Sand stone Wall Art
762 creative works found
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My other works: / A LARGER view to see more in detail… / (Long side is only 1024 here) EXIF: / Taken with a Canon EOS 400D Digital. Exposure: 1/2500 sec ISO Speed: 100 Aperture: f/5.6 Software: Adobe Photoshop CS4 Windows Metering Mode: Multi-segment Focal Length: 80 mm Exposure Program: Shutter speed priority AE Exposure Bias: 0 EV Flash: Off White Balance: Manual
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This is Taliesin west, in Arizona.
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Aia ‘ike lihi o ka ‘aina ~ Glimpses of the Land / Polo Beach / Wailea Maui Gold Coast Hawai’i Copyright © Sharon Mau 2009 / All Rights Reserved From my collection: Islands in the Sand Aloha For All “Hawai’i is my homeland, / adopted in my heart through struggle and tears. / As the song says, “He loa ka helena ma ke alahele, / e huli wahi ma keia ao … He Hawai’i au.” It has been a long journey on the path to find a homeland in this world … I am Hawaiian.” by Kenneth R. Conklin Canon EOS Digital Rebel XTi / Shooting Date/Time 27 March 2008 20:03:37 / Polo Beach Wailea Maui Hawai’i / Tv 1/100 Av 6.3 ISO 100 /
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Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Beautiful Art and Greeting Cards For Sale ~ Shop securely and view my collection here HILO HANAKAHI – Keola Naumu (Paukû ‘ekahi) (Verse #1) / Hilo, Hanakahi, i ka ua kani-lehua Hilo, Hanakahi, rain rustling lehua / (E hana hou ka paukû ‘ekahi) (Repeat Verse #1) (Paukû ‘elua) (Verse #2) / Puna, paia’ala, i ka paia ‘ala i ka hala Puna, fragrant bowers, bowers fragrant with hala / (Paukû ‘ekohu) (Verse #3) / Ka’u, i ka makani, i ka makani kueho lepo Ka’u the wind, the dirt scattering wind (Paukû ‘eha) (Verse 41) / Kona, i ke kai, i ke kai ma’oki’oki Kona, the sea, the streaked sea (leo‘ole) (Instrumental) (Paukû ‘elima) (Verse #5) / Kawaihae, i ke kai, i ke kai hawanawana `Kawaihae, the sea, the whispering sea (Paukû ‘eono) (Verse #6) / Waimea, i ka ua, i ka ua, kipu’upu’u Waimea, the rain, the Kipu’upu’u rain (Paukû ‘ehiku) (Verse #7) / Kohala, i ka makani, i ka makani ‘Apa’apa’a Kohala, the wind, the Apa’apa’a wind (Paukû ‘ewalu) (Verse #8) / Hamakua, i ka pali, i ka pali lele koa’e Hamakua, the cliff, the tropic birds flying cliffs (Leo‘ole) (Instrumental) (Paukû ‘eiwa) (Verse #9) / Ha’ina ka puana, i ka ua kani-lehua Tell the refrain, rain rustling lehua / (E hana hou ka paukû ‘eiwa) (Repeat Verse #9) Henry Kapono Canon EOS Digital Rebel XTi / Shooting Date/Time 09 May 2009 18:22:40 / Tv 1/200 Av 9.0 ISO 100 / Lens EF28-135mm f/3.5-5.6 IS USM Pa’ako Beach Makena Maui Hawai’i Kai Makani Ho’ohinuhinu Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Listen to a beautiful mele by Keali’i Reichel and view a beautiful video Okala Island Moloka’i Hawai’i Why is the ocean blue? / There are several theories: Blue wavelengths are absorbed the least by the deep ocean water and are scattered and reflected back to the observer’s eye Particles in the water may help to reflect blue light The ocean reflects the blue sky Most of the time the ocean appears to be blue because this is the colour our eyes see. But the ocean can be many other colours depending upon particles in the water, the depth of the water, and the amount of skylight. The colours we see depend upon the reflection of the visible wavelengths of light to our eyes. Besides being pretty to look at, colours and the light they come from really do have the power to impact people in many ways. Along with the aesthetics of light and colour, there is real science behind each and every sight we see. Each flash or ray of light, each shade of colour that light makes visible, and each time our eyes receive the messages to see them, we are reminded of a special relationship — one that is often overlooked because we simply take seeing for granted. We miraculously experience a bright, vivid world because of the workings of our eyes, the wonders of light, and the brilliance of colour. The Franklin Institute provides a good explanation of how we see colour. Canon EOS Digital Rebel XTi
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This is the view from Whitby Pier. / Most of Whitby can be seen in this panoramic.
