Safety
296 creative works found
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Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / / / Writings (or ramblings) / The 3rd / The 10th / Weaver / High-Flyer / The In-Between Place / The Haggard Crone / Come, Dark / Chandelier Brain / Eat Me / You’re Strange, Rick / Ever-Queen / Sleeping / The Black, White & Grey / / / / / / / / / / / / / / / / / / / / /
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The wooden railing on the Promenade at Eastern Beach, Geelong
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Safety Pin
by Amy McDonaldFuck it’s a long way to Traralgon. A long, bogan-infested, tinned bourbon way to Traralgon. / You find four unoccupied seats. Lap to…
Fuck it’s a long way to Traralgon. A long, bogan-infested, tinned bourbon way to Traralgon. / You find four unoccupied seats. Lap top on one, back pack on another, ass on the third. You set your boundaries. The velcro of your computer bag releases, your lap top opens like a giant clam. Ten minutes until the train is scheduled to leave Spencer Street. Southern Cross. Whatever. / Four emancipated youths collapse into the cluster of seats to your left. Each wears a variation on a black theme. Each has hair draped carefully across their eyes. Faux-righteousness oozes out with foot odour and grease. / Goths. / No, emos. / You snort a breath out through your nose and focus on the screen. The train pulls out. Dandenong arrives. More people get on. Young mothers pour out of tight jeans. Two elderly Chinese women share a shopping jeep. Men in overalls and chapped boots carry faded bags. The snack bar opens. Packets rustle. Cans crack exhalations of carbonated air. / The emos are quiet. The two facing forward watch the snack bar. Their eyes are bright. They swallow saliva. They’re maybe fourteen. One sees you watching. She has a safety pin through her lip which becomes erect when she smiles. / ‘You like?’ she says. If she’s trying for Nabokov, it’s not working. / You think of your boundaries. ‘Yeah. Great.’ Show humanity but not interest. Back to the monitor. / ‘We did them ourselves,’ Lolita persists. / The kid next to her smiles as well and pushes his tongue against the back of his lip, jiggling a corresponding pin. / ‘And, see.’ The girl draws a long, thin cord out of a grubby pocket. One end loops, the other has a silver clasp. It’s a cat leash. Silver. She presses down on the clip to open it and connects it to her safety pin. Her eyes stay on you but her hand passes the end of the leash to her boyfriend. / He takes it and leans forward to gauge your interest. / You smile at him as well. / ‘Hey, man,’ the boyfriend says, tucking his hair curtain behind a white ear. ‘Could we get some change for the snack bar?’ / Four pairs of mascaraed eyes wait for you. Remember the boundaries. ‘No. Sorry.’ You open a new file, type nonsense on a blank screen and wait for the abuse. / From the reflection in the window you see one of the emos elbow another. They blush through their make up. / You keep typing. / The one that asked you for money asks the others for food. They shake hollow faces. / ‘Should have pinched more,’ says Lolita’s boyfriend. / ‘And a drink. I’m thirsty, hey?’ The group nods at Lol. ‘Could have pinched heaps more.’ / ‘I’d never steal from people, though. Only shops.’ The boyfriend offers this discreetly across the aisle. / You watch with your ears only. / ‘Yeah,’ Lol is agreeing. ‘And only big shops. Not milk bars and that.’ / ‘I’d steal from Mackas,’ says the quiet emo, his legs draped into the aisle. / ‘Fuck Mackas.’ This from Boyfriend. ‘That’s not even food, Des.’ / Des? Your lips twitter at the corners. / ‘My mum is going to go insane when we get home,’ says the other backwards-facing emo quietly. He’s fatter than the others. / ‘Yeah. Do you reckon I’ll be able to crash at yours anyway?’ Des pulls threads from the cuff of his jumper. / Fatty nods then says, ‘I’m so broke.’ / Group laughter. / Lol kicks at an arm rest with a black spaceman’s boot. ‘Get a job then, you lazy fucker.’ Hysterics. It’s infectious. You purse your lips in refusal. / ‘Tickets please.’ The man is greying, his short-sleeved shirt shows faded yellow rings at the arm pits. / The emos look to each other like falling dominoes. They say nothing. / ‘Do you want me to get the cops on here at Drouin?’ the ticket inspector asks. / You watch the four kids shrink into their chairs. / You are holding your ticket between sweaty fingers. The heel of a spaceman boot thumps against a seat in time with your pulse. / The inspector pushes sour air through clenched teeth. He snatches your ticket, clicks a hole in it and moves further down the carriage. / ‘I’m fucked.’ Des’s jaw pumps in time with the boot. ‘My social worker is going to kill me.’ / The others are quiet. Fatty sniffs discreetly, watching his lap. Lolita unclips the leash from her lip. / Pakenham passes. / Boyfriend folds the leash in half, pulls it and releases it. It snaps, flexes, snaps. / You stand and lurch down the aisle. / A sweat-stained shirt sleeve raises and lowers rhythmically on the small platform between the carriages. You approach the ticket inspector who turns and throws the extinguished butt out on to the passing gravel. / ‘They’ve got no money. Those …’ You tip your head back towards your seat. / ‘Punks.’ Smoke trails from his nostrils. / ‘Emos,’ you whisper. / He squints one eye. ‘What?’ / ‘Look, could I buy their tickets? I mean, they’re just kids, and, well, if we could avoid getting the police involved …’ / You watch him watch you. His mouth splits open showing nicotine-stained teeth. He removes a soft pack from his shirt pocket and taps out another cigarette. He holds it tightly between thin lips, lights it and draws deeply. The inspector looks through the glass in the door to your cabin. ‘I’m not gonna fine em.’ Smoke blows out. ‘Just scare em a bit.’ / Your grip on the rail loosens. You feel the armpits of your shirt stain a complimentary navy. / The inspector takes another hard drag. He looks out across the rows of back fences. ‘It’s just not the same anymore,’ he says. You’re not sure if he means kids or the landscape. / Back in your seat you press your hands against the outside of your backpack. Your fingers identify the outlines of phone, wallet, keys. Nothing missing. / Drouin station approaches. Clothing rustles across the aisle. / You relinquish your boundaries. ‘Do you guys really have no money?’ You address Lolita but they all shake their heads in response. / ‘What did you tell that guy?’ Boyfriend asks you. / ‘Nothing.’ / ‘Nah, I saw you talking to him.’ Des bites a finger nail. / ‘He’s a good guy. Don’t worry.’ / Fatty and Lolita smile. Boyfriend looks out the window. You see his reflection superimposed on tiled rooves and dusk. / You doze. A stained shirt sleeve rouses you. ‘Traralgon’s next,’ the inspector says, tapping your arm. / You collect your laptop and backpack. The four seats across the aisle are empty. A chip packet and a bourbon and cola can have been rammed in between the arm rests. You check for your wallet. Phone. Keys. Still there. / The train slows and you stand, collect your bags and turn to exit. / On the last check to make sure you have everything you see it. A safety pin, shining, sits on the seat next to yours. The train has emptied. You smile as you bend, pick up the pin and put it in your pocket.
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Health and Safety Madness / What’s happening to the world? It’s getting to the point where you’ll need a risk assesor, paramedic, fireman, police officer and the obligatory solicitor in attendance before you can let your kids play in a public park. Councils and local government are so worried about legal proceedings, health and safety madness has taken over. What’s happened to the time when accidents were just accidents? Selected other RubyRed shirts: / / /
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regeneration
by bellmuskerI almost touched someone today / Almost
One of the blessings of agoraphobia – and yes, there are a few – is that it gifts you with a finely tuned awareness of safe spaces. Watching life pass by my porch was both a tantalising and yet devastating reminder of what I was unable to embrace. I couldn’t leave my house for an appallingly long time, and I’m still dealing with the intimacy that encompasses reconnecting with people. I still have a lot to learn.
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my tribute to the relationship of mother and child.
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This little bough of purple flowers seemed to go nicely with an old Irish Blessing, a favorite prayer of mine for a long time now.
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Lighthouse at day’s end on Lake Michigan. Uploaded here without border.
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Stairway to the top of a large fuel or gas mass storage tank in Port Botany in Sydney.
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A buyers booth photo: / / . / / . / / . /
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Classic comic style art – the mighty Safety Pin Man will save the day!!
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Power boat cruising by “Big Red” lighthouse in the Holland Harbor. “Big Red” is the only lighthouse that has a name and is most photographed. It is a historical landmark and its friendly guiding light has brought many ships home safe.
