Sage
5 members found (show all)
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Susan Sage
United States
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Nick Sage
Australia
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Tiffany Sage
United States
433 creative works found
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Contemporary abstract. /
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Empty road in the middle of the desert, Eastern Sierra Mountains, California
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Taken lying on the floor with the lens of the camera sticking through a hole in some wire mesh on a fence. I was forced into looking a bit crazy because I didn’t have my tripod with me.
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Sunset comes to the Central Shortgrass Prairie in Southeastern Colorado near Comanche National Grassland.
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Image by photographer Glennis Siverson, www.glennisphotos.com. Selected for The Center for Fine Art Photography’s 2009 Portrait exhibition; Chosen for the 2009 Art of Photography Show, for which just 111 images were selected from 16,000 entries; Honorable Mention in WIPI’s 2009 Children Portraits competition.
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Acrylic on canvas.
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We woke that morning at the onward call / Our camels bridled up, our howdahs full / The sun was rising in the eastern sky / Just as we set out to the desert’s cry – Loreena McKennitt Stock Credits: / Face in sky / Frame of Numbers / Clouds / Wall box / Caravan / Texture & pyramids/palm trees/additional camel and desert dweller: personal stock of texture and vintage postcards ©Aimee Stewart, Foxfires / All of my artwork and photographs are © All Rights Reserved Worldwide. / My artwork and photos do not belong to the public domain.
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The Newcastle and Gateshead Millennium Bridge (UK) with The Sage Music venue and The Tyne Bridge in the background. / This was one of a series of pics I took on first night shoot, I’d only had the camera a week or so and I’m really, really pleased with how this has turned out. Nikon D40x / f7.1 / 8sec / 100iso / 18mm
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Candid portrait captured in Washington Square Park, NYC. Featured / Mature Men Copyright
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My Favorite Color
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Burning sage in her living room. Check out her band Cylab
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Beautiful creature of summer. From the dragonfly series in blue! / I believe that certain creatures are archetypes that are recurrent symbols or motif in literature, art, or mythology. The dragonfly seems to be one of those. If you like this design please click on FAVORITE THIS below the image, as it helps get it into the featured & popular section on Red Bubble. THANKS for your support! Visit my gallery “Motley Nation” to see all my T-Shirts, Cards & framed & unframed poster designs at: http://zehda.redbubble.com/works
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Taken on the River Tyne, Newcatle, U.K. ‘This is Wher’e I’m at’ it is one of my favourite photos.
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Sold one framed print to mystery RB buyer in Australia. Thanks so much, whoever you are! Featured on the home page August 13, 2009. Thank you!
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OK there are hundreds of these images on here, but i cannot remember seeing one in b/w so here it is !!!!!
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Many years ago, sometime in the early 1990’s, my husband and I were travelling through Hopi land, outside of Truth or Consequences, Arizona and happened upon a Tribal officer while camping, and we shared a pot of coffee with him. In our conversation, he noticed a basket of sacred white sage, that I usually wrapped while we drove through the countryside, prompting him to telling us about Oraibi, the oldest (still standing) native site in the U.S. He continued by telling us of a gathering there on the following day, and that he’d like to invite us to attend and we wholeheartedly agreed. / We started our morning having a traditional Hopi breakfast of Frybread, black beans and eggs, then we drove up to the Mesas, ignoring the signs that read “No White Man beyond this point”, we drove up a winding road, while I wrapped and was burning sage. When we reached the dwellings, many people were coming out of their homes and surrounding our hippie van (‘78 Dodge). It turns out they had not had white sage (grandmother sage) growing on their land for a couple of years, so when they smelled it coming from our vehicle they had to investigate. Thank Creator that it grew like weeds on our property in California, and we had plenty with us. We gifted several people with wrapped bundles, while others wished to trade for torquoise, blue corn and dye-making instruction. It was a wonderful morning, and we felt good that they mentioned it was a significant gift for the upcoming gathering, which they also invited us to attend. / After eating lunch with a beautiful Hopi family, we drove down the Mesa, following our new friends to Oraibi. When we arrived, there were maybe a dozen people standing around, we got out of the van and an elder man in jeans, a flannel shirt and a bandana around his head, approached us, as I held out a small basket of bundled sage, he just smiled. He took the basket in his roughly worn hands and motioned for us to follow him. We sat down in a circle with what grew to about 30 people, at this time and another man began speaking about