resin the artist stayed awake for 72 hours and the photography and inlays took considerable more thought and time. Before it was sold to Max Watter’s the Roslyn Oxley Gallery, Sydney had expressed interest in the piece. The slender plinth emphasing the sleekness of the sculpture like a Brancusi bird. It is slick & gloss with electricity. The flaws in the work is reminiscent of Duchamp’s large glass where chance and accident plays a part in life and art. /
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These two enchanting garden scultures seemd so at home in each others company.
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A small gathering of sandstone Hoodoo’s in Drumheller Alberta
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Featured in Town Giants – February 24th, 2009 Located in Winnipeg Beach, Manitoba / Whispering Giant is one of many public art sculptures depicting Native Americans and Canadian First People by Peter Wolf Toth. He has donated a sculpture to each of U.S. State and Canadian Province with a few more donated outside of North America. This one is #67 on his list.
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One in a group of sculptures of Swans on the foreshore of the Swan River, near the Bell Tower in Perth WA
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A sculpture made out of fruits and vegetables. A delighful dinner.
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Beautiful Sunset in the Desert
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A sculpture in botanical garden in Singapore. That day when I was there, just nice have this beautiful clouded blue sky, so capture a few shoot :)
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Mixed Media: resin, photographs, butterfly wings, finger nails, it is the size of a house brick. The sculpture is currently being displayed at Muswellbrook Regional Gallery. It inspires debate about love, power and entrapment. The Art work is inspired from John Fowles book “The Collector” where the male protagonist captures and keeps a female art student. It’s a book about money and power in the wrong hands. Miss Brooker has trapped men in her Perspex, with real butterfly wings and red finger nails grating down the trapped men, sounding like finger nails on a blackboard. The artist refuses to marry because she would rather “collect’men, to try them and to learn from them rather than buy them and look after them. She believes marriage is a trap set up by the patriarchy and institutioned by women. The Art Work was sold to Max Watters with a custom built tall plinth, with a perspex top that a light shone through to highlight the features & flaws in this highly evolved polished perspex sculture. To pour the perspex the artist stayed awake for 72 hours and the photography and inlays took considerable more thought and time. / Before it was sold to Max Watter’s the Roslyn Oxley Gallery, Sydney had expressed interest in the piece.The slender plinth emphasing the sleekness of the sculpture like a Brancusi bird. It is slick & gloss with electricity. The flaws in the work is reminiscent of Duchamp’s large glass where chance and accident plays a part in life and art. /
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Melion, a symbolic statue or sculture in Singapore.
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This is a small clay sculpture I made many years ago. / I still think she’s as lovely today.
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A sculpture in botanical garden in Singapore. That day when I was there, just nice have this beautiful clouded blue sky, so capture a few shoot :)
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Mixed Media: resin, photographs, butterfly wings, finger nails, it is the size of a house brick. The sculpture is currently being displayed at Muswellbrook Regional Gallery. It inspires debate about love, power and entrapment. The Art work is inspired from John Fowles book “The Collector” where the male protagonist captures and keeps a female art student. It’s a book about money and power in the wrong hands. Miss Brooker has trapped men in her Perspex, with real butterfly wings and red finger nails grating down the trapped men, sounding like finger nails on a blackboard. The artist refuses to marry because she would rather “collect’men, to try them and to learn from them rather than buy them and look after them. She believes marriage is a trap set up by the patriarchy and institutioned by women. The Art Work was sold to Max Watters with a custom built tall plinth, with a perspex top that a light shone through to highlight the features & flaws in this highly evolved polished, perspex sculture. To pour the resin the artist stayed awake for 72 hours and the photography and inlays took considerable more thought and time. Before it was sold to Max Watter’s the Roslyn Oxley Gallery, Sydney had expressed interest in the piece. The slender plinth emphasing the sleekness of the sculpture like a Brancusi bird. It is slick & gloss with electricity. The flaws in the work is reminiscent of Duchamp’s large glass where chance and accident plays a part in life and art. /
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Mixed Media: resin, photographs, butterfly wings, finger nails, it is the size of a house brick. The sculpture is currently being displayed at Muswellbrook Regional Gallery. It inspires debate about love, power and entrapment. The Art work is inspired from John Fowles book “The Collector” where the male protagonist captures and keeps a female art student. It’s a book about money and power in the wrong hands. Miss Brooker has trapped men in her Perspex, with real butterfly wings and red finger nails grating down the trapped men, sounding like finger nails on a blackboard. The artist refuses to marry because she would rather “collect’men, to try them and to learn from them rather than buy them and look after them. She believes marriage is a trap set up by the patriarchy and institutioned by women. The Art Work was sold to Max Watters with a custom built tall plinth, with a perspex top that a light shone through to highlight the features & flaws in this highly evolved polished, perspex sculture. To pour the resin the artist stayed awake for 72 hours and the photography and inlays took considerable more thought and time. Before it was sold to Max Watter’s the Roslyn Oxley Gallery, Sydney had expressed interest in the piece. The slender plinth emphasing the sleekness of the sculpture like a Brancusi bird. It is slick & gloss with electricity. The flaws in the work is reminiscent of Duchamp’s large glass where chance and accident plays a part in life and art. /
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“The Collector”1985 Mixed Media: resin, photographs, butterfly wings, finger nails, it is the size of a house brick. It is currently being displayed at Muswellbrook Regional Gallery. The sculpture inspires debate about love, power and entrapment. The Art work is inspired from John Fowles book “The Collector” where the male protagonist captures and keeps a female art student. It’s a book about money and power in the wrong hands. Miss Brooker has trapped men in her Perspex, with real butterfly wings and red finger nails grating down the trapped men, sounding like finger nails on a blackboard. The artist refuses to marry because she would rather “collect’men, to try them and to learn from them rather than buy them and look after them. She believes marriage is a trap set up by the patriarchy and institutioned by women. The Art Work was sold to Max Watters with a custom built tall plinth, with a perspex top that a light shone through to highlight the features & flaws in this highly evolved polished, perspex sculture. To pour the resin the artist stayed awake for 72 hours and the photography and inlays took considerable more thought and time. Before it was sold to Max Watter’s the Roslyn Oxley Gallery, Sydney had expressed interest in the piece. The slender plinth emphasing the sleekness of the sculpture like a Brancusi bird. It is slick & gloss with electricity. The flaws in the work is reminiscent of Duchamp’s large glass where chance and accident plays a part in life and art. /
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Two of my photos layered in Photoshop. The statue is outside of St. Theresa’s chapel in Marshfield, MA.
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