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How does it feel to Meditate on your inner child? / Quite playful actually, after the worst is over. / The apology for not being there, for not listening, / For not knowing any better cause you were at that time… / Only a child. / It feels like the war is over and your pulling out troops, / It feels like you have finally learned to sit still a spell / And smile. / And it feels like you won the prizes for first second and third.. / A shiny trophy for each place, / On each trophy your gift, / Written with detached wisdom / And Joy…. Acceptance, Recognition And Love. Linaji 2008
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Safety For Models
by Jo O'BrienThe nature of modeling for photographers and artists puts you in a vulnerable position. For a length of time you will be in close proximi…
The nature of modeling for photographers and artists puts you in a vulnerable position. For a length of time you will be in close proximity to an individual you may not know very well and in unfamiliar or isolated environments. For the first time model, or even an experienced model, a job offer can be very exciting. But first, take a few minutes to think about your safety. / Put your best foot forward – Jo O’Brien Your Online Identity / While the vast majority of people you meet online are perfectly normal, lovely people such as yourself, there are a few people who are unstable or dangerous. To reduce your chances of ever encountering a shady character, prevention is the best solution. Be aware of the images you publish of yourself. They should look professional and unless you are seeking work in the adult industry, should not be overly sexual. While details like your measurements and colouring may be required, personal details or contact details should be hidden. Contact Details / Don’t use your real name online, and don’t publish your telephone number or an email address where possible. There are easy to use forms you can add to your website that will allow interested parties to contact you without publishing your email address. Where an email address must be supplied, it is a good idea to set up a secondary one using a free site like hotmail, gmail or yahoo especially for this purpose. The only place you should ever need to supply a physical address is on a model release form on the day of the shoot. Where possible use a P.O Box address or the address of a family member (with permission). Always give out your mobile number instead of a land line number and let the photographer know you do not answer calls if you do not recognise the number. / Behind the scenes – Skyrocket Fights Clip – ARPhotography Find Out About The Photographer Or Artist / Before you agree to work with a photographer or artist there are some simple checks you can do to help you verify if they are professional and trustworthy. The first is to ask for a full physical address and telephone number where they can be contacted. Ask to see samples of their work and ask some general questions about how they like to work. Ask for referees from other models they have used and take the time to call a couple of people and ask them about how their shoot/session went. If the photographer or artist is reluctant to hand over such information, you should reconsider working with them. A professional will be happy to offer you these details. At this stage you should also be weary of overly optimistic promises about your modeling career or unusually high pay rates which could indicate a scam. Also be aware that TFP (Time for Prints/Photos) and particularly low pay may indicate an amature photographer. Be aware that there are scam artists who ask models to pay for services that are never fulfilled. Know What Is Expected Of You / Before you agree to a shoot or session, discuss the artist’s ideas and make sure you fully understand what is required of you. In particular ask about what you will be wearing (or not wearing) and the kind of tone or theme they are hoping to achieve. Who will be doing your hair and make up. Ask to see reference shots or sketches or see examples of what they are hoping to replicate. If you feel that they are not answering you fully, it is a good idea to clarify, even if you feel you are asking the obvious. For example say “I don’t understand exactly what you’re saying- do you mean that there will be nudity involved?” or “It sounds like this is pornographic work- am I right?” By being blunt and showing that you are not afraid to ask, it will encourage the artist to explain clearly what they want from you. Now is also a good time to ask if they will be shooting digital and if you will be able to see a few images during the shoot as you proceed. / Shoot the model – Michael Alesich How To Say No / At this point you may decide that you do not want to proceed. No matter how much time and effort the photographer or artist has gone to at this point, or how much they insist that they want you, your rights, safety and professional reputation come first. Be polite but firm. Do not get into a lengthy discussion. A response such as “Thank you for your interest and for taking the time to discuss this project with me. Unfortunately it is not a project I wish to do (at this time). Thank you again for your interest” should be sufficient. Traveling and Accomodation / Where possible arrange your own transport, the best option being a friend who will drive you and wait for the shoot to be completed before taking you home again. Do not accept offers to be collected from your home or work. If you need to stay overnight, arrange to have your own hotel room, ensure your room is booked under your name and check it before your departure. Never ever ever stay at the private residence of someone you do not know very well. When away from home travel by taxi. / The Movie Set – Michael Alesich Meeting the Photographer or Artist / Meet new photographers for the first time in a neutral public