the Earth and introduced the elderly man as the authorized spokesperson to speak on behalf of the Elders of the Hopi Nation – Thomas Banyacaya. / I was actually aware of who this elder was, and shocked that I was standing beside him as he was to address a chosen group of tribal and non-tribal (us) members, which was now about 75 people. This humble man would share a message of clear intent and great importance… We are the One’s we have been waiting for… / We have been telling the people that this is the eleventh hour. Now you must go back and tell the people that this is the hour. And there are things to be considered: / Where are you living? / What are you doing? / What are your relationships? / Are you in right relationship? / Know your garden. It is time to speak your truth. Create your community. Be good to each other. And do not look outside yourself for a leader. This could be a good time. / There is a river flowing now very fast. It is so great and swift that there are those who will be afraid. They will try to hold onto the shore. They will feel they are being torn apart and they will suffer greatly. / Know the river has its destination. The elders say we must let go of the shore and push off into the river. Keep your eyes open and your head above water. See who is in there with you and celebrate. / At this time in history, we are to take nothing personally. Least of all ourselves. For the moment that we do, our spiritual growth and journey come to a halt. / The time of the Lone Wolf is over. Gather yourselves! / Banish the word struggle from your attitude and your vocabulary. / All that you do now must be done in a sacred manner and in celebration. / We are the one’s we have been waiting for.” This artwork is a symbol of the rain deity that I remembered from a rock drawing we saw while at Hopi land, near Betatakin. Drawn, photographed, then painted in photoshop7 (it is also the T-shirt design called Earth Tribe with a slight alteration) All, all and everything is of importance and nothing that is good happens fast. Thanks to my serendipitous sister, owlspook, a link providing the same message ;) New Hopi Prayer
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This is a photo manipulation from a photograph of a friend, which I did a long time ago and thought I had lost. The cats are from a photograph from an old animal book. The background, clothing, and hair, I made up. / / Copyright / These Images and Writings Do Not Belong To ANY Public Domain. All images and Writing are copyright © Patricia Anne McCarty & Deep Red Tiger Images 2009. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images or Writings without written permission from the artist is strictly prohibited. / this work has been donated to / Wildlife Appeal / / Multiracial Beauty / THE SISTERHOOD / Back in Black / Thigs that art Black
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In the heart of the Red Desert, Wyoming, in the middle of miles of nothing but sagebrush, this little foal shone like a beacon of strength and beauty. Canon S3-IS, image details: f6.3, 1/500. Featured in: / - Pinto Horses group, February 2009, thank you! / - Dimension group, September 2009 – thank you! Matted Prints and Laminated Prints have sold – thank you very much! Views: as of 9 November 2009, 1300 views.
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The mule deer congregate in our area for the rut as we are on a sparsely populated butte. The afternoon light provides a rich frame to set off their stunning strength and beauty, and the fading fall colors provide a soft counterpoint. Canon 40D, 100-400 IS lens, Jackson Hole, Wyoming, f5.6, 1/250, focal length 400mm. Featured in: / - 300+ Go Long group, August 2009, thank you so much! / - High Desert Life group, August 2009, thank you so much!
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What a treat to be shooting these famous peaks and NOT be standing in snow that’s hip deep! This is one of the less photographed vistas of this famous trio. Grand Teton National Park, Canon 40D, tripod, 24-105mm lens. Featured in: / - Masters of the Scenic group, August 2009 – thank you so much! / - Mountains & Mountain Light, August, 2009 – thank you much! / - Dimensions group, September 2009 – thank you so much! / - Mountains Across the Globe, November 2009 – thank you so much!
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3d image, layers in psp / Laura’s Website /
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We all know how usually the night approaches. But did you ever see how it comes vestured in its glory? By the Creator’s will, fiery horse pulls it behind galloping valleys westward and jumping over mountain ranges on his way. Good night Nevada, good night! Those who don’t believe in miracles will never see them…
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Featured in Journal Junkies Dec 11th 2009 / Featured in Unique Buildings Of The World Dec 9th 2009 / Featured in Cityscapes & City Skylines Nov 25th 2009 / Featured in Your countries best 16th Nov 2009 / Featured in This Is England 20th Nov 2009 / ......... I always consider this as my favourite photograph I ever took. This building is called The Sage Gateshead The Sage Gateshead is a world-class music centre located in Gateshead in the North East of England. Primarily a live music venue and a music education centre, The Sage Gateshead runs a local, national and international live music programme. Situated on the southern banks of the River Tyne, with stunning views of the Newcastle Upon Tyne and Gateshead Quaysides, The Sage Gateshead also offers unique conference and event spaces. Camera used = Canon 350D / Lens used = Canon 18-55 PLEASE CLICK THE IMAGE TO VIEW LARGE.
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