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In southern Nevada’s Valley of Fire the rocks blaze with amazing colors everywhere. The cave formed by this small outcrop is no different, forming abstractions that must have mystified the native folk more than three thousand years ago. The stunning Aztec sandstone was laid down as windblown dunes during the Jurassic (~160 million years ago). Then, during a mountain-building episode the entire landscape was shoved sideways – and this layer found itself beneath a 500 million-year-old slab of Cambrian limestone. Thus protected, it was exposed in the recent past for our photographic pleasure – and numerous Las Vegas weddings. Nikon D2XS, Nikkor 180mm f/2.8 AF ED
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Sandstone columns at last light. This wind-sculpted sandstone monument stands near the visitor’s center at Valley of Fire State Park (near Las Vegas, Nevada). The park is widely known for its brilliant vermillion sandstone, brought to the surface up by underground turmoil and carved over millenia by the wind. In addition, the park has been home to native Americans for thousands of years. Some of the petroglyphs in the park date to 1,000 BC, including a famous narrative of an accidental fall while scrambling on the rocks. Photographed with Nikon D2XS and Nikkor AF 70-300 ED
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Canon 400D, natural light Tidal pools at sunset, Echo Beach, Bali, Indonesia All images are copyright Jeff Boyle/Ikon Visuals and may not be used in any way, shape or form without prior written permission from Jeff Boyle/Ikon Visuals, this includes posting to blogs and/or websites or using in ANY work.
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Straight from the camera In Reunion Island, in the south of the Island, next to l’Etang Sale les Bains, there is a beach where you cannot bathe, but where you feel as though you were the last living person on Earth. The Indian Ocean washes the sand over and over again.
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Tower Bridge, London, Engalnd, This is a low light image of Tower Bridge, the historic crossing point of the river Thames in London, this bridge has stood as a symbol of the city for many years.In this photograph we have an image if the huge towers that support this moving swing bridge that can open to allow ships to pass up the thames and enter the port of London, once the hub of the British empire. The soft blues, purples and pinks allow for a very calming and relaxing image despite being surrounded by the fast pace of life in the English capitol near by.
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Big Ben in the Clock Tower the Houses of Parliament, London, Engalnd, This is a low light image of the Parliament buildings at Westminster Abbey from the river Thames in London Engalnd. This image is taken at the heart of the United Kingdom government and is a photograph that really depicts poplitical life in Great Britiain. It reminds us of days past when the British empire was ruled from this very building and how much grander the UK was in Victorian times when this building was constructed. Today the symbol is more of the scandals and corruption stories that we hear from the press about life in the house of commons.
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My boy had just thrown a rock into the water when i took this shot, it had not touched the water at this time….
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This is a photograph of the English Bridge which crosses the River Severn in Shrewsbury, Shropshire. The bridge is made from sandstone annd is typical of the type built by the victorians and for many years earlier to cross the river on the boarder of England and Wales. We see a large area of water (the Severn) and the stone bridge with a church and trees in background against a blue sky.
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This is a photograph taken in the early evening over the river Severn where it is crossed by the Welsh Bridge in Shrewsbury, Shropshire. We have one of the newest buildings in the town the Theatre Severn on the right and a wooded area to the left. The amazing purpel, red and blue of the summer evening sky are reflected in the still water of the river. The anchient architecture of the sandstone bridge still sits very well with the more modern buildings that surround it.
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This is an amzing long exposure shot of the Smithfield Road in Shrewsbury Shropshire as it passes the amazing river severn leading onto the Welsh Bridge. We see here the fast moving lights of the traffic in this busy modern town against the calm still and reflections of the old highway the River Severn. On this summer evening the sky is an amazing mix or purpel, red and blue all creating great reflections in the waters as they pass through this historic town.
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We have a photograph taken in the early evening of the river Severn as it passes under the Welsh Bridge in the town of Shrewsbury, Shropshire. The amazing evening light has created some amazing reflections in the waters of the river. On this clear summers evening there is a purpel, red and blue light that really makes the image seem magical. Along side the edges of the images there is a wooded area on each side with small boats moored up in the foreground completing the scene.
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Sunset Kama’ole Beach / Kihei Maui Hawai’i / / ʻO ka ʻŌlelo ke Kaʻā o ka Mauli ~ Language is the fiber that binds us to our cultural identity ~ olelo Copyright © Sharon Mau 2009 / My images do not belong to the public domain. Reproduction is strictly prohibited. All rights reserved Canon EOS Digital Rebel XTi
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