Scrap 

320 creative works found

  • a deserted building, melbourne, australia /

  • It is so hard to remember dreams. Scraps of memory remain when we are awake. If it is not a dream of frustrated never ending scenarios, then we will feel a sense of peace and renewed energy.

  • This image is part of the junkyard series.

  • An old Carlight Caribbean caravan, unused for 20 years, the owner is thinking of restoring it to its former glory…. i wish them luck! /

  • This is in my backyard, a while ago, before the foxes got my chooks. Next doors horse ‘Shaka’ was always interested in the scraps I threw out for them. Now, there’s no chooks and no Shaka either. / Done in watercolour pencils on grey mat board. Approx size – 28cm x 40cm. 2003. Sold

  • This image was printed using liquid light. / This is a silver-based sensitizer for applying on any surface, exposing by an enlarger, and processing in conventional chemistry. It is virtually the same emulsion found on ordinary photographic paper, but in a liquid form and can allow the emulsion to be coated on a wide range of surfaces. / Here I have applied the liquid light using a brush to scrap metal and once it was dried exposed it with the enlarger. It was then developed, fixed and washed similar to any photographic paper. / The final piece of scrap metal was then stuck onto painted pine to be displayed. / The image you see before you is then a digital photograph of the displayed piece. Some more images created using liquid light

  • “A city of junk” Available as a signed limited edition print direct from artist

  • This image was printed using liquid light. / This is a silver-based sensitizer for applying on any surface, exposing by an enlarger, and processing in conventional chemistry. It is virtually the same emulsion found on ordinary photographic paper, but in a liquid form and can allow the emulsion to be coated on a wide range of surfaces. / Here I have applied the liquid light using a brush to scrap metal and once it was dried exposed it with the enlarger. It was then developed, fixed and washed similar to any photographic paper. / The final piece of scrap metal was then stuck onto painted pine to be displayed. / The image you see before you is then a digital photograph of the displayed piece. The original photograph used to create this piece can be found here Some more images created using liquid light

  • Fountain in “Xanadu” resort, Turkey

  • Apop. Flame Fractal. All equations are original and saved in png format. © jwarburton 06. Featured in: A Fractal Energy Passion

  • This image was printed using l i q u i d l i g h t. / This is a silver-based sensitizer for applying on any surface, exposing by an enlarger, and processing in conventional chemistry. It is virtually the same emulsion found on ordinary photographic paper, but in a liquid form and can allow the emulsion to be coated on a wide range of surfaces. / Here I have applied the liquid light using a brush to scrap metal and once it was dried exposed it with the enlarger. It was then developed, fixed and washed similar to any photographic paper. / The final piece of scrap metal was then stuck onto painted pine to be displayed. / The image you see before you is then a digital photograph of the displayed piece. The original photograph used to create this piece can be found here Some more images created using liquid light

  • This image was printed using l i q u i d l i g h t. / This is a silver-based sensitizer for applying on any surface, exposing by an enlarger, and processing in conventional chemistry. It is virtually the same emulsion found on ordinary photographic paper, but in a liquid form and can allow the emulsion to be coated on a wide range of surfaces. / Here I have applied the liquid light using a brush to scrap metal and once it was dried exposed it with the enlarger. It was then developed, fixed and washed similar to any photographic paper. Some more images created using liquid light

  • A statement which pretty much speaks for itself…

  • England is a green soggy country… and the north west is England at its soggiest. To understand the English you must understand our relationship to the weather.. this is the real reason America happened because Brits were trying to find a less wet climate. The Spanish could always return to sunny Spain and the French could always go back to Paris.. but the English knew if they didn’t fight hard for the New World they would be back to weather proofs and damp. Its not co-incidence George Washington was from the north of England.. and his name is wet ! The biggest crime in England is bad plumbing. You can murder you next door neighbour and most people will just “tut tut” and forget it, but if your guttering drips onto your neighbours property prepare for war. Living in England is a bit like living under a slightly damp and musty blanket.. you know its not very good for you but its still vaguely reassuring. The damp gets in your bones. So it only seems right to make soggy landscapes where the sun has been washed out of the sky and the predominant colours are “mossy” greens and the city looks like a sponge. This is what makes England different we may get clear blue Californian skies occassionally but most of the time the sun god plays second fiddle.. to the great God Sog ! We also get wind but that’s probably to do with our diet. A simple solution to our economic problems would be to sell our abundance of water to Arabs in return for oil ! But then again in summer when we get three sunny days.. the whole country runs dry. In Britain a mac is not a make of computer. (I would recommend you view this large to see it at its best. This work is also available as a signed limited edition print direct from the artist. A mammoth print version of this available at Zazzle

  • Created on New Years Eve 2008. Possibly in anticipation of the New Years festivities. Available direct from the artist as a signed limited edition print.

  • ...and when you paste them together you get a memory of something fine and strong, she said. Sometimes it takes till you’re 40 to see it though. / - Story People

  • Acrylics on board16”X20”.With thanks to the Great Central Railway Trust.I could not have fond such a good setting with out them.

  • Train at the Armadale train yard Armadale Western Australia. Olympus E-410

  • 2007, Oil on Canvas, 16” x 20” Coming Out of the Dark was another piece that was destined for the scrap pile. It started out as a traditional still life painting of apples that went horribly wrong somewhere along the way. Not to mention how terribly boring it was. How DID the old masters manage to paint still life after still life without going completely insane? Oh, wait, they didn’t – some even cut off their ears. And then they died. After a while of hating the painting a lot, there slowly emerged the sheep meeting the worm in the apple, giving new life to something that otherwise was quite deadbeat. Always allow for second chances in life – I’ve found that often that is where light and friendship and love is found.

  • Featured: BEAUTIFUL GARBAGE…Sep 30, 09 Closeup of an old, old, old, relic on the road to Virginia City, NV. / /

  • A bit of old something I found on the ground in the park, with other old bits glued on, mounted on canvas – overlaid with textures and adjusted in PS.

  • On the road to Virginia City, NV. / (Sony A350 DSLR) /

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