location. Never in a private residence or studio. The best meeting places are known to you both but neither of you have any special attachments or familiarity with it. In an instance where you want to avoid this person in the future, you do not want them to know your favorite cafe or hang out. Be suspicious if the location of a meet up or shoot changes shortly before meeting. This is one way that untrustworthy people attempt to get models alone where their friends and family do not know where they are. A photographer should have previously scouted a location and be able to give an address or map reference. In isolated areas, always bring a chaperone. Just Prior to a Shoot or Session / To ensure your safety, contact the photographer or artist and confirm the time, duration and place of the shoot. Even if you are bringing a chaperone, tell someone else who is not coming with you where you will be and for how long. Ask them to have their mobile switched on during your shoot. Some models wisely arrange a ‘silent alarm.’ For example you might arrange for this person to call you mid shoot and ask you what you are doing later on. If you answer “I’m having a quiet one with friends” they will know everything is good, if you say “my boyfriend is taking me to dinner” they will know you are nervous and if you say “I’m going out with my friends to party” that you need them to act to get you out of there. You should never need to complete a model release form before the day of a shoot but it is a good idea to read through a copy of it and understand it or arrange to use your own version. / Working for the Man by Melissa Vowell During The Shoot or Session / There is certain professional etiquette that is expected of all parties at a photo shoot. Don’t be convinced to pose in a way that you are unsure of or uncomfortable in. If you are asked to do something you are unsure of it is perfectly acceptable to say you do not want to. One tip is to bring along your own happy snap digital camera. If you are asked to do something you are not sure of, hand the photographer your camera and ask them to take one or two shots and show you first. Then you can check them before proceeding. In the days of digital, is is fairly reasonable on small shoots to ask to flick through the images briefly during a break or at the end of the shoot. If you have brought a chaperone, ensure they are not disruptive to the shoot with the obvious exception being if they see anything below board. Apologize for the inconvenience but leave your mobile phone switched on. After The Shoot / Model release forms should always be completed after the shoot, often on the same day or when you have viewed and approved the proofs or contact sheet. Never sign anything you do not understand. Some models who represent themselves bring along their own model release form which they know and understand well. Once the shoot is completed, within earshot of the photographer, it is a good move to call a friend and let them know you are leaving and how long until you get home. / Lorne ‘07 – Happy Snapping – James Price What to do if you are Harassed or Stalked? / The first thing to do is tell someone else about it- your friends and family. When you are stressed, having these people to support you will make a lot of difference to your ability to think clearly and make assertive decisions. If the person is sending you letters, emails, text messages or any other correspondence it is important that you keep it even if it is upsetting. The general advice given by police is not to feed the harasser by reacting, instead ignoring their attempts to upset you. If after a couple of weeks they have not relented or they make a serious threat against you, you should call your local police and seek advice and support. Many people are reluctant to bring the police into these sorts of matters however it is the only real way to help prevent other people falling victim and your testimony may be the case winner for another person who has already suffered the same as you. All this information sounds very pessimistic and negative and I really wish their was no need for it. The reality is that most photographers and artists are above board, professional and generally lovely to work with, but the tiny minority create enough horror stories and bad press that it’s important to know the risks. In all situations my best advice to you is to use your common sense, and trust any negative gut instincts you have about people. Your safety is far more important than any career opportunity and any amount of popularity or validation. / Lights Camera Action by Jo O’Brien
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First Flight
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Rock pool on a Winter’s afternoon. Mid North Coast – New South Wales.
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A handgun and holster resting on a wood slab.
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I want to thank my dear friend Michael Rowley for his contribution to this little number…his background trestle bridge is fantastic don’t you agree? That’s my orange sunset and of course, my “Urban Spaceships” ;-) Coming in for the big invasion…
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Shot at the Pigeon Point Lighthouse on the coast of California
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Had not the Lord been with us, then would the waters have overwhelmed us
by Bonnie Taylor BarryUS$4.28–US$114.00
This image reminds me that no matter how turbulent life becomes, the good God is our stronghold and our refuge, our only security.
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This was taken in Chicago from the Navy Pier at Lake Mich. with my Nikon D40 at a 55mm zoom. <—-Unfortunately the biggest lens I have.
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A nice send-off for someone embarking on a tropical getaway!
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