Scotland sea
1731 creative works found
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Leaving Eynhallow, Orkney and looking back into the sunset http://www.orcadiaimages.co.uk
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Another view towards Loch Torridon
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Just managed to capture this before a sleet and hail storm hit me this evening. Taken from Lossiemouth in Moray, Scotland. Nikon D80 / Hand held and chancing it! / 1/45s at f3.5 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / Pol. filter
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Sun up! / East Beach in Lossiemouth, Moray, Scotland. 09/11/2008 Nikon D80 / Manual / 2s at f22.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 24mm / 0.9 ND soft Grad. / tripod / remote release
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Raasay and the Inner Sound from An Cruinn-leum on the Applecross peninsula, Scotland, as a storm approaches the mainland over an ever more angry sea from Skye and Raasay. The beach had not a soul on it, and few footprints – had it been warmer, I would have gone down to the waterside and taken a second shot of this…....I’m glad I didnt, as it stayed for hours when it arrived. FOR FULL EFFECT, PLEASE TAKE THE TIME TO VIEW ENLARGED Ta.
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And Now The Shipping Forecast Dogger / Forties / Warnings of gales / German Bight / Fastnet / Lundy General synopsis / Cromarty / Forth / Low Southeast Iceland / 998 expected west / 1007 by 0700 Forecast / Biscay / Trafalgar / Westerly backing Southerly / 4 or 5 increasing 6 or 7 / Perhaps 8 later Viking / Shannon / Moderate or rough Squally showers / Rain later / Good __________________ Location: Crail, Fife, Scotland Copyright © Donald Cameron 2009 / Monophotography.co.uk
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Dawn from the East Beach at Lossiemouth, Moray, Scotland. Nikon D80 / Manual / 1/45sec at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 24mm / 0.3 ND soft Grad. / tripod / hand release
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Another dawn shot from a series I shot from the East Beach in Lossiemouth, Moray, Scotland. The Bin of Cullen, which is further down the East coast, can be seen in the distance. Nikon D80 / Manual / 1/6s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release
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With the tide the day now recedes / Stealing the light less the moon be jealous / Leaving behind like jewelled beads / A gem splashed beach, to the eye so precious Great Cullins proud no longer stand / Painted by the sun so bright / But darkened now like Elgol’s land / The sea alone now owns this right But come the dawn, this scene re-born / Again the Cullins grand will rise / Like the sky by light soon torn / They guard my treasure til the day’s demise
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Back at my favourite rock :)) Taken from the shoreline looking North West from Lossiemouth, Moray Scotland. This image was featured in Masters Of The Scenic and Mood & Ambience – Strictly Photos. Nikon D80 / Manual / 15 sec. at f22 / ISO 100 / Nikon 18.0-70.0mm f/3.5-4.5 at 18mm / Hitech 1.2 ND soft Grad. / Hoya Pro1 Circular PL / Manfrotto 190XPROB / 804RC2 / Cable release
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Oil on canvas / Original size 30×30cm
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The Highlands and Islands of Scotland are depicted in Scott’s atmospheric and vibrant oils. / JAN: The Plane to Barra lands on the beach just beyond this croft. / FEB: This Sky study focuses on the effects of afterglow at sunset across the Western isles. / MAR: Crinan, Postcard picturesque harbour town located at the end of the Crinan Canal. My wife and I stayed at the Crinan Hotel owned by Scottish landscape artist Frances MacDonald. / APR: Looking West in the evening, cloud cover can become backlit and play tricks with perceived colour. / MAY: This place on the East coast of Barra allowed me a great opportunity to play with cool/warm colour contrasts and design-led mark making. / JUN: This loch (in the shape of the map of Scotland) I’ve painted many times. I pass it on trips to Skye and it looks different every time. / JUL: Sometimes what you want to say with colour can be restricted by reality for a representational painter… not here. This accurately depicts a recognisable landscape on Barra, while utilising many abstract elements. / AUG: When the horizon becomes unbroken all attention is focused on the forces of nature. / SEPT: The backlit effects of views out to sea from the West coast are in this case painted from memory. / OCT: Near the causeway from Barra (left) to Vatersay (right) this study captures a moment when the sun breaks out to strike the gulf stream waters which light up against the dark sky ahead. / NOV: Sometimes a literal depiction of a scene is the best way to highlight a postcard picturesque spot like this. / DEC: This describes the quality of evening light across the broken West Coast using contrasting translucent and opaque paint application.
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Forth Bridge / Oil on Canvas / Original size 60×60cm
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Castlebay is on the Isle of Barra. This is the view past Kisimul Castle (where you need a boat to get to) and out to Vatersay. / Original size: 80×80cm / Oil on canvas
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Loch in the shape of the map of Scotland. / Original size: 90×60cm / Oil on canvas
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addressing thoughts to the squirming clouds / as they slink their way out of view / heading due south to a broken blanket of grey / and pondering promises now surely taken / by the silent, shimmering bay a sweeping curve meeting head on the straight / show of hands, touch of heart / hugging the coastline as tight as she can / and mourning the irreplaceable loss / of the long distant, departed land deceiving those present with unwarranted calm / will only compel matters worse / patting the water until its falls smooth / and repeating the lie / to the ignorant, blissful, passing few —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Seafield, Kirkaldy, Scotland © Donald Cameron 2009 / Monophotography.co.uk
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Easdale on the island of Seil in the Slate Islands, off the Argyll Coast, Scotland. OLYMPUS E500 / ZUIKO 4/3 14-45mm
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Original size 30×30cm / Oil on canvas A Study Inspired by a recent trip to Tiree, concentrating on the unpredictable weather we had. Day 1 soaked, day 2 scorched. ScottNaismith.co.uk
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Original Size 30×30cm / Oil on Canvas Scott Naismith website
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Loch Torridon, Western Highlands, Scotland Featured in Dimensions
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From Balnakeil, in Sutherland, Scotland – looking towards Cape Wrath /
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The Isle of Skye. / Completed 2007 Oil on Canvas / Original size 90×40cm www.scottnaismith.co.uk
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Some Dance / / The graceful dance of / restless waves falling over themselves to / kiss waiting sand, delivering / whispered voices from distant ships / sending bad news home, / in floating bottles. / / To Whom It May Concern: / SOS. Vicious crocodile rocks / scar the face of the shore / with wounds that cannot heal, / and the waves crack on, / relentlessly pounding their feet / on the uneven dancefloor. / / It goes on well into the night, / the dance, until it’s all just a drunken mess. / And that’s the thing, I’ve always found / dancing quite pointless. / Wouldn’t it be superior if everything, / well, just stood still? / / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / Location: Catterline, Aberdeenshire, Scotland © Donald Cameron 2009 / Monophotography.co.uk